The Politics of the Hunger Games

Set in the future dystopia of Panem, The Hunger Games trilogy follows the rise of a provincial rebellion against the wealthy and tyrannical Capitol. As narrator and heroine, Katniss Everdeen comes to embody the hope of the long oppressed for a new order. During her journey some of our most urgent political questions are addressed. What does it mean to be a leader? Can the oppressed recover a political identity that affirms individual values and freedoms? Do the media necessarily corrupt political discourse? This critical study of The Hunger Games explores novels in the context of how we think about the nature of politics, the value of the individual and the importance of political action. The author draws parallels between Panem and the Roman Empire, considering Herod\u27s Massacre of the Innocents alongside Haymitch Abernathy\u27s elusive political influence as mentor of tributes. (from Amazon

Liturgical liaisons : the textual body, irony, and betrayal in John Donne and Emily Dickinson

This thesis examines how John Donne and Emily Dickinson develop a liturgical poetics by recovering the irony that characterizes the accounts of the Last Supper. A liturgical poetics indicates a text that responds to the unavoidable death that all humans must encounter. Specifically, I analyze how Donne and Dickinson anticipate an eschatological release from mortality’s destabilizing effects within a Western Christian theological framework. As a result of the Fall, humanity is in exile from God’s presence. During the Last Supper, Jesus promises to share a future meal with his disciples, a pledge that establishes the textual basis for expecting a restoration to a pre-Fall condition. A central feature of this project is the examination of how the flesh and blood of Jesus’ body provide the signs that enable the anticipation of this restoration. As the threshold that links the text with this specific theological tradition, the body generates effects that characterize a liturgical poetics. Irony is foremost among these effects and this trope is a common denominator in describing how Donne and Dickinson draw upon the body. The central irony is that Jesus’ body (like all bodies) still must undergo death, which in turn subverts the promise he makes. This thesis thus examines how Donne and Dickinson situate their liturgical poetics amidst this indefinite delay of the promise’s fulfillment. The body highlights the deconstructive features that Donne and Dickinson share with the Last Supper and late-20th and early 21st Century Continental Philosophy. Key figures from this tradition provide the methodological stepping off point for analyzing how Donne and Dickinson adapt the Last Supper’s irony. The result is to situate my argument in the paradox at the core of a liturgical poetics; in this paradox, the body offers the required closure that opens the text towards the restorative, eschatological condition that underwrites Western Christianity. The congruence between these various deconstructive traditions provides the basis for an eschatological Body

The Politics of the Hunger Games

Set in the future dystopia of Panem, The Hunger Games trilogy follows the rise of a provincial rebellion against the wealthy and tyrannical Capitol. As narrator and heroine, Katniss Everdeen comes to embody the hope of the long oppressed for a new order. During her journey some of our most urgent political questions are addressed. What does it mean to be a leader? Can the oppressed recover a political identity that affirms individual values and freedoms? Do the media necessarily corrupt political discourse? This critical study of The Hunger Games explores novels in the context of how we think about the nature of politics, the value of the individual and the importance of political action. The author draws parallels between Panem and the Roman Empire, considering Herod\u27s Massacre of the Innocents alongside Haymitch Abernathy\u27s elusive political influence as mentor of tributes. (from Amazon