Native vegetation of the southern forests : south-east highlands, Australian alps, south-west Slopes, and SE Corner bioregions

The Southern Forests study area covers an area of about six million hectares of south-eastern New South Wales, south of Oberon and Kiama and east of Albury and Boorowa (latitude 33° 02’–37 ° 06’ S; longitude 146° 56’ – 147° 06’ E). The total area of existing vegetation mapped was three million hectares (3 120 400 hectares) or about 50% of the study area. Terrestrial, wetland and estuarine vegetation of the Southern Forests region were classified into 206 vegetation groups and mapped at a scale between 1: 25 000 and 1: 100 000. The classification was based on a cluster analysis of detailed field surveys of vascular plants, as well as field knowledge in the absence of field survey data. The primary classification was based on 3740 vegetation samples with full floristics cover abundance data. Additional classifications of full floristics presence-absence and tree canopy data were carried out to guide mapping in areas with few full floristic samples. The mapping of extant vegetation was carried out by tagging vegetation polygons with vegetation codes, guided by expert knowledge, using field survey data classified into vegetation groups, remote sensing, and other environmental spatial data. The mapping of pre-1750 vegetation involved tagging of soils mapping with vegetation codes at 1: 100 000 scale, guided by spatial modelling of vegetation groups using generalised additive statistical models (GAMS), and expert knowledge. Profiles of each of the vegetation groups on the CD-ROM* provide key indicator species, descriptions, statistics and lists of informative plant species. The 206 vegetation groups cover the full range of natural vegetation, including rainforests, moist eucalypt forests, dry shrub forests, grassy forests, mallee low forests, heathlands, shrublands, grasslands and wetlands. There are 138 groups of Eucalyptus forests or woodlands, 12 rainforest groups, and 46 non-forest groups. Of the 206 groups, 193 were classified and mapped in the study area. Thirteen vegetation groups were not mapped because of their small size and lack of samples, or because they fell outside the study area. Updated regional extant and pre-1750 vegetation maps of southern New South Wales have been produced in 2005, based on those originally prepared in 2000 for the southern Regional Forest Agreement (RFA). Further validation and remapping of extant vegetation over 10% of the study area has subsequently improved the quality of the vegetation map, and removed some of the errors in the original version. The revised map provides a reasonable representation of native vegetation at a scale between 1: 25 000 and 1: 100 000 across the study area. In 2005 native vegetation covers 50% of the study area. Environmental pressures on the remaining vegetation include clearing, habitat degradation from weeds and nutrification, severe droughts, changing fire regimes, and urbanisation. Grassy woodlands and forests, temperate grasslands, and coastal and riparian vegetation have been the most reduced in areal extent. Over 90% of the grassy woodlands and temperate grasslands have been lost. Conservation of the remaining vegetation in these formations is problematic because of the small, discontinuous, and degraded nature of the remaining patches of vegetation

A Look at Financial Accounting Through Cases and Discussion

This thesis is the collection of eleven case studies completed over the course of a year in the Patterson School of Accountancy under the direction of Dr. Victoria Dickinson. This collection of case studies covers various topics, but most topics relate to Financial Accounting in today’s world. Some of the topics of research include Britain’s exit from The European Union, an analysis of a public company’s Annual Report, and recent political discussions concerning the Electoral College. While most cases performed were research related, others were project-based such as obtaining a Certification from the Corporate Finance Institute in Excel and conducting interviews with older students in the Patterson School as well as current professionals. These case studies were performed using technical understanding gained from coursework as well as professional judgement. All of these completed cases contribute to a greater understanding of both the technical aspects of financial accounting as well as the practical aspects in today’s accounting and business environment

From Power Over Creation to the Power of Creation: Cornelius Castoriadis on Democratic Cultural Creation and the Case of Hollywood

This article is a critical investigation and application of the aesthetic theory of Cornelius Castoriadis, one of the most important 20th-century theorists of radical democracy. We outline Castoriadis’s thoughts on autonomy, the social-historical nature of Being, and creation -- key elements that inform his model of democratic culture. We then develop a Castoriadian critique of culture produced by capitalist institutions. By also drawing on the political economic thought of Thorstein Veblen, Jonathan Nitzan and Shimshon Bichler, our critique focuses on one sector of contemporary culture: Hollywood film. We show how Hollywood, as a business enterprise, uses techniques of sabotage and capitalization to control and occult the social-historical nature of creation. Lastly, by way of conclusion, we gesture toward a mode of artistic production that is able to affirm the democratic values that organize Castoriadis’s thought

From Power Over Creation to the Power of Creation: Cornelius Castoriadis on Democratic Cultural Creation and the Case of Hollywood

Cornelius Castoriadis Hollywood film industry mass culture democracy cultural creation aesthetic theory capitalismThis article is a critical investigation and application of the aesthetic theory of Cornelius Castoriadis, one of the most important 20th-century theorists of radical democracy. We outline Castoriadis’s thoughts on autonomy, the social-historical nature of Being, and creation -- key elements that inform his model of democratic culture. We then develop a Castoriadian critique of culture produced by capitalist institutions. By also drawing on the political economic thought of Thorstein Veblen, Jonathan Nitzan and Shimshon Bichler, our critique focuses on one sector of contemporary culture: Hollywood film. We show how Hollywood, as a business enterprise, uses techniques of sabotage and capitalization to control and occult the social-historical nature of creation. Lastly, by way of conclusion, we gesture toward a mode of artistic production that is able to affirm the democratic values that organize Castoriadis’s thought