The Vehicle, Spring 1988

Contents CitizenCraig Titleypage 3 Justice DistributionAngie Geraldpage 4 Letter from My MotherDan Von Holtenpage 6 The Fool and His LadyRodger Patiencepage 7 What Big IsBob Zordanipage 8 Blind ArchitectureJim Reedpage 9 Ah, What a Funny Thing These EyesCraig Titleypage 10 FarmingPatrick Peterspage 11 The CowSteven M. Beamerpage 13 The Enigma of My ExistenceAngie Kathpage 14 Neon TeethMichael Salempage 15 Zombie PoseidonMichael Salempage 16 From: Letters from the Linder BuildingPatrick Peters, Bob Zordani, Dan Von Holtenpage 17 A Man of Jackson IV (City Dweller)Steven M. Beamerpage 19 11:45 p.m. FridayElizabeth McMeekanpage 20 Mr. Siegel-January 1967Timothy J. McCarthypage 21 She had a look about herA bag man of Jackson pauses for a portraitSteven M. Beamerpage 22 Citybed (Homeless of Chicago)Steven M. Beamerpage 23 Electra and the Eighteen WheelerTammy Veachpage 24 OrderRhonda Ealypage 28 Grave Mill ISteven M. Beamerpage 29 The Party (A Social Event in 80 Words or Less)Groucho Smithpage 30 Graceland and Elvis Presley EarmuffsCraig Titleypage 31 Learning to ForageDan Von Holtenpage 33 One Last Peanut at Gateway CenterReflections of Three with DeCicco and LadySteven M. Beamerpage 34 Letter from the MidwestPatrick Peterspage 35 WoodwindJim Reedpage 36 Excerpts from Notebook AustraliaKeith Schusterpage 37 Letter from the DesertPatrick Peterspage 40 Tinted Blue, Waiting for an Uptown TaxiMichael Salempage 42 Voice and Earth: A Review of The Invention of the Telephone by Bruce GuernseyDan Von Holtenpage 43https://thekeep.eiu.edu/vehicle/1052/thumbnail.jp

The Vehicle, Spring 1988

Contents CitizenCraig Titleypage 3 Justice DistributionAngie Geraldpage 4 Letter from My MotherDan Von Holtenpage 6 The Fool and His LadyRodger Patiencepage 7 What Big IsBob Zordanipage 8 Blind ArchitectureJim Reedpage 9 Ah, What a Funny Thing These EyesCraig Titleypage 10 FarmingPatrick Peterspage 11 The CowSteven M. Beamerpage 13 The Enigma of My ExistenceAngie Kathpage 14 Neon TeethMichael Salempage 15 Zombie PoseidonMichael Salempage 16 From: Letters from the Linder BuildingPatrick Peters, Bob Zordani, Dan Von Holtenpage 17 A Man of Jackson IV (City Dweller)Steven M. Beamerpage 19 11:45 p.m. FridayElizabeth McMeekanpage 20 Mr. Siegel-January 1967Timothy J. McCarthypage 21 She had a look about herA bag man of Jackson pauses for a portraitSteven M. Beamerpage 22 Citybed (Homeless of Chicago)Steven M. Beamerpage 23 Electra and the Eighteen WheelerTammy Veachpage 24 OrderRhonda Ealypage 28 Grave Mill ISteven M. Beamerpage 29 The Party (A Social Event in 80 Words or Less)Groucho Smithpage 30 Graceland and Elvis Presley EarmuffsCraig Titleypage 31 Learning to ForageDan Von Holtenpage 33 One Last Peanut at Gateway CenterReflections of Three with DeCicco and LadySteven M. Beamerpage 34 Letter from the MidwestPatrick Peterspage 35 WoodwindJim Reedpage 36 Excerpts from Notebook AustraliaKeith Schusterpage 37 Letter from the DesertPatrick Peterspage 40 Tinted Blue, Waiting for an Uptown TaxiMichael Salempage 42 Voice and Earth: A Review of The Invention of the Telephone by Bruce GuernseyDan Von Holtenpage 43https://thekeep.eiu.edu/vehicle/1052/thumbnail.jp

Competition and Combative Advertising: An Historical Analysis

Fred K. Beard (PhD, University of Oklahoma) is a professor of advertising in the Gaylord College of Journalism and Mass Communication, University of Oklahoma. His research interests include comparative advertising, advertising humor, and advertising history. His work has appeared in the Journal of Advertising, the Journal of Advertising Research, the Journal of Business Ethics, the Journal of Business Research, Journalism History, the Journal of Historical Research in Marketing, the Journal of Macromarketing, and the Journal of Marketing Communications, among others.Yeshttps://us.sagepub.com/en-us/nam/manuscript-submission-guideline

