Style and Flow: A Commentary on Duinker & Martin

Duinker and Martin’s excellent study presents a wealth of new data, findings, and analyses. It represents a welcome focus on the details of musical aspects of hip-hop, as well as an effort to combine those details with more global aspects of recordings in order to clarify what our notions of hip-hop ‘style’ or ‘sound’ are based on. The examination of instrumental backgrounds and production parameters is particularly novel. I would suggest, however, that the study could have benefitted from the use of details pertaining to flow, particularly in the examination of trends over time and stylistic sub-groupings. I show that several parameters pertaining to the complexity, rhythmic placement, and repetitiveness of rhymes help track changes in hip-hop style over time, distinguish between more and less similar songs, and capture effects of apparent time within the same actual time period

Asymmetries in English Vowel Perception Mirror Compression Effects

A series of vowel-identification experiments using gated consonant stimuli shows that English listeners are capable of recovering the vocalic context in which a consonant appears from information contained in the consonant alone. This is true for most consonants tested, including liquids, nasals, and stops in onset and coda position. Positional asymmetries in vowel sensitivity go in opposite directions for liquids (coda sensitivity \u3e onset) and stops (onset \u3e coda). Nasals pattern with liquids in terms of vowel sensitivity from consonant steady states alone, but pattern more closely with stops when portions outside the steady-state are taken into account. It is argued that these asymmetries are related to patterns of cluster-driven vowel compression (also called ‘compensatory shortening’) in speech production

Lenition, Perception, and Neutralisation

This paper argues that processes traditionally classified as lenition fall into at least two subsets with distinct phonetic reflexes, formal properties, and characteristic contexts. One type, referred to as loss lenition, frequently neutralises contrasts in positions where they are perceptually indistinct. The second type, referred to as continuity lenition, can target segments in perceptually robust positions, increases the intensity and/or decreases the duration of those segments, and very rarely results in positional neutralisation of contrasts. While loss lenition behaves much like other phonological processes, analysing continuity lenition is difficult or impossible in standard phonological approaches. We develop a phonetically based optimality-theoretic account that explains the typology of the two types of lenition. The crucial proposal is that, unlike loss lenition, continuity lenition is driven by constraints that reference multiple prosodic positions

Harmonic Syntax of the Twelve-Bar Blues Form: A Corpus Study

THIS PAPER DESCRIBES THE CONSTRUCTION AND analysis of a corpus of harmonic progressions from 12-bar blues forms included in the jazz repertoire collection The Real Book. A novel method of coding and analyzing such corpus data is developed, with a notion of ‘‘possible harmonic change’’ derived from the corpus and logit mixed-effects regression models that describe the difference between actually occurring harmonic events and possible but non-occurring ones in terms of various sets of theoretical constructs. Models using different sets of constructs are compared using the Bayesian Information Criterion, which assesses the accuracy and efficiency of each model. The principal results are that: (1) transitional probabilities are better modeled using root-motion and chord-frequency information than they are using pairs of individual chords; (2) transitional probabilities are better described using a mixture model intermediate in complexity between a bigram and full trigram model; and (3) the difference between occurring and non-occurring chords is more efficiently modeled with a hierarchical, recursive context-free grammar than it is as a Markov chain. The results have implications for theories of harmony, composition, and cognition more generally

Perceptual Integration of Acoustic Cues to Laryngeal Contrasts in Korean Fricatives

This paper provides evidence that multiple acoustic cues involving the presence of lowfrequency energy integrate in the perception of Korean coronal fricatives. This finding helps explain a surprising asymmetry between the production and perception of these fricatives found in previous studies: lower F0 onset in the following vowel leads to a response bias for plain [s] over fortis [s*], despite the fact that there is no evidence for a corresponding acoustic asymmetry in the production of [s] and [s*]. A fixed classification task using the Garner paradigm provides evidence that low F0 in a following vowel and the presence of voicing during frication perceptually integrate. This suggests that Korean listeners in previous experiments were responding to an “intermediate perceptual property” of stimuli, despite the fact that the individual acoustic components of that property are not all present in typical Korean fricative productions. The finding also broadens empirical support for the general idea of perceptual integration to a language, a different manner of consonant, and a situation where covariance of the acoustic cues under investigation is not generally present in a listener’s linguistic input

An Attentional Effect of Musical Metrical Structure

Theories of metrical structure postulate the existence of several degrees of beat strength. While previous work has clearly established that humans are sensitive to the distinction between strong beats and weak ones, there is little evidence for a more fine grained distinction between intermediate levels. Here, we present experimental data showing that attention can be allocated to an intermediate level of beat strength. Comparing the effects of short exposures to 6/8 and 3/4 metrical structures on a tone detection task, we observe that subjects respond differently to beats of intermediate strength than to weak beats

Epistemic Modal Disagreement

At the center of the debate between contextualist versus relativist semantics for epistemic modal claims is an empirical question about when competent subjects judge the presence of epistemic modal disagreement. John MacFarlane’s relativist claims that we judge there to be epistemic modal disagreement across the widest range of cases. We wish to dispute the robustness of his data with the results of two studies. Our primary conclusion is that the actual disagreement data is not consistent with relativist predictions, and so, that the primary motivation for relativism disappears. Our study differs from a related study by Knobe and Yalcin (2014) in that we focus directly on the question of genuine disagreement, as opposed to a question about truth or the appropriateness of retraction. Some of our findings agree with theirs about relativism. We uncover new lessons along the way, including that there are widespread situation effects of epistemic modal discourse; idiosyncratic features of the vignettes significantly influencing judgments about epistemic modal disagreement. We reflect with mixed feelings on the prospects for contextualism to accommodate our findings

Compression Effects in English

This paper reports the results of an English experiment on vowel-shortening in different contexts. The data concern compression effects, whereby, in syllables with a greater number of segments, each one of the segments is shorter than in syllables with fewer segments. The experiment demonstrates that the amount of vowel compression found in English monosyllabic words depends in part on which consonants occur adjacent to the vowel in that word, how many consonants occur, and in which position they occur. Consonant clusters drive more vowel shortening than singletons when they involve liquids, but not when they involve only obstruents. Clusters involving nasals drive shortening relative to singletons only in onset position. We suggest that the results cannot be reduced to general principles of gestural overlap and coordination between consonants and vowels, but instead require a theory with overt representation of auditory duration

Reinvestment Alert 30: U.S. Household Debt Levels Are Worrying No Matter How You Look at Them

This alert analyses a variety of measures of debt to provide an overall sense of changes in U.S. household debt levels and the impact of those changes on different groups of families