Towards musical interaction : 'Schismatics' for e-violin and computer.

This paper discusses the evolution of the Max/MSP patch used in schismatics (2007, rev. 2010) for electric violin (Violectra) and computer, by composer Sam Hayden in collaboration with violinist Mieko Kanno. schismatics involves a standard performance paradigm of a fixed notated part for the e-violin with sonically unfixed live computer processing. Hayden was unsatisfied with the early version of the piece: the use of attack detection on the live e-violin playing to trigger stochastic processes led to an essentially reactive behaviour in the computer, resulting in a somewhat predictable one-toone sonic relationship between them. It demonstrated little internal relationship between the two beyond an initial e-violin ‘action’ causing a computer ‘event’. The revisions in 2010, enabled by an AHRC Practice-Led research award, aimed to achieve 1) a more interactive performance situation and 2) a subtler and more ‘musical’ relationship between live and processed sounds. This was realised through the introduction of sound analysis objects, in particular machine listening and learning techniques developed by Nick Collins. One aspect of the programming was the mapping of analysis data to synthesis parameters, enabling the computer transformations of the e-violin to be directly related to Kanno’s interpretation of the piece in performance

Doping and energy evolution of spin dynamics in the electron-doped cuprate superconductor Pr0.88_{0.88}LaCe0.12_{0.12}CuO4−δ_{4-\delta}

The doping and energy evolution of the magnetic excitations of the electron-doped cuprate superconductor Pr$_{0.88}$LaCe$_{0.12}$CuO$_{4-\delta}$ in the superconducting state is studied based on the kinetic energy driven superconducting mechanism. It is shown that there is a broad commensurate scattering peak at low energy, then the resonance energy is located among this low energy commensurate scattering range. This low energy commensurate scattering disperses outward into a continuous ring-like incommensurate scattering at high energy. The theory also predicts a dome shaped doping dependent resonance energy.Comment: 8 pages, 4 figures, added discussions, replotted figures, and updated references, accepted for publication in Phys. Rev.

High-Frequency Spin Waves in YBa2Cu3O6.15

Pulsed neutron spectroscopy is used to make absolute measurements of the dynamic magnetic susceptibility of insulating YBa2Cu3O6.15. Acoustic and optical modes, derived from in- and out-of-phase oscillation of spins in adjacent CuO2 planes, dominate the spectra and are observed up to 250 meV. The optical modes appear first at 74 meV. Linear-spin-wave theory gives an excellent description of the data and yields intra- and inter-layer exchange constants of J_parallel =125 meV and J_perp = 11 meV respectively and a spin-wave intensity renormalization Z_chi = 0.4.Comment: postscript, 11 pages, 4 figures, Fig.2 fixe

Random quantum codes from Gaussian ensembles and an uncertainty relation

Using random Gaussian vectors and an information-uncertainty relation, we give a proof that the coherent information is an achievable rate for entanglement transmission through a noisy quantum channel. The codes are random subspaces selected according to the Haar measure, but distorted as a function of the sender's input density operator. Using large deviations techniques, we show that classical data transmitted in either of two Fourier-conjugate bases for the coding subspace can be decoded with low probability of error. A recently discovered information-uncertainty relation then implies that the quantum mutual information for entanglement encoded into the subspace and transmitted through the channel will be high. The monogamy of quantum correlations finally implies that the environment of the channel cannot be significantly coupled to the entanglement, and concluding, which ensures the existence of a decoding by the receiver.Comment: 9 pages, two-column style. This paper is a companion to quant-ph/0702005 and quant-ph/070200

Quantum Phase Transitions in the Itinerant Ferromagnet ZrZn2_2

We report a study of the ferromagnetism of ZrZn$_{2}$, the most promising material to exhibit ferromagnetic quantum criticality, at low temperatures $T$ as function of pressure $p$. We find that the ordered ferromagnetic moment disappears discontinuously at $p_c$=16.5 kbar. Thus a tricritical point separates a line of first order ferromagnetic transitions from second order (continuous) transitions at higher temperature. We also identify two lines of transitions of the magnetisation isotherms up to 12 T in the $p-T$ plane where the derivative of the magnetization changes rapidly. These quantum phase transitions (QPT) establish a high sensitivity to local minima in the free energy in ZrZn$_{2}$, thus strongly suggesting that QPT in itinerant ferromagnets are always first order

A Comparison of the High-Frequency Magnetic Fluctuations in Insulating and Superconducting La2-xSrxCuO4

Inelastic neutron scattering performed at a spallation source is used to make absolute measurements of the dynamic susceptibility of insulating La2CuO4 and superconducting La2-xSrxCuO4 over the energy range 15<EN<350 meV. The effect of Sr doping on the magnetic excitations is to cause a large broadening in wavevector and a substantial change in the spectrum of the local spin fluctuations. Comparison of the two compositions reveals a new energy scale of 22 meV in La1.86Sr0.14CuO4.Comment: RevTex, 7 Pages, 4 postscript figure

A neutron scattering study of the interplay between structure and magnetism in Ba(Fe1−x_{1-x}Cox_{x})2_2As2_2

Single crystal neutron diffraction is used to investigate the magnetic and structural phase diagram of the electron doped superconductor Ba(Fe$_{1-x}$Co$_x$)$_2$As$_2$. Heat capacity and resistivity measurements have demonstrated that Co doping this system splits the combined antiferromagnetic and structural transition present in BaFe$_2$As$_2$ into two distinct transitions. For $x$=0.025, we find that the upper transition is between the high-temperature tetragonal and low-temperature orthorhombic structures with ($T_{\mathrm{TO}}=99 \pm 0.5$ K) and the antiferromagnetic transition occurs at $T_{\mathrm{AF}}=93 \pm 0.5$ K. We find that doping rapidly suppresses the antiferromagnetism, with antiferromagnetic order disappearing at $x \approx 0.055$. However, there is a region of co-existence of antiferromagnetism and superconductivity. The effect of the antiferromagnetic transition can be seen in the temperature dependence of the structural Bragg peaks from both neutron scattering and x-ray diffraction. We infer from this that there is strong coupling between the antiferromagnetism and the crystal lattice

Towards musical interaction: 'Schismatics' for e-violin and computer

This paper discusses the evolution of the Max/MSP patch used in schismatics (2007, rev. 2010) for electric violin (Violectra) and computer, by composer Sam Hayden in collaboration with violinist Mieko Kanno. schismatics involves a standard performance paradigm of a fixed notated part for the e-violin with sonically unfixed live computer processing. Hayden was unsatisfied with the early version of the piece: the use of attack detection on the live e-violin playing to trigger stochastic processes led to an essentially reactive behaviour in the computer, resulting in a somewhat predictable one-toone sonic relationship between them. It demonstrated little internal relationship between the two beyond an initial e-violin ‘action’ causing a computer ‘event’. The revisions in 2010, enabled by an AHRC Practice-Led research award, aimed to achieve 1) a more interactive performance situation and 2) a subtler and more ‘musical’ relationship between live and processed sounds. This was realised through the introduction of sound analysis objects, in particular machine listening and learning techniques developed by Nick Collins. One aspect of the programming was the mapping of analysis data to synthesis parameters, enabling the computer transformations of the e-violin to be directly related to Kanno’s interpretation of the piece in performance