Involuntary Monitoring of Sound Signals in Noise Is Reflected in the Human Auditory Evoked N1m Response

Constant sound sequencing as operationalized by repeated stimulation with tones of the same frequency has multiple effects. On the one hand, it activates mechanisms of habituation and refractoriness, which are reflected in the decrease of response amplitude of evoked responses. On the other hand, the constant sequencing acts as spectral cueing, resulting in tones being detected faster and more accurately. With the present study, by means of magnetoencephalography, we investigated the impact of repeated tone stimulation on the N1m auditory evoked fields, while listeners were distracted from the test sounds. We stimulated subjects with trains of either four tones of the same frequency, or with trains of randomly assigned frequencies. The trains were presented either in a silent or in a noisy background. In silence, the patterns of source strength decline originating from repeated stimulation suggested both, refractoriness as well as habituation as underlying mechanisms. In noise, in contrast, there was no indication of source strength decline. Furthermore, we found facilitating effects of constant sequencing regarding the detection of the single tones as indexed by a shortening of N1m latency. We interpret our findings as a correlate of a bottom-up mechanism that is constantly monitoring the incoming auditory information, even when voluntary attention is directed to a different modality

Summary statistics in auditory perception

Sensory signals are transduced at high resolution, but their structure must be stored in a more compact format. Here we provide evidence that the auditory system summarizes the temporal details of sounds using time-averaged statistics. We measured discrimination of 'sound textures' that were characterized by particular statistical properties, as normally result from the superposition of many acoustic features in auditory scenes. When listeners discriminated examples of different textures, performance improved with excerpt duration. In contrast, when listeners discriminated different examples of the same texture, performance declined with duration, a paradoxical result given that the information available for discrimination grows with duration. These results indicate that once these sounds are of moderate length, the brain's representation is limited to time-averaged statistics, which, for different examples of the same texture, converge to the same values with increasing duration. Such statistical representations produce good categorical discrimination, but limit the ability to discern temporal detail.Howard Hughes Medical Institut

Pitch discrimination interference: The role of ear of entry and of octave similarity

Gockel et al. [(2004). J. Acoust. Soc. Am. 116, 1092–1104] reported that discrimination of the fundamental frequency (F0) of two sequentially presented complex tones (the target) was impaired when an additional complex tone (the interferer) was presented simultaneously with and to the same ear as the target, even though the target and interferer were filtered into separate frequency regions. This pitch discrimination interference (PDI) was greatest when the target and interferer had similar F0s. The current study examined the role of relative ear of entry of the target and interferer and whether the dependence of the PDI effect on the relative F0 of target and interferer is based on pitch height (F0 as such) or pitch chroma (the musical note). Sensitivity (d′) was measured for discrimination of the F0 of a target with a nominal F0 of 88 Hz, bandpass filtered from 1375 to 1875 Hz. The interferer was bandpass filtered from 125 to 625 Hz. The contralateral interferer produced marked PDI, but smaller than for ipsilateral presentation. PDI was not larger when the interferer’s F0 was twice the nominal target F0 than when it was a factor of 1.9 or 2.1 higher