1 research outputs found
ΠΡΠΈΡ ΠΎΠ»ΠΎΠ³ΠΈΡΠ΅ΡΠΊΠΈΠ΅ ΠΎΡΠΎΠ±Π΅Π½Π½ΠΎΡΡΠΈ ΠΏΠ΅ΡΠ΅ΠΆΠΈΠ²Π°Π½ΠΈΡ ΡΡΡΠ΄Π΅Π½ΡΠ°ΠΌΠΈ ΠΎΠ³ΡΠ°Π½ΠΈΡΠ΅Π½ΠΈΡ Π΄ΠΎΡΡΡΠΏΠ° ΠΊ ΡΠΎΡΠΈΠ°Π»ΡΠ½ΡΠΌ ΡΠ΅ΡΡΠΌ
Introduction. Social networks are a tool for finding social contacts, emotional support, a means ofself-expression and self-presentation. In the period of so called "crisis of credibility", expressed in alarge amount of unverified and often contradictory information, it is very important to study thepsychological characteristics of students\u27 experience of limited access to social networks such asInstagram* (a Meta Platforms Inc. project, which is banned in Russia). The study of informationalbehavior in recent years has acquired particular relevance, which has been realized in a largenumber of both foreign and russian works. For the first time, an attempt was made to describethe differences in the characteristics of students\u27 experience of limited access to social networks,depending on the actions of respondents after the restriction of access. Methods. The studyinvolved 174 students aged 18 to 21 years (61 boys and 113 girls), students of 1β3 courses of theDon State Technical University. To achieve the goal of the study, the author\u27s questionnaire wasused (I. V. Abakumova, N. E. Komerova, S. V. Ryagin); test of Personal Adjustment (K. Rogers,adapted