69 research outputs found
Defining authorship in user-generated content : copyright struggles in The Game of Thrones
The notion of authorship is a core element in antipiracy campaigns accompanying an emerging copyright regime, worldwide. These campaigns are built on discourses that aim to âproblematizeâ the issues of âlegalityâ of content downloading practices, âprotectionâ for content creators and the alleged damage caused to creatorsâ livelihood by piracy. Under these tensions, fandom both subverts such discourses, through sharing and production practices, and legitimizes industryâs mythology of an âoriginalâ author. However, how is the notion of authorship constructed in the cooperative spaces of fandom? The article explores the most popular fandom sites of A Song of Ice and Fire, the book series that inspires the TV-show Game of Thrones and argues that the notion of authorship is not one-dimensional, but rather consists of attributes that develop across three processes: community building, the creative and the industrial/production process. Here, fandom constructs a figure of the âauthorâ which, although more complex than the one presented by the industry in its copyright/anti-piracy campaigns, maintains the status quo of regulatory frameworks based on the idea of a âprimaryâ creator
Doomsday fieldwork, or, how to rescue Gaelic culture? The salvage paradigm in geography, archaeology, and folklore, 1955â62
The Jimusho System: Understanding the Production Logic of the Japanese Entertainment Industry
âHe is a New Man, a Proper Family Manâ: The Impact of a Specialist âFamily Wingâ on the Quality of Family Relationships and Paternal Identity among Imprisoned Fathers
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