A C-squared Polygonal Surface Patch

A polygonal patch is defined to fill an n-sided hole within a C2 parametric continuous rectangular patch complex

Polygonal patches of high order continuity

A polygonal patch is defined to fill an n-sided hole within a rectangular Ck patch framework. First a reparameterization of the surface around the hole is constructed, that is defined outside a regular polygon. The polygonal patch is an interpolant, defined inside the polygon, that matches this parameterization up to order k along the boundary. Some modifications and handles to control the shape of the patch are described

High order continuous polygonal patches

A polygonal patch method is described which can be used to fill a polygonal hole within a given k'th order continuous rectangular patch complex. The method is relatively easy to implement, since it only re- quires Ck extensions of the rectangular patch complex defined in terms of the rectangular patch parameterizations. The method is illustrated by reference to C2 bicubic B-spline surfaces

Flow, life satisfaction, personal expressiveness and passion associated with fashion student designer\u27s design process

The purpose of this study was to find how fashion designers\u27 personal experience and psychological process influence their design process. Especially, this study is to seek how flow, life satisfaction, personal expressiveness, and passion influence student designers\u27 design process. We hypothesized that there will be significant differences in student designers\u27 perceptions and design processes depending on their level of flow, life satisfaction, personal expressiveness, and passion

Polyfrost

The purpose of this project was to create a contemporary upcycled garment driven by the concept of the golden ratio through the use of re-purposed and post-consumer material which in this case came from used knit socks. This design project shows the designers interest in the ways of in which object becomes entangled with the concept of deconstruction and reconstruction. The fabric for this dress was created by placing and sewing together different size triangle shapes of socks by following golden ratio and the surface of the jacket was embellished by various sized fiber berries from socks materials. The main foot part of the socks was cut into triangle shapes and seamed together to create a dress. The ribbed cuffs parts of the socks were sewn together to create a bolero jacket. The toe parts of the socks were used to create fiber berries to embellish the bolero jacket

Neon Moire

The purpose of this project was to develop a design using digital textile printing on organza fabric and op art inspiration. Additionally, the aiming of this project was to create a sensible, ready-to-wear garment, which could potentially be sold at any large retailers. The design was developed by creating digital geometric shapes of different sizes using computer aided design tools and digital textile print

Perspectives of Design Professionals in the Fashion Industry with respect to the Creative Design Process

The purpose of this study was to explore the perspectives of design professionals in the fashion industry in terms of their creative processes, and the study was specifically focused on seeking the importance of knowledge and skills, product development, reflections-in-actions of the design process, the designer\u27s role in the system, and fashion as communication during a fashion designer\u27s creative process. The results of this study supports previous findings that fashion designers must meet the needs of customers and it is critical to understand design problems and solutions in order to design a successful product. The importance of designer perceptions with respect to how knowledge and skills, including product development and reflect in action design process, play a communication role in creative processes, as found in this study, will help entry level designers and future designers to understand the industry\u27s expectations

Perspective Rays

The purpose of design was to develop a sustainable design through the use of re-purposed and post-consumer materials inspired by an Op-art artist. The work of British painter and designer Bridget Riley was used as a source of inspiration; her work is generally known for being one of the foremost examples of Op-art. Her distinctive style of black-and-white optical art paintings uses simple geometrical shapes that include circles, squares, or stripes to establish intricate and repetitive patterns that create an appearance of movement as well as other optical illusions (Biography, 2016). Several pairs of post consumer khaki pants in two different hues with different sizes and shapes were hand-cut and sewn together to create a fabric surface for the top and the skirt