Labin Republic 1921. - 2021.: From a historical event to the celebration of the hundredth anniversary

Labin je danas poznat uglavnom po ljetnoj turističkoj ponudi, zahvaljujući atraktivnoj obali i povoljnoj klimi tijekom ljetne sezone. Ali taj gradić na istočnoj obali Istre krije jednu mnogo značajniju povijesnu priču. Na području Labina se odigrala najpoznatija rudarska (radnička) pobuna u ovom dijelu Europe, a i šire. Riječ je dakako o Labinskoj republici, štrajku rudara iz 1921. koji se ostvario u obliku kratkotrajne samouprave. Iako je među rudarima dugo vladalo nezadovoljstvo radnim uvjetima, glavni povod ustanku je bilo premlaćivanje sekretara sindikalne federacije, Giovannija Pippana. Otpor koji je uslijedio ušao je u legendu i od onda se redovito na godišnjicu obilježava na području Labina i okolice. Iako je riječ o veoma značajnom događaju za labinsko podneblje, dojam je da se u Labinu nije poduzelo dovoljno da ta priča premaši lokalne okvire, unatoč znanstvenim radovima, filmovima i višekratnim raskošnim manifestacijama koje su se odvijale uglavnom na okrugle obljetnice. Posljednja značajnija je bila stota o kojoj se detaljnije pisalo u ovome radu i koja je jedan od glavnih povoda pisanju ovog diplomskog rada.Today, Labin is known mainly for its summer tourist offer, thanks to the attractive coast and favourable climate during the summer season. But that small town on the east coast of Istria hides a much more significant historical story. The most famous miners' (workers') rebellion in this part of Europe and beyond took place in the area of Labin. It is, of course, about the Republic of Labin, a miners' strike from 1921 that took the form of short-term self-government. Although dissatisfaction with working conditions reigned among the miners for a long time, the main reason for the uprising was the beating of the secretary of the trade union federation, Giovanni Pippan. The resistance that followed became a legend and since then it is regularly commemorated on the anniversary in the area of Labin and its surroundings. Although it is a very significant event for the Labin area, the impression is that not enough has been done in Labin to make this story go beyond the local boundaries, despite published research, feature films, documentaries and multiple lavish events that took place mainly on anniversaries. The last significant one was its hundredth anniversary, which was studied in detail in this paper and which is one of the main reasons for writing this thesis

Labin Republic 1921. - 2021.: From a historical event to the celebration of the hundredth anniversary

Labin je danas poznat uglavnom po ljetnoj turističkoj ponudi, zahvaljujući atraktivnoj obali i povoljnoj klimi tijekom ljetne sezone. Ali taj gradić na istočnoj obali Istre krije jednu mnogo značajniju povijesnu priču. Na području Labina se odigrala najpoznatija rudarska (radnička) pobuna u ovom dijelu Europe, a i šire. Riječ je dakako o Labinskoj republici, štrajku rudara iz 1921. koji se ostvario u obliku kratkotrajne samouprave. Iako je među rudarima dugo vladalo nezadovoljstvo radnim uvjetima, glavni povod ustanku je bilo premlaćivanje sekretara sindikalne federacije, Giovannija Pippana. Otpor koji je uslijedio ušao je u legendu i od onda se redovito na godišnjicu obilježava na području Labina i okolice. Iako je riječ o veoma značajnom događaju za labinsko podneblje, dojam je da se u Labinu nije poduzelo dovoljno da ta priča premaši lokalne okvire, unatoč znanstvenim radovima, filmovima i višekratnim raskošnim manifestacijama koje su se odvijale uglavnom na okrugle obljetnice. Posljednja značajnija je bila stota o kojoj se detaljnije pisalo u ovome radu i koja je jedan od glavnih povoda pisanju ovog diplomskog rada.Today, Labin is known mainly for its summer tourist offer, thanks to the attractive coast and favourable climate during the summer season. But that small town on the east coast of Istria hides a much more significant historical story. The most famous miners' (workers') rebellion in this part of Europe and beyond took place in the area of Labin. It is, of course, about the Republic of Labin, a miners' strike from 1921 that took the form of short-term self-government. Although dissatisfaction with working conditions reigned among the miners for a long time, the main reason for the uprising was the beating of the secretary of the trade union federation, Giovanni Pippan. The resistance that followed became a legend and since then it is regularly commemorated on the anniversary in the area of Labin and its surroundings. Although it is a very significant event for the Labin area, the impression is that not enough has been done in Labin to make this story go beyond the local boundaries, despite published research, feature films, documentaries and multiple lavish events that took place mainly on anniversaries. The last significant one was its hundredth anniversary, which was studied in detail in this paper and which is one of the main reasons for writing this thesis

