Wild dances and dying wolves: simulation, essentialization, and national identity at the Eurovision Song Contest

This paper examines Eurovision as a site for the public representation of the nation and explores the tendency towards simulation in such representations. The contest’s transnational audience and implication in commercial practices create pressures towards representing the nation through simplified, well-known images. A critique of globalization from south-east Europe argues that cultural production from marginalized countries which emphasizes local distinctiveness is a sign of structural inequality. This critique is tested against representational strategies from Ukraine, Bosnia-Herzegovina, Serbia and Croatia. Eurovision is then related to tourism through an analysis of the representation of the Mediterranean in Eurovision performances, which reflect symbolic hierarchies constructed by travel writing since the Enlightenment. Finally, the paper considers the overarching representational power exerted by host states

A Survey of Academic Approaches to Agrarian Transformation in Post-War Greece

Discussed here are the interpretations of agrarian transformation in Greece during the post-war period. These are divided roughly into developmentalist, populist and ethnographic arguments. Emphasis is placed on the necessity of an interdisciplinary method in order to understand patterns of rural change, without attributing a determining role either to a political economy perspective or to an a-historical concept of community. Using the example of ethnohistory, this survey argues for an effective comparative ethnography of rural change, thereby overcoming the usual distinction between macro and micro-analysis