578 research outputs found
Poetisk materiale:Materialitetens tilstedeværelse og bearbejdning i det moderne billede med Jens Søndergaards maleri som eksempel
Billedrummet som et levende atlas i verden En introduktion til Georges Didi-Hubermans billedpolitiske projekt og kuratoriske praksis
The Image as a Living Atlas in the World. An Introduction to George Didi-Huberman’s Image Theory Project and Curatorial PracticeThis article delivers both an overview of the ongoing work of art historian Georges Didi-Huberman (b. 1953) and an attempt at analyzing the incarnational conception of images that runs through Didi-Huberman’s image theory. In the Christian tradition, images are the result of an incarnational double-economy. Didi-Huberman’s early interpretations in Fra Angelico, dissemblance et figuration are central to our understanding of this incarnational economy. The visible is capable of entering our flesh; to control this incarnational invasion, Christian tradition has developed a reflexive capacity to read these invasions as images in acts of exegesis. This reflexive exegetical economy is pivotal for Didi-Huberman’s political position regarding our modern use and abuse of images. Confronted with Pier Paolo Pasolini’s conviction that we live in a fascistic state of emergency that blinds our senses with total illumination, Didi-Huberman insists in believing that the described reflexive double-economy is still enabling us to let the visible enter our bodies and light up the darkness of our flesh from within as images – thereby developing our imagination and freeing us from the deadening total image that is fascism
An image based system to automatically and objectivelly score the degreeof redness and scaling in psoriasi lesions.
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