108 research outputs found
Vom Patriotismus zum Pantheismus: die 'per aspera ad astra'-Dramaturgie in der polnischen Symphonik um 1900 am Beispiel von Noskowski, Paderewski und KarĆowicz
Die polnische Symphonik des spĂ€ten 19. Jahrhunderts ist ein von Musikern und Musikwissenschaftlern gleichermaĂen vernachlĂ€ssigtes Gebiet
Renata Suchowiejko, Henryk Wieniawski. Kompozytor na tle wirtuozowskiej tradycji skrzypcowej XIX wieku (Henryk Wieniawski. Komponist im Kontext der Geigenvirtuosentradition des 19. Jahrhunderts), Poznan: Towarzystwo Muzyczne im. Henryka Wieniawskiego 2005 [Rezension]
Dem Schaffen Henryk Wieniawskis (1835 - 1880) wurde bislang in der Musikpraxis deutlich mehr Aufmerksamkeit geschenkt als in der Musikwissenschaft - ein Schicksal, das er mit vielen sogenannten
Virtuosenkomponisten teilt
Internationale Konferenz 'Stadtmusikgeschichte in Mittel- und Osteuropa: Die Musik der Religionsgemeinschaften um 1900': Leipzig, 5. und 6. November 2004
Die Erforschung des stÀdtischen Kirchenmusiklebens zÀhlt zu den Desiderata der Musikwissenschaft
âOd Chopina do ... Noskowskiegoâ? Zygmunt Noskowskis langer Weg zu Chopin
The aim of this text is to present the process whereby Zygmunt Noskowski grew closer to the music of Chopin, which he initially treated with considerable distance. In the first part of the article, the author analyses verbal testimony of Noskowskiâs Chopin reception on the basis of extant columns written by him. Noskowskiâs attention first focused on Chopin towards the end of the 1880s, the catalyst being the Chopin anniversaries celebrated in 1894 and 1899, for the purposes of which Noskowski arranged piano compositions by Chopin for orchestra and voice. The picture of Chopin sketched by Noskowski in his press writings contained Classicist components in which his sense of form and his affinities with the work of Bach were underlined; on the other hand, Noskowski stressed in Chopinâs music - as a specifically Polish characteristic - its links with nature. Both these factors influenced the shape of Noskowskiâs own music. In the second part of the article, the author shows Chopinâs influence on Noskowskiâs compositions, which initially found expression through the intermediary of the dramatic aspects of the Second Symphony of Ignacy Feliks DobrzyĆski, and then in episodic links between Noskowskiâs symphonic poem Step [The steppe] and Chopinâs Rondo Ă€ la krakowiak, Op. 14. The climactic point of Noskowskiâs dialogue with Chopin is defined by his programmatic-patriotic orchestral work Z ĆŒycia... [narodu] [From the life... [of the nation]], in which Chopinâs Prelude in A major from opus 28 served as the basis for a set of variations; this work, despite a number of inconsistencies, is regarded by the author as an important work, both in its from and in its culturalhistorical significance
Schriften von und ĂŒber Karol Szymanowski [Rezension]: Szymanowski on Music. Selected Writings, translated and edited by Alistair Wightman, London: Toccata Press 1999. 390 S.; Alistair Wightman: Karol Szymanowski. His Life and Work, Aldershot: Ashgate 1999. 492 S.; Tadeusz Andrzej ZielinÌski: Szymanowski. Liryka i ekstaza, Krakau: PWM 1997. 365 S.
Rezension von 3 Werken von und ĂŒber Karol Szymanowski in englischer und polnischer Sprach
Internationale musikwissenschaftliche Konferenz âKrzysztof Penderecki - Musik im Kontextâ: Leipzig, 17. bis 19. Oktober 2003
Bericht einer Konferenz zu Krzysztof Penderecki, Leipzig 200
- âŠ