by A. K. Osnitsky); questionnaire "Strategic approach to coping scale" (SACS) (S. Hobfall,adapted by N. E. Vodopyanova, E. S. Starchenkova). Mathematical methods were the statisticalMann-Whitney U-test; Spearman\u27s rank correlation coefficient. Results. Coping strategies andfeatures of socio-psychological adaptation to stressful situations change depending on theactions of respondents after restricting access to the social network Instagram* (continuation ofuse using VPN applications, termination of use after a ban). Respondents who stopped using theInstagram* social network showed a higher level of avoidance and impulsive actions, less severityof internal control, adaptability, and emotional discomfort than respondents who continuedto use this social network. Discussion. Studies of informational behavior by both domestic andforeign authors emphasize the importance of the virtual space of social networks as a way ofself-presentation, communication, getting support, self-expression, etc., which is consistent withour results that limiting access to the popular resource among young people (Instagram*) canbe perceived as a frustrating event, the loss of a "part" of life, which activates certain copingstrategies and mechanisms of socio-psychological adaptation.ΠΠ²Π΅Π΄Π΅Π½ΠΈΠ΅. Π‘ΠΎΡΠΈΠ°Π»ΡΠ½ΡΠ΅ ΡΠ΅ΡΠΈ ΡΠ²Π»ΡΡΡΡΡ ΠΈΠ½ΡΡΡΡΠΌΠ΅Π½ΡΠΎΠΌ ΠΏΠΎΠΈΡΠΊΠ° ΡΠΎΡΠΈΠ°Π»ΡΠ½ΡΡ
