Art and piety in Lutheran Germany and beyond

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Introduction : Art and Religious Reform in Early Modern Europe

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Wahrheit – Geschwindigkeit – Pluralität

Neue Techniken zur Informationsübermittlung befördern den Informationsaustausch. Das ist eine für das 20. und 21. Jahrhundert ganz selbstverständliche Feststellung. Genauso selbstverständlich gilt sie aber auch für das 16. Jahrhundert und die Frühe Neuzeit insgesamt. Ein allseits bekanntes Beispiel dafür ist die Verbesserung der Techniken des Buchdrucks durch die Verwendung beweglicher Lettern. Dies führte dazu, dass neue Medien entstanden und sich dauerhaft etablierten, wie z.B. die Flugschrift und die „Neue Zeitung“. Andere bereits bekannte Genera wie Lieder und Predigten erhielten durch die veränderte Kommunikationssituation eine neue Bedeutung in den Auseinandersetzungen der Zeit. Daraus ergaben sich vielfältige Chancen und Heraus­forderungen, denn die Nutzung dieser neuen Medien wie die Transformation bestehender Medienformate und deren flächendeckende Verwendung setzte politische, soziale, juristische und religiöse Veränderungsprozesse in Gang bzw. beförderte sie.Die Beiträge des Sammelbandes möchten diese neuen Kommunikationsformen und -methoden ebenso wie die Veränderungsprozesse für das 16. Jahrhundert ausleuchten. Dies geschieht, indem Wandlungs- und Transformationsprozesse durch die Nutzung bekannter sowie die Schaffung neuer Medienformate, der Umgang mit Meinungsvielfalt und der damit einhergehenden Pluralität an Deutungen des Zeitgeschehens sowie die Entstehung einer neuen Streitkultur und neue Ordnungsversuche analysiert werden

A magnificent faith:art and identity in Lutheran Germany

This book explains how and why Lutheranism—a confession that insisted upon the pre-eminence of God’s Word—became a visually magnificent faith, a faith whose adherents sought to captivate Christians’ hearts and minds through seeing as well as through hearing. Although Protestantism is no longer understood as an exclusively word-based religion, the paradigm of evangelical ambivalence towards images retains its power. This is the first study to offer an account of the Reformation origins and subsequent flourishing of the Lutheran baroque, of the rich visual culture that developed in parts of the Holy Roman Empire during the later seventeenth and early eighteenth centuries. The book opens with a discussion of the legacy of the Wittenberg Reformation. Three sections then focus on the confessional, devotional and magnificent image, exploring turning points in Lutherans’ attitudes towards religious art. Drawing on a wide variety of archival, printed and visual sources from two of the Empire’s most important Protestant territories—Saxony, the heartland of the Reformation, and Brandenburg—the book shows the extent to which Lutheran culture was shaped by territorial divisions. It traces the development of a theologically grounded aesthetic, and argues that images became become prominent vehicles for the articulation of Lutheran identity not only amongst theologians but also amongst laymen and women. By examining the role of images in the Lutheran tradition as it developed over the course of two centuries, A Magnificent Faith offers a new understanding of the relationship between Protestantism and the visual arts

The impact of the european reformation:Princes, clergy and people

Recent decades have witnessed the fragmentation of Reformation studies, with high-level research confined within specific geographical, confessional or chronological boundaries. By bringing together scholars working on a wide variety of topics, this volume counteracts this centrifugal trend and provides a broad perspective on the impact of the European reformation. The essays present new research from historians of politics, of the church and of belief. Their geographical scope ranges from Scotland and England via France and Germany to Transylvania and their chronological span from the 1520s to the 1690s Considering the impact of the Reformation on political culture and examining the relationship between rulers and ruled; the book also examines the church and its personnel, another sphere of life that was entirely transformed by the Reformation. Important aspects of knowledge and belief are discussed in terms of scientific knowledge and technological progress, juxtaposed with analyses of elite and popular belief, which demonstrates the limitations of Weber's notion of the disenchantment of the world. Together they indicate the diverse directions in which Reformation scholarship is now moving, while reminding us of the need to understand particular developments within a broader European context; demonstrating that movements for religious reform left no sphere of European life untouched.</p