[Digital] Archive

The study of what is collectively labeled New Media —the cultural and artistic practices made possible by digital technology—has become one of the most vibrant areas of scholarly activity and is rapidly turning into an established academic field, with many universities now offering it as a major. The Johns Hopkins Guide to Digital Media is the first comprehensive reference work to which teachers, students, and the curious can quickly turn for reliable information on the key terms and concepts of the field. The contributors present entries on nearly 150 ideas, genres, and theoretical concepts that have allowed digital media to produce some of the most innovative intellectual, artistic, and social practices of our time. The result is an easy-to-consult reference for digital media scholars or anyone wishing to become familiar with this fast-developing field

The Legacy of Rudolph Ackermann and Nineteenth-Century British Literary Annuals

By November 1822, the British reading public had already voraciously consumed both Walter Scott’s expensive novels and Rudolf Ackermann’s exquisite lithographs. The next decade, referred to by some scholars as dormant and unproductive, is in fact bursting with Forget Me Nots, , Keepsakes, and Literary Souvenirs. By wrapping literature, poetry, and art into an alluring package, editors and publishers saturated the market with a new, popular, and best-selling genre, the literary annual. In this excerpt from the introduction to Forget Me Not: The Rise of the British Literary Annual, the foundations of the literary annual, its Poetess Tradition, its varied and sometimes canonical authors are introduced in conjunction with the formative print culture and history of early nineteenth-century Britain

Play, Collaborate, Break, Build, Share: \u27Screwing Around\u27 in Digital Pedagogy

Digital Humanities has become a “hot” topic in academia over the last few years (as of 2012), primarily in research and scholarship. While many push forward into new realms of using technology to articulate cool findings, others at non research intensive universities are moving forward with engaging their undergraduate students in var ious forms of Digital Pedagogy, a facet of Digital Humanities. Single day bloom and fade projects, individual assignments, and larger scaffolded projects all comprise Digital Humanities curriculum. Here, I provide examples of all three types of projects an d include a discussion about risk, play, and productive failure to situate my type of pedagogy in a non research intensive university setting

White Paper: OER Adoption Study: Using Open Educational Resources in the College Classroom

Based on its survey responses, the California Open Educational Resources Council identified several impediments to adopting OER textbooks and concluded that rigorous peer review was ultimately the first step towards advocating for adoption of OER textbooks. The Council quickly identified 50 highly-enrolled courses with expensive textbooks across the three public systems of higher education and, over the following two years, collected more than 160 existing OER textbooks for these courses, established a rigorous peer review process, recruited faculty reviewers from the three systems, managed more than 450 reviews, and helped to curate the resulting high-quality, peer-reviewed collection of OER textbooks at COOL4ED, an online repository featuring reviews and case studies. Throughout, the CA-OERC’s work was supported by State monies, as well as grants from the Gates Foundation and Hewlett Foundation secured and administered by the CSU Chancellor’s Office