ΠΊΠΎΠ½ΡΠ°ΠΊΡΠΎΠ², ΡΠΌΠΎΡΠΈΠΎΠ½Π°Π»ΡΠ½ΠΎΠΉ ΠΏΠΎΠ΄Π΄Π΅ΡΠΆΠΊΠΈ, ΡΡΠ΅Π΄ΡΡΠ²ΠΎΠΌ ΡΠ°ΠΌΠΎΠ²ΡΡΠ°ΠΆΠ΅Π½ΠΈΡ ΠΈ ΡΠ°ΠΌΠΎΠΏΡΠ΅Π·Π΅Π½ΡΠ°ΡΠΈΠΈ. ΠΠ° ΡΠΎΠ½Π΅ Β«ΠΊΡΠΈΠ·ΠΈΡΠ° Π΄ΠΎΡΡΠΎΠ²Π΅ΡΠ½ΠΎΡΡΠΈΒ», Π²ΡΡΠ°ΠΆΠ°ΡΡΠ΅Π³ΠΎΡΡ Π² Π±ΠΎΠ»ΡΡΠΎΠΌ ΠΊΠΎΠ»ΠΈΡΠ΅ΡΡΠ²Π΅ Π½Π΅ΠΏΡΠΎΠ²Π΅ΡΠ΅Π½Π½ΠΎΠΉ ΠΈ ΡΠ°ΡΡΠΎ ΠΏΡΠΎΡΠΈΠ²ΠΎΡΠ΅ΡΠΈΠ²ΠΎΠΉ ΠΈΠ½ΡΠΎΡΠΌΠ°ΡΠΈΠΈ, Π²Π΅ΡΡΠΌΠ° Π°ΠΊΡΡΠ°Π»ΡΠ½ΠΎ ΠΈΠ·ΡΡΠ°ΡΡ ΠΏΡΠΈΡ
ΠΎΠ»ΠΎΠ³ΠΈΡΠ΅ΡΠΊΠΈΠ΅ ΠΎΡΠΎΠ±Π΅Π½Π½ΠΎΡΡΠΈ ΠΏΠ΅ΡΠ΅ΠΆΠΈΠ²Π°Π½ΠΈΡ ΡΡΡΠ΄Π΅Π½ΡΠ°ΠΌΠΈ ΠΎΠ³ΡΠ°Π½ΠΈΡΠ΅Π½ΠΈΡ Π΄ΠΎΡΡΡΠΏΠ° ΠΊ ΡΠΎΡΠΈΠ°Π»ΡΠ½ΡΠΌ ΡΠ΅ΡΡΠΌ, ΡΠ°ΠΊΠΈΠΌ, ΠΊΠ°ΠΊ Instagram* (ΠΏΡΠΎΠ΅ΠΊΡ Meta Platforms Inc., Π΄Π΅ΡΡΠ΅Π»ΡΠ½ΠΎΡΡΡ ΠΊΠΎΡΠΎΡΠΎΠΉ Π² Π ΠΎΡΡΠΈΠΈ Π·Π°ΠΏΡΠ΅ΡΠ΅Π½Π°). Π’Π΅ΠΌΠ° ΠΈΡΡΠ»Π΅Π΄ΠΎΠ²Π°Π½ΠΈΡ ΠΈΠ½ΡΠΎΡΠΌΠ°ΡΠΈΠΎΠ½Π½ΠΎΠ³ΠΎ ΠΏΠΎΠ²Π΅Π΄Π΅Π½ΠΈΡ Π² ΠΏΠΎΡΠ»Π΅Π΄Π½ΠΈΠ΅ Π³ΠΎΠ΄Ρ ΠΏΡΠΈΠΎΠ±ΡΠ΅Π»Π° ΠΎΡΠΎΠ±ΡΡ Π°ΠΊΡΡΠ°Π»ΡΠ½ΠΎΡΡΡ, ΡΡΠΎ ΡΠ΅Π°Π»ΠΈΠ·ΠΎΠ²Π°Π»ΠΎΡΡ Π² Π±ΠΎΠ»ΡΡΠΎΠΌ ΠΊΠΎΠ»ΠΈΡΠ΅ΡΡΠ²Π΅ ΠΊΠ°ΠΊ Π·Π°ΡΡΠ±Π΅ΠΆΠ½ΡΡ
, ΡΠ°ΠΊ ΠΈ ΠΎΡΠ΅ΡΠ΅ΡΡΠ²Π΅Π½Π½ΡΡ
ΡΠ°Π±ΠΎΡ. ΠΠΏΠ΅ΡΠ²ΡΠ΅ ΠΏΡΠ΅Π΄ΠΏΡΠΈΠ½ΡΡΠ° ΠΏΠΎΠΏΡΡΠΊΠ° ΠΎΠΏΠΈΡΠ°ΡΡ ΡΠ°Π·Π»ΠΈΡΠΈΡ ΠΎΡΠΎΠ±Π΅Π½Π½ΠΎΡΡΠ΅ΠΉ ΠΏΠ΅ΡΠ΅ΠΆΠΈΠ²Π°Π½ΠΈΡ ΡΡΡΠ΄Π΅Π½ΡΠ°ΠΌΠΈ ΠΎΠ³ΡΠ°Π½ΠΈΡΠ΅Π½ΠΈΡ Π΄ΠΎΡΡΡΠΏΠ° ΠΊ ΡΠΎΡΠΈΠ°Π»ΡΠ½ΡΠΌ ΡΠ΅ΡΡΠΌ Π² Π·Π°Π²ΠΈΡΠΈΠΌΠΎΡΡΠΈ ΠΎΡ Π΄Π΅ΠΉΡΡΠ²ΠΈΠΉ ΡΠ΅ΡΠΏΠΎΠ½Π΄Π΅Π½ΡΠΎΠ² ΠΏΠΎΡΠ»Π΅ ΠΎΠ³ΡΠ°Π½ΠΈΡΠ΅Π½ΠΈΡ Π΄ΠΎΡΡΡΠΏΠ°. ΠΠ΅ΡΠΎΠ΄Ρ. Π ΠΈΡΡΠ»Π΅Π΄ΠΎΠ²Π°Π½ΠΈΠΈ ΠΏΡΠΈΠ½ΡΠ»ΠΈ ΡΡΠ°ΡΡΠΈΠ΅ 174 ΡΡΡΠ΄Π΅Π½ΡΠ° Π² Π²ΠΎΠ·ΡΠ°ΡΡΠ΅ ΠΎΡ 18 Π΄ΠΎ 21 Π³ΠΎΠ΄Π° (61 ΡΠ½ΠΎΡΠ° ΠΈ 113 Π΄Π΅Π²ΡΡΠ΅ΠΊ), ΡΡΠ°ΡΠΈΠ΅ΡΡ 1-3 ΠΊΡΡΡΠΎΠ² Π€ΠΠΠΠ£ ΠΠ Β«ΠΠΎΠ½ΡΠΊΠΎΠΉ Π³ΠΎΡΡΠ΄Π°ΡΡΡΠ²Π΅Π½Π½ΡΠΉ ΡΠ΅Ρ
