Giving birth to 'a third world as work in common and space-time to be shared'. The importance of Luce Irigaray and Judith Butler to staging Sarah Kane's Cleansed (1998).

This audio recording was made from a presentation of the paper given by speaker Nina Kane at University of Paris-Sorbonne IV on Friday 27th June 2014. A written copy of the paper is also available to download from the repository. http://eprints.hud.ac.uk/id/eprint/21136 The paper draws on dramaturgical enquiry into Sarah Kane's 1998 play Cleansed, carried out in a university studio space and a public gallery setting. The enquiry applied the philosophies of Luce Irigaray and Judith Butler, positing Cleansed as a theatrical meditation on gender - one that requires actors to develop an ethics for the performing of sex, desire and violence. The research found that Irigaray's and Butler's ideas can be usefully applied to explore and contest binary constructions of gender, and provide vital philosophical frameworks for staging sexuate difference and transgender becoming in Kane's text. Cleansed centres its trajectory on an investigation of clothing and bodies which implicates and indicates the gender binary as a site of contestation, violence, desire, making, unmaking, resistance and mucosity. It encodes significant lesbian aesthetics of butch-femme play and languour in its performance structure. Its focus on sexuate difference, 'one of the major philosophical issues, if not the issue of our age' (Irigaray), and its movement between genders is supported with dramatisations of touch and breath at key gestic moments. The paper discusses how actors chose to stage these moments, analysing the choices made with reference to The Forgetting of Air, Sexes and Genealogies, The Marine Lover of Friedrich Nietzsche, and This Sex Which Is Not One (Irigaray). It discusses the nature of speech and desire - particularly female and lesbian desire - and the denial or erasure of this, with reference to Antigone's Claim (Butler). It reflects on the aesthetics of female and queer authorship at the Greenham Common Women's Peace Camp, and the traces of this historical moment in Cleansed. Finally, it contextualises Kane's representations of gender violence with reference to Frames of War (Butler) and notes how philosophical discussions of time and irreducible difference can assist inter-generational dialogue in the rehearsal room

The Treatment of Rape in Women's Performance Art and Sarah Kane's 'Blasted'.

This was a Master's thesis, produced as part of the MA in Writing for Performance course at the University of Huddersfield, 2007-8. the dissertation was submitted and passed in April 2008, and was produced under Dr Linda Taylor. It situates Sarah Kane's work in a context and heritage of feminist performance art from the 1950s onwards. It discusses how performance artists such as Ana Mendieta, Yoko Ono, Suzanne Lacy, Judy Chicago, Niki de Saint-Phalle, Valerie Export, the Womanhouse project, Tracey Emin, Karen Finley and Jenny Holzer worked with the theme of rape, before analysing how Sarah Kane treated this in her 1995 play 'Blasted'

Solar-terrestrial observations during STIP interval 15 (12-21 February 1984)

STIP interval XV covered the time period 12-21 February, 1984. Several large solar flares occurred during this period, the most significant being that on 16 February (0900 UT). Although this flare occurred about 40 deg behind the west limb of the Sun, both the occulted and the unocculted hard x-ray emission was obseved by instruments aboard spacecraft. The occulted radio emission and terrestrial effects were observed by several ground-based observatories. The flare produced energetic particles with energies up to several GeV. In spite of the location of the flare far behind the west limb, the high-energy particles produced a prompt and rapid increase in the ground-level neutron monitor rates. Observations of the solar-terrestrial effects of this and other flares during STIP interval XV are summarized and some of the implications of these new observations with respect to the acceleration and propagation of energetic solar particles and the role of flare-generated shocks will be discussed

Gyroscopic control of a rigid body constrained to rotate about a fixed axis

Gyroscopic control of spin rate or orientation of rigid bodies constrained to rotate about fixed axi

Modulation and heliocentric gradient of low energy cosmic rays near solar minimum, 1965

Modulation and heliocentric gradient of low energy cosmic rays near solar minimum, 196

SuperWASP observations of pulsating Am stars

We have studied over 1600 Am stars at a photometric precision of 1 mmag with SuperWASP photometric data. Contrary to previous belief, we find that around 200 Am stars are pulsating δ Sct and γ Dor stars, with low amplitudes that have been missed in previous, less extensive studies. While the amplitudes are generally low, the presence of pulsation in Am stars places a strong constraint on atmospheric convection, and may require the pulsation to be laminar. While some pulsating Am stars have been previously found to be δ Sct stars, the vast majority of Am stars known to pulsate are presented in this paper. They will form the basis of future statistical studies of pulsation in the presence of atomic diffusion