Historical Method in Canadian Literary Studies: Some Recent Examples

Publisher's version/PD

Who's There?

Analyzes the writings of Northrop Frye in Canadian literature. Prediction of Frye on Canadian criticism; What conservatives want readers to think about literary theory

Terror and Erebus by Gwendolyn MacEwen: White Technologies and the End of Science

This paper examines Canadian poet Gwendolyn MacEwen’s verse play Terror and Erebus by considering the play’s representation of technology in light of its own poetic technologies. Terror and Erebus is a play for voices that features four characters: Franklin, Crozier, Rasmussen, and Qaqortingneq. As the character Rasmussen searches for the traces of the lost expedition, imagining the voices of the explorers in their final hours, his investigation reveals how the “white technologies” used to explore the Arctic succumb to the environment without the indigenous knowledge possessed by the Inuit who inhabit the Arctic. The paper shows how MacEwen’s literary vision contrasts recent coverage of efforts to locate the Franklin ships which have ignored or down-played Inuit testimony. Working from Rasmussen’s transcriptions of Qaqortingneq’s voice, MacEwen represents Inuit knowledge and technology as both an alternative to the model of scientific discovery underwriting the Franklin expedition and as source of the authoritative account of what happened to Franklin and his crew

Historical method in Canadian literary studies: some recent examples

Publisher's version/PD

Representing the Canadian North : stories of gender, race, and nation

This thesis addresses the teleological relationship between national identity and national consciousness in the specific definition of Canada as a northern nation by giving a descriptive account of representative texts in which the north figures as a central theme, including: ethnography, travel writing, autobiography, adventure stories, poetry, and novels. It argues that the collective Canadian identity idealized in the representation of the north is not organic but constructed in terms of such characteristics as self-sufficiency, independence, and endurance; that these characteristics are inflected by ideas of gender and race; and that they are evoked to give the 'deeper justification' of nationhood to the Canadian state. In this description of the mutually dependent definitions of gender, racial, and national identities, the thesis disputes the idea that northern consciousness is the source of a distinct collective identity for Canadians

Terror and Erebus by Gwendolyn MacEwen: White Technologies and the End of Science

This paper examines Canadian poet Gwendolyn MacEwen’s verse play Terror and Erebus by considering the play’s representation of technology in light of its own poetic technologies. Terror and Erebus is a play for voices that features four characters: Franklin, Crozier, Rasmussen, and Qaqortingneq. As the character Rasmussen searches for the traces of the lost expedition, imagining the voices of the explorers in their final hours, his investigation reveals how the “white technologies” used to explore the Arctic succumb to the environment without the indigenous knowledge possessed by the Inuit who inhabit the Arctic. The paper shows how MacEwen’s literary vision contrasts recent coverage of efforts to locate the Franklin ships which have ignored or down-played Inuit testimony. Working from Rasmussen’s transcriptions of Qaqortingneq’s voice, MacEwen represents Inuit knowledge and technology as both an alternative to the model of scientific discovery underwriting the Franklin expedition and as source of the authoritative account of what happened to Franklin and his crew