Π½ΠΈΡΠ΅ΡΠΊΠΈΠΉ ΡΠ½ΠΈΠ²Π΅ΡΡΠΈΡΠ΅ΡΒ». ΠΠ»Ρ ΡΠ΅Π°Π»ΠΈΠ·Π°ΡΠΈΠΈ ΡΠ΅Π»ΠΈ ΠΈΡΡΠ»Π΅Π΄ΠΎΠ²Π°Π½ΠΈΡ ΠΈΡΠΏΠΎΠ»ΡΠ·ΠΎΠ²Π°Π½Ρ Π°Π²ΡΠΎΡΡΠΊΠ°Ρ Π°Π½ΠΊΠ΅ΡΠ°-ΠΎΠΏΡΠΎΡΠ½ΠΈΠΊ (Π. Π. ΠΠ±Π°ΠΊΡΠΌΠΎΠ²Π°, Π. Π. ΠΠΎΠΌΠ΅ΡΠΎΠ²Π°, Π‘. Π. Π ΡΠ³ΠΈΠ½); ΠΎΠΏΡΠΎΡΠ½ΠΈΠΊ ΡΠΎΡΠΈΠ°Π»ΡΠ½ΠΎ-ΠΏΡΠΈΡ
ΠΎΠ»ΠΎΠ³ΠΈΡΠ΅ΡΠΊΠΎΠΉ Π°Π΄Π°ΠΏΡΠ°ΡΠΈΠΈ (Π‘ΠΠ) (Π² Π°Π΄Π°ΠΏΡΠ°ΡΠΈΠΈ Π. Π. ΠΡΠ½ΠΈΡΠΊΠΎΠ³ΠΎ); ΠΎΠΏΡΠΎΡΠ½ΠΈΠΊ Β«Π‘ΡΡΠ°ΡΠ΅Π³ΠΈΠΈ ΠΏΡΠ΅ΠΎΠ΄ΠΎΠ»Π΅Π½ΠΈΡ ΡΡΡΠ΅ΡΡΠΎΠ²ΡΡ
ΡΠΈΡΡΠ°ΡΠΈΠΉΒ» (SACS) (Π‘. Π₯ΠΎΠ±ΡΠΎΠ»Π» Π² Π°Π΄Π°ΠΏΡΠ°ΡΠΈΠΈ Π. Π. ΠΠΎΠ΄ΠΎΠΏΡΡΠ½ΠΎΠ²ΠΎΠΉ, Π. Π‘. Π‘ΡΠ°ΡΡΠ΅Π½ΠΊΠΎΠ²ΠΎΠΉ). ΠΠ°ΡΠ΅ΠΌΠ°ΡΠΈΡΠ΅ΡΠΊΠΈΠΌΠΈ ΠΌΠ΅ΡΠΎΠ΄Π°ΠΌΠΈ Π²ΡΡΡΡΠΏΠΈΠ»ΠΈ ΡΡΠ°ΡΠΈΡΡΠΈΡΠ΅ΡΠΊΠΈΠΉ U-ΠΊΡΠΈΡΠ΅ΡΠΈΠΉ ΠΠ°Π½Π½Π°βΠ£ΠΈΡΠ½ΠΈ; ΠΊΠΎΡΡΡΠΈΡΠΈΠ΅Π½Ρ ΡΠ°Π½Π³ΠΎΠ²ΠΎΠΉ ΠΊΠΎΡΡΠ΅Π»ΡΡΠΈΠΈ Π‘ΠΏΠΈΡΠΌΠ΅Π½Π°. Π Π΅Π·ΡΠ»ΡΡΠ°ΡΡ. Π Π·Π°Π²ΠΈΡΠΈΠΌΠΎΡΡΠΈ ΠΎΡ Π΄Π΅ΠΉΡΡΠ²ΠΈΠΉ ΡΠ΅ΡΠΏΠΎΠ½Π΄Π΅Π½ΡΠΎΠ² ΠΏΠΎΡΠ»Π΅ ΠΎΠ³ΡΠ°Π½ΠΈΡΠ΅Π½ΠΈΡ Π΄ΠΎΡΡΡΠΏΠ° ΠΊ ΡΠΎΡΠΈΠ°Π»ΡΠ½ΠΎΠΉ ΡΠ΅ΡΠΈ Instagram* (ΠΏΡΠΎΠ΄ΠΎΠ»ΠΆΠ΅Π½ΠΈΠ΅ ΠΈΡΠΏΠΎΠ»ΡΠ·ΠΎΠ²Π°Π½ΠΈΡ Ρ ΠΏΠΎΠΌΠΎΡΡΡ ΠΏΡΠΈΠ»ΠΎΠΆΠ΅Π½ΠΈΠΉ VPN, ΠΏΡΠ΅ΠΊΡΠ°ΡΠ΅Π½ΠΈΠ΅ ΠΈΡΠΏΠΎΠ»ΡΠ·ΠΎΠ²Π°Π½ΠΈΡ ΠΏΠΎΡΠ»Π΅ Π·Π°ΠΏΡΠ΅ΡΠ°) ΠΈΠ·ΠΌΠ΅Π½ΡΡΡΡΡ ΠΊΠΎΠΏΠΈΠ½Π³-ΡΡΡΠ°ΡΠ΅Π³ΠΈΠΈ ΠΈ ΠΎΡΠΎΠ±Π΅Π½Π½ΠΎΡΡΠΈ ΡΠΎΡΠΈΠ°Π»ΡΠ½ΠΎ-ΠΏΡΠΈΡ
