Nuove ricerche tuniso-italiane al teatro romano di Althiburos

Nuove indagini archeologiche condotte dall'Universit\ue0 di Macerata e dall'institut National du Patrimoine di Tunisi presso il teatro romano di Althiburos (Tunisia)

Mythological conflict and love stories depicted in the Africa proconsularis mosaics in the late antiquity

Cette étude cherche à appréhender la place qu’avaient occupée les Conflits et les Amours mythiques dans la mosaïque de l’Afrique Proconsulaire au Bas-Empire (fin du IIIème - début du Vème siècle). Aussi, savoir la nature des sujets, les modalités d’assimilation figurative, l’évolution des concepts, ainsi que les rapports qu’auraient eus les mosaïstes ou les commanditaires avec une culture considérée comme étrangère. Pour chaque mosaïque sont mis en évidence les apports respectifs de l’iconographie et de la littérature. Les composantes structurelles et conjoncturelles de chaque image, à savoir le cadre de l’action, les personnages, les modèles et les formules iconographiques, ainsi que les modalités de mise en scène, sont examinés de plus prés. s’interrogeant sur l’insistance des empreints, l’interchangeabilité entre thèmes, nous remettons en question des idées devenues avec le temps comme des dogmes, telle la totale dépendance de la mosaïque de l’Afrique Proconsulaire aux tendances artistiques de l’époque et son incapacité à se détacher de l’hégémonie des arts dits majeurs, et nous montrons que les mosaïstes africains ne sont pas de simples imitateurs, mais de véritables novateurs. D’autres approches sont nécessaires pour mettre nos mosaïques dans leurs contextes architecturaux et décoratifs d’origines. Ceci permettant d’aborder les problématiques liées aux relations sémantiques, vise à connaître les modalités d’insertions utilisées dans le reste de l’Empire, mais aussi de s’interroger sur la validité de certaines idées, comme l’existence d’une codification régissant les scènes représentées et les contextes architecturaux.Enfin le replacement de la mosaïque, et à l’intérieur d’une production artistique englobant toutes les autres disciplines, et la prise en considération de toutes les particularités, géographiques, historiques, sociales et culturelles de l’Afrique romaine au Bas-Empire, montre qu’il est difficile, voire impossible, de mesurer le rapport exact entre fonction administrative, statut financier et niveau culturel des commanditaires. Au lieu de continuer de parler de l’existence d’une même et une seul culture élitiste à laquelle adhère tous les aristocrates de l’Empire, il serait nécessaire de surpasser certains a priori et parler de diversités et de différences que de ressemblances.The object of this thesis is the review of the conflicts and mythological love endeavors depicted in the Africa Proconsularis mosaics in the Late Antiquity period. In the meantime, one of the main aims is the study of the subject of the mosaics, the manners of the figurative assimilation, the evolution of the concept, and also the relation between the mosaic makers and a culture considered as a foreign one.For each mosaic are highlighted the respective contributions of the iconography and literature. The structural and conjectural components of each image, meaning the setting of the actions, the characters, the models and the iconographic formulas, and the methods of the production are examined more narrowly; questioning the insistence of imprints, interchange- ability between subjects. We are putting into question theories which has become over time as a dogma, such as the total dependence of the mosaic of Africa Proconsularis to the artistic trends of the time and the inability to separate from the hegemony of the arts alias the major; and we will try to demonstrate that the African mosaic makers were not mere imitators, but truly innovators.Moreover, other approaches are needed to put the mosaics within their architectural and decorative context. These approaches will allow addressing issues related to semantic relations, aiming to find out the modality of the insertion in the rest of the Empire, but also to investigate the validity of certain theories, such as the existence of a codification as a regulator linking the scenes presented and the architectural contexts.Finally, the replacement of the mosaic, in the artistic production encompassing all the other disciplines, taking into consideration all the geographical, historical, social particularities, and the cultural aspects of Roman Africa during the Late Antiquity, which give evidence that it is difficult or impossible to measure the exact relationship between administrative function, financial status and cultural level of the elite sponsors. Instead of, continuing to discuss about the existence of only an elitist culture that adheres to all the aristocracy of the Empire, it would need to exceed some a priori and talk about diversity and differences rather than only similarities

Conflits et amours mythiques représentés sur des mosaïques de l'Afrique proconsulaire du Bas-Empire (fin du IIIe siècle début du Ve siècle)

