54 research outputs found

    New American Video Art : A Historical Survey, 1967-1980

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    Hanhardt presents a chronological survey of video art from the 1960s through to the 1980s. He points out the most common features of early video, emphasizing the medium's potential for creating a new aesthetic discourse

    Dark Rooms

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    Noting pre-and proto-cinematic devices and early film work, Hanhardt foregrounds the recent critical examination of the film apparatus in relation to the viewer and describes the engagement of installations by nine American and Canadian artists with these ideas

    Frank Gillette

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    Hanhardt analyses Gillette's video installation and points out different techniques and the use of metaphors of plants and animals. Artist's statement. Biographical notes. 5 bibl. ref

    Video culture a critical investigation/ Hanhardt

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    Rita Myers

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    Focusing on the installation "The Allure of the Concentric", Hanhardt describes how Myers combines video images, natural materials, and dramatic architectural motifs to evoke the enduring legacy of ancient archetypes. Artist's statement. Biographical notes. 10 bibl. ref

    Joan Jonas

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    Hanhardt considers how Jonas's video installation translates mythologies of popular culture and mass media into a new narrative form. Artist's statement. Biographical notes. 6 bibl. ref

    Roger Welch

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    Hanhardt briefly examines the implications of symbols such as the Cadillac car or the drive-in movie screen in a film installation by Welch. Artist's statement. Biographical notes. 11 bibl. ref

    Dara Birnbaum

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    Hanhardt begins by describing how Birnbaum's video "Technology/Transformation" provides a formal and ideological investigation of commercial television. He then considers her video installation "PM Magazine", emphasizing how it explores the hidden attitudes towards women found within the broadcast medium. Artist's statement. Biographical notes. 7 bibl. ref

    Blam! : The Explosion of Pop, Mininalism, and Performance, 1958-1964

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    Margia Kramer

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    Hanhardt describes Kramer's video installation "Progress (Memory)", focusing on its critical exploration of video culture's relationship to television and other information-processing technologies. Artist's statement. Biographical notes. 8 bibl. ref
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