ΠΎΠ»ΠΎΠ³ΠΈΡΠ΅ΡΠΊΠΎΠΉ Π°Π΄Π°ΠΏΡΠ°ΡΠΈΠΈ ΠΊ ΡΡΡΠ΅ΡΡΠΎΠ²ΡΠΌ ΡΠΈΡΡΠ°ΡΠΈΡΠΌ. Π£ ΡΠ΅ΡΠΏΠΎΠ½Π΄Π΅Π½ΡΠΎΠ², ΠΊΠΎΡΠΎΡΡΠ΅ ΠΏΡΠ΅ΠΊΡΠ°ΡΠΈΠ»ΠΈ ΠΈΡΠΏΠΎΠ»ΡΠ·ΠΎΠ²Π°Π½ΠΈΠ΅ ΡΠΎΡΠΈΠ°Π»ΡΠ½ΠΎΠΉ ΡΠ΅ΡΠΈ Instagram*, Π²ΡΡΠ²Π»Π΅Π½ Π±ΠΎΠ»Π΅Π΅ Π²ΡΡΠΎΠΊΠΈΠΉ ΡΡΠΎΠ²Π΅Π½Ρ ΠΈΠ·Π±Π΅Π³Π°Π½ΠΈΡ ΠΈ ΠΈΠΌΠΏΡΠ»ΡΡΠΈΠ²Π½ΡΡ
Π΄Π΅ΠΉΡΡΠ²ΠΈΠΉ, ΠΌΠ΅Π½ΡΡΠ°Ρ Π²ΡΡΠ°ΠΆΠ΅Π½Π½ΠΎΡΡΡ Π²Π½ΡΡΡΠ΅Π½Π½Π΅Π³ΠΎ ΠΊΠΎΠ½ΡΡΠΎΠ»Ρ, Π°Π΄Π°ΠΏΡΠΈΠ²Π½ΠΎΡΡΠΈ, ΡΠΌΠΎΡΠΈΠΎΠ½Π°Π»ΡΠ½ΠΎΠ³ΠΎ Π΄ΠΈΡΠΊΠΎΠΌΡΠΎΡΡΠ°, ΡΠ΅ΠΌ Ρ ΡΠ΅ΡΠΏΠΎΠ½Π΄Π΅Π½ΡΠΎΠ², ΠΊΠΎΡΠΎΡΡΠ΅ ΠΏΡΠΎΠ΄ΠΎΠ»ΠΆΠΈΠ»ΠΈ ΠΏΠΎΠ»ΡΠ·ΠΎΠ²Π°ΡΡΡΡ Π΄Π°Π½Π½ΠΎΠΉ ΡΠΎΡΠΈΠ°Π»ΡΠ½ΠΎΠΉ ΡΠ΅ΡΡΡ. ΠΠ±ΡΡΠΆΠ΄Π΅Π½ΠΈΠ΅ ΡΠ΅Π·ΡΠ»ΡΡΠ°ΡΠΎΠ². ΠΡΡΠ»Π΅Π΄ΠΎΠ²Π°Π½ΠΈΡ ΠΈΠ½ΡΠΎΡΠΌΠ°ΡΠΈΠΎΠ½Π½ΠΎΠ³ΠΎ ΠΏΠΎΠ²Π΅Π΄Π΅Π½ΠΈΡ ΠΊΠ°ΠΊ ΠΎΡΠ΅ΡΠ΅ΡΡΠ²Π΅Π½Π½ΡΠΌΠΈ, ΡΠ°ΠΊ ΠΈ Π·Π°ΡΡΠ±Π΅ΠΆΠ½ΡΠΌΠΈ Π°Π²ΡΠΎΡΠ°ΠΌΠΈ ΠΏΠΎΠ΄ΡΠ΅ΡΠΊΠΈΠ²Π°ΡΡ Π²Π°ΠΆΠ½ΠΎΡΡΡ Π²ΠΈΡΡΡΠ°Π»ΡΠ½ΠΎΠ³ΠΎ ΠΏΡΠΎΡΡΡΠ°Π½ΡΡΠ²Π° ΡΠΎΡΠΈΠ°Π»ΡΠ½ΡΡ
ΡΠ΅ΡΠ΅ΠΉ ΠΊΠ°ΠΊ ΡΠΏΠΎΡΠΎΠ±Π° ΡΠ°ΠΌΠΎΠΏΡΠ΅Π·Π΅Π½ΡΠ°ΡΠΈΠΈ, ΠΊΠΎΠΌΠΌΡΠ½ΠΈΠΊΠ°ΡΠΈΠΈ, ΠΏΠΎΠ»ΡΡΠ΅Π½ΠΈΡ ΠΏΠΎΠ΄Π΄Π΅ΡΠΆΠΊΠΈ, ΡΠ°ΠΌΠΎΠ²ΡΡΠ°ΠΆΠ΅Π½ΠΈΡ ΠΈ ΠΏΡΠΎΡ., ΡΡΠΎ ΡΠΎΠ³Π»Π°ΡΡΠ΅ΡΡΡ Ρ Π½Π°ΡΠΈΠΌΠΈ ΡΠ΅Π·ΡΠ»ΡΡΠ°ΡΠ°ΠΌΠΈ ΠΎ ΡΠΎΠΌ, ΡΡΠΎ ΠΎΠ³ΡΠ°Π½ΠΈΡΠ΅Π½ΠΈΠ΅ Π΄ΠΎΡΡΡΠΏΠ° ΠΊ ΠΏΠΎΠΏΡΠ»ΡΡΠ½ΠΎΠΌΡ Ρ ΠΌΠΎΠ»ΠΎΠ΄Π΅ΠΆΠΈ ΡΠ΅ΡΡΡΡΡ Instagram*, ΠΌΠΎΠΆΠ΅Ρ Π²ΠΎΡΠΏΡΠΈΠ½ΠΈΠΌΠ°ΡΡΡΡ ΠΊΠ°ΠΊ ΡΡΡΡΡΡΠΈΡΡΡΡΠ΅Π΅ ΡΠΎΠ±ΡΡΠΈΠ΅, ΠΏΠΎΡΠ΅ΡΡ Β«ΡΠ°ΡΡΠΈΒ» ΠΆΠΈΠ·Π½ΠΈ, ΠΊΠΎΡΠΎΡΠΎΠ΅ Π°ΠΊΡΠΈΠ²ΠΈΡΡΠ΅Ρ ΠΎΠΏΡΠ΅Π΄Π΅Π»Π΅Π½Π½ΡΠ΅ ΠΊΠΎΠΏΠΈΠ½Π³-ΡΡΡΠ°ΡΠ΅Π³ΠΈΠΈ ΠΈ ΠΌΠ΅Ρ
Π°Π½ΠΈΠ·ΠΌΡ ΡΠΎΡΠΈΠ°Π»ΡΠ½ΠΎ-ΠΏΡΠΈΡ
ΠΎΠ»ΠΎΠ³ΠΈΡΠ΅ΡΠΊΠΎΠΉ Π°Π΄Π°ΠΏΡΠ°ΡΠΈΠΈ.