Cette étude cherche à appréhender la place qu avaient occupée les Conflits et les Amours mythiques dans la mosaïque de l Afrique Proconsulaire au Bas-Empire (fin du IIIème - début du Vème siècle). Aussi, savoir la nature des sujets, les modalités d assimilation figurative, l évolution des concepts, ainsi que les rapports qu auraient eus les mosaïstes ou les commanditaires avec une culture considérée comme étrangère. Pour chaque mosaïque sont mis en évidence les apports respectifs de l iconographie et de la littérature. Les composantes structurelles et conjoncturelles de chaque image, à savoir le cadre de l action, les personnages, les modèles et les formules iconographiques, ainsi que les modalités de mise en scène, sont examinés de plus prés. s interrogeant sur l insistance des empreints, l interchangeabilité entre thèmes, nous remettons en question des idées devenues avec le temps comme des dogmes, telle la totale dépendance de la mosaïque de l Afrique Proconsulaire aux tendances artistiques de l époque et son incapacité à se détacher de l hégémonie des arts dits majeurs, et nous montrons que les mosaïstes africains ne sont pas de simples imitateurs, mais de véritables novateurs. D autres approches sont nécessaires pour mettre nos mosaïques dans leurs contextes architecturaux et décoratifs d origines. Ceci permettant d aborder les problématiques liées aux relations sémantiques, vise à connaître les modalités d insertions utilisées dans le reste de l Empire, mais aussi de s interroger sur la validité de certaines idées, comme l existence d une codification régissant les scènes représentées et les contextes architecturaux.Enfin le replacement de la mosaïque, et à l intérieur d une production artistique englobant toutes les autres disciplines, et la prise en considération de toutes les particularités, géographiques, historiques, sociales et culturelles de l Afrique romaine au Bas-Empire, montre qu il est difficile, voire impossible, de mesurer le rapport exact entre fonction administrative, statut financier et niveau culturel des commanditaires. Au lieu de continuer de parler de l existence d une même et une seul culture élitiste à laquelle adhère tous les aristocrates de l Empire, il serait nécessaire de surpasser certains a priori et parler de diversités et de différences que de ressemblances.The object of this thesis is the review of the conflicts and mythological love endeavors depicted in the Africa Proconsularis mosaics in the Late Antiquity period. In the meantime, one of the main aims is the study of the subject of the mosaics, the manners of the figurative assimilation, the evolution of the concept, and also the relation between the mosaic makers and a culture considered as a foreign one.For each mosaic are highlighted the respective contributions of the iconography and literature. The structural and conjectural components of each image, meaning the setting of the actions, the characters, the models and the iconographic formulas, and the methods of the production are examined more narrowly; questioning the insistence of imprints, interchange- ability between subjects. We are putting into question theories which has become over time as a dogma, such as the total dependence of the mosaic of Africa Proconsularis to the artistic trends of the time and the inability to separate from the hegemony of the arts alias the major; and we will try to demonstrate that the African mosaic makers were not mere imitators, but truly innovators.Moreover, other approaches are needed to put the mosaics within their architectural and decorative context. These approaches will allow addressing issues related to semantic relations, aiming to find out the modality of the insertion in the rest of the Empire, but also to investigate the validity of certain theories, such as the existence of a codification as a regulator linking the scenes presented and the architectural contexts.Finally, the replacement of the mosaic, in the artistic production encompassing all the other disciplines, taking into consideration all the geographical, historical, social particularities, and the cultural aspects of Roman Africa during the Late Antiquity, which give evidence that it is difficult or impossible to measure the exact relationship between administrative function, financial status and cultural level of the elite sponsors. Instead of, continuing to discuss about the existence of only an elitist culture that adheres to all the aristocracy of the Empire, it would need to exceed some a priori and talk about diversity and differences rather than only similarities.LYON2/BRON-BU (690292101) / SudocSudocFranceF

