325 research outputs found

    Ode to Self-indulgence: A Proem for Emily

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    The Devolution of Fire

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    In Your Presence | Know Your Love

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    This is Just to Say, 2002

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    Kingsville, 1970

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    A New Lamentation for America

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    A New Testament

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    A Survey of the Content of Some Heavy Metals in Soil and Corn Grain in the Pond and Lower Green River Bottoms

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    Corn is intensively grown along the Green and Pond Rivers in McLean, Hopkins, and Webster Counties, Kentucky, representing a major source of income to producers in those areas. However, producers in McLean County have experienced poorer corn production than expected for many years. This has been observed more on the Pond River bottoms and the Green River bottoms below the confluence of the Pond than upstream on the Green above the Pond. Some producers have speculated that their poor production may be associated with chemical pollution from the Pond River and/or nearby industrial sources. On this basis, an assumption was made that if chemical pollution did occur, it would be most noticeable in fields which commonly overflow with water originating upstream on the Green or Pond Rivers. Further, a second assumption was made that bottom land sites which less frequently overflow, would have lower concentrations of chemical pollutants

    Billy Elliot The Musical: visual representations of working-class masculinity and the all-singing, all-dancing bo[d]y

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    According to Cynthia Weber, ‘[d]ance is commonly thought of as liberating, transformative, empowering, transgressive, and even as dangerous’. Yet ballet as a masculine activity still remains a suspect phenomenon. This paper will challenge this claim in relation to Billy Elliot the Musical and its critical reception. The transformation of the visual representation of the human body on stage (from an ephemeral existence to a timeless work of art) will be discussed and analysed vis-a-vis the text and sub-texts of Stephen Daldry’s direction and Peter Darling’s choreography. The dynamics of working-class masculinity will be contextualised within the framework of the family, the older female, the community, the self and the act of dancing itself
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