Host plant genotype influences survival of hybrids between Eurosta solidaginis host races

Extrinsic, host-associated environmental factors may influence postmating isolation between herbivorous insect populations and represent a fundamentally ecological cause of speciation. We investigated this issue in experiments on hybrids between the host races of Eurosta solidaginis, a fly that induces galls on the goldenrods Solidago altissima and S. gigantea. To do so, we measured the performance of parental host races and their hybrids on five genotypes of S. gigantea and nine genotypes of S. altissima to test hypotheses about how variation in plant genotype affects performance (i.e., fitness) and potentially influences gene flow between these host races. We found that rates of gall induction and of survival to adult emergence by hybrid larvae were significantly lower than those of both parental host races on both host species, adding support to the hypothesis that there is partial postmating isolation between the host races. Hybrid flies significantly varied in their performance across plant genotypes of both host species. A significant interaction between the effects of plant genotype and mating treatment (parental vs. hybrid crosses) on larval performance indicated that the relative suitability of particular plant genotypes differed between the parental host races and their hybrids. These patterns illustrate a poor correspondence between optimal parental and hybrid environments, consistent with the hypothesis that these host races are partially isolated due to extrinsic (ecological) factors. Based on these findings, we discuss the possibility that plant genotypes in which hybrid performance is high can facilitate hybridization and gene flow between partially reproductively isolated populations of herbivorous insects, thus affecting the dynamics of ecological speciation

Multiple and mass introductions from limited origins: genetic diversity and structure of Solidago altissima in the native and invaded range.

Understanding the origins and diversity of invasive species can reveal introduction and invasion pathways, and inform an effective management of invasive species. Tall goldenrod, Solidago altissima, is a herbaceous perennial plant native to North America and it has become a widespread invasive weed in East Asian countries. We used microsatellite and chloroplast DNA markers to obtain information on neutral processes and on genetic diversity in native and invaded populations of S. altissima and to infer how it invaded and spread in Japan. We found that introduced (n = 12) and native (n = 20) populations had similar levels of genetic diversity at nuclear SSR loci. Genetic structure analysis indicated that at least two independent colonization events gave rise to current S. altissima populations in Japan. The majority (68%) of the Japanese S. altissima were genetically similar and likely shared a common origin from a single or a small number of populations from the southern USA populations, while the populations in Hokkaido were suggested to arise from a different source. Our results suggest that multiple and mass introductions have contributed to the persistence and rapid adaptation of S. altissima promoting its widespread establishment throughout Japan

The Bedridden Script Doctor: Itami Mansaku’s Scenario Reviews

The director and scriptwriter Itami Mansaku was a major proponent of the revisionist movement in prewar Japanese period film. However, with only a handful of his screen works surviving, Itami’s reputation arises mostly from his contemporaries’ accounts and his own critical writings. Caught between the restrictions imposed by a debilitating illness and government censorship, during the war years Itami strived to stay in touch with the Japanese film world by continuing to work on scripts as well as write criticism from his sickbed. This article discusses Itami’s creative and critical efforts, which were to have a considerable impact on subsequent Japanese filmmakers. Particular attention is paid to examining Itami’s scenario reviews, serialised in the journal Japanese Cinema between 1941 and 1942, where he took an actively interventionist stance quite different from what is conventionally allowed for film criticism