Prospections non invasives sur le site de Mustis/Musti (El Krib) en Tunisie

The objective of the first step of the non-invasive survey carried out on the Mustis site described herein was to verify the possibility of locating archaeological remains and to detect the location of the supposed remains by geophysical measurements (magnetic and electric methods). Magnetic measurements were made with Geometrics G-858 Cesium magnetometer with two probes located on the same horizontal level at 0.5 m distance or on the same vertical level at 0.5 m and 0.75 m above the ground level. The instrument recorded the values of the total vector of the magnetic field strength and made it possible to calculate the pseudo-gradient of its components (horizontal or vertical). Electric measurements were made by means of axial dipole-dipole electrode configurations (parallel) with AB current electrodes with spacing of one metre and electrodes of potential MN (identical spacing) at equal distance D at 4 and 6 metres, which made it possible to record values of apparent resistivity of the subsoil, with the penetration depth of the current of c. 2.0 and 3.5 m, respectively, below the current ground level. At the time of the data interpretation, the suspected locations of the remains causing the anomalies were indicated by means of dashes of different colours and thicknesses (depending on the assumed depth of the structures). These indications, transferred on maps, can serve as a starting point for extensive analyses of the entire site and its surrounding area. The first non-invasive surveys carried out in Mustis have demonstrated the usefulness of magnetic and electric methods in mapping the preserved remains both inside and around the city. The obtained results enabled elaborating a strategy for the work to come. It is quite probable that the magnetic method will prove capable of indicating places where vestiges of constructions are preserved, while the electric method will determine the depth and conditions of deposition of localised structures

Psychometric data concerning the Positive and Negative Affect Schedule – Direction (PANAS-D) in athletes in Arabic-Tunisian language supporting a 2-factor structure of its short modified version

The Positive and Negative Affect Schedule – Direction (PANAS-D) questionnaire was translated from the French version developed by Nicolas and coworkers into Arabic-Tunisian language and administered to a sample of 519 athletes (mean age 19.43±3.78 years; 230 male, 229 female; 75 competing at international level, 287 at national level, 130 at regional level, and 27 at local level). A semi-confirmatory factor analysis was carried out in order to shed light on the factor structure of the questionnaire. Different models were tested, including the 1-factor, the 2-factor and the 3-factor structure models, and compared in terms of fitting indexes. Data support a 2-factor solution of the modified short version of the PANAS-D questionnaire

Nuove ricerche tuniso-italiane al teatro romano di Althiburos

Nuove indagini archeologiche condotte dall'Università di Macerata e dall'institut National du Patrimoine di Tunisi presso il teatro romano di Althiburos (Tunisia)

The Coping Strategies Used by Young Tunisian Athletes in Individual and Collective Sports

The objective of this study was to discover the repertoire of coping strategies used by young Tunisian male and female athletes in individual and team sports when competing in their sport, and to examine the effect of gender and type of sport on these strategies. A total of 917 young Tunisian athletes including 349 female athletes and 568 male athletes, aged 14 to 19, with an average age of 15.63 ± 1.5 years, participated in our study. Participants were invited to respond to the Arabic version of the Competitive Sport Adaptation Strategy Inventory to assess their coping repertoire. The results revealed that factors, such as gender, and type of sport, influenced the coping repertoire among young athletes. In the inter-personal and intra-personal context, young athletes used a wide variety of coping strategies, all of which were task-oriented and disengagement-oriented

Family Communication as a Mediator between Family Resilience and Family Functioning under the Quarantine and COVID-19 Pandemic in Arabic Countries

The coronavirus pandemic has become an unprecedented world crisis in which we have struggled against the most potent threat of the twenty-first century. This pandemic has had a profound impact on individuals and families. Therefore, the study aimed to examine family communication as a mediator of the relationship between family resilience and family functioning under the quarantine and coronavirus pandemic in Algeria and Iraq. This study was conducted among individuals in Iraq and Algeria (N = 361). The respondents completed the Family Communication Scale (FCS), Walsh Family Resilience Questionnaire (WFRQ), and Family Functioning Scale (FFS). Structural equation modeling (SEM) with the bootstrapping method was used to conduct the mediated effects of family communication. Using the bootstrapping method in SEM, family resilience and communication significantly affected family functioning (coefficient = 0.808). Moreover, the direct effect and indirect effect (via family functioning) of family resilience on family functioning were both significant, with coefficients of 0.682 and 0.126. In addition, numerous groups from Iraq and Algeria have been analyzed as a sample and have shown no differences in the relationships between family resilience, family communication, and family functioning. In conclusion, the results showed that family communication mediated the relationship between family resilience and family functioning. Moreover, the type of this mediation seemed to be partial because of the significant direct relationship between family resilience and family functioning. According to the findings, healthcare providers should consider improving family resilience and communication to achieve good family functioning

Scavi e ricerche al teatro romano di Althiburos (Tunisia)

Le indagini congiunte tuniso-italiane al teatro romano di Althiburos si prefiggono lo studio del grande edificio romano nell'ottica della comprensione dello sviluppo architettonico ed uirbanistico della citt\ue0 romana, e la valorizzazione del sito