Aspects of film anthropology in the work of Werner Herzog

U ovom završnome radu su prikazani neki od aspekata filmske antropologije s naglaskom na Wernera Herzoga te su se kroz odabrane primjere iz njegovog opusa opisivale karakteristike vizualne antropologije i općenito dokumentarnog filma u službi dokumentiranja čovjeka i njegovog djelovanja u okolini, kod Herzoga obično u formi neobičnog i nesvakidašnjeg. U izradi rada korištene su metode kompilacije, deskripcije i dedukcijska (deduktivna) metoda. Vizualna antropologija polazi od ideje da se kultura očituje kroz vidljive simbole ugrađene u geste, ceremonije, rituale i artefakte smještene u izgrađenom i prirodnom okruženju. Kultura se zamišlja tako da se manifestira u scenarijima sa zapletima koji uključuju glumce i glumice s ulogama, kostimima i rekvizitima. Ako se kultura može vidjeti, onda bi istraživači trebali biti u mogućnosti koristiti audiovizualne tehnologije kako bi zabilježili njezine elemente i aspekte, odnosno podatke koji podliježu analizi i prezentaciji. Iako se podrijetlo vizualne antropologije povijesno može nalaziti u pozitivističkim pretpostavkama da se objektivna stvarnost može bilježiti, većina suvremenih teoretičara kulture naglašava društveno konstruiranu prirodu kulturne stvarnosti i poprilično nestabilnu prirodu našeg razumijevanja bilo koje kulture. Postoji očigledan odnos između pretpostavke da je kultura objektivno promatrana i pučkog vjerovanja u neutralnost, transparentnost i objektivnost audiovizualnih tehnologija.U radu su analizirani filmovi Gdje sanjaju zeleni mravi, Woodabe: Pastiri Sunca, Čovjek grizli i Spilja zaboravljenih snova. Iako drugačije tematike, sve ih veže ista poveznica – čovjek kao glavni ''akter''. Aboridžini u pravnoj borbi za svoju zemlju, Woodabe pleme sa svojim običajima i jedinstvenim kulturnim i društvenim elementima, osebujni Timothy Treadwell koji se odlučuje na suživot s grizli medvjedima te crteži u spilji Chauvet koji nam predstavljaju grafičke dokaze o životu, djelovanju i donekle razmišljanju čovjeka od prije nekih tridesetak tisuća godina. Iako Herzog često preuzima ulogu pripovjedača i s već ranije spomenutim glasom boga ''samo'' vodi gledatelja kroz film, često ubacuje osobni stav, što je svakako odlika svakog pravog umjetnika.This final paper presents some aspects of film anthropology with an emphasis on Werner Herzog, and through selected examples from his filmography describes the characteristics of visual anthropology and generally documentary film in the service of documenting man and his action in the environment, usually in the form of unusual. Compilation, descriptive and deductive methods were used in the development of the paper. Visual anthropology starts from the idea that culture manifests itself through visible symbols embedded in gestures, ceremonies, rituals and artifacts housed in a built and natural environment. Culture is imagined to be manifested in plot scenarios involving actors and actresses with roles, costumes, and props. If culture can be seen, then researchers should be able to use audiovisual technologies to capture its elements and aspects, that is, data that is subject to analysis and presentation. Although the origins of visual anthropology may historically lie in the positivist assumptions that objective reality can be recorded, most contemporary cultural theorists emphasize the socially constructed nature of cultural reality and the rather volatile nature of our understanding of any culture. There is an obvious relationship between the assumption that culture is objectively viewed and the popular belief in the neutrality, transparency and objectivity of audiovisual technologies.The paper analyzes Where the green ants dream, Woodabe: Herdsmen of the Sun, Grizzly Man and Cave Of Forgotten Dreams. Although different topics, they are all linked by the same link - man; as the main '' actor ''. Aborigines in the legal battle for their country, the Woodabe tribe with its customs and unique cultural and social elements, the peculiar Timothy Treadwell who decides to coexist with grizzly bears and drawings in the Chauvet cave that present graphic evidence of the life, work and somewhat thinking of man from some thirty thousand years ago. Although Herzog often takes on the role of storyteller and, with the aforementioned voice of the god, '' just '' guides the viewer through the film, he often inserts a personal attitude, which is certainly a characteristic of any true artist

Aspects of film anthropology in the work of Werner Herzog

U ovom završnome radu su prikazani neki od aspekata filmske antropologije s naglaskom na Wernera Herzoga te su se kroz odabrane primjere iz njegovog opusa opisivale karakteristike vizualne antropologije i općenito dokumentarnog filma u službi dokumentiranja čovjeka i njegovog djelovanja u okolini, kod Herzoga obično u formi neobičnog i nesvakidašnjeg. U izradi rada korištene su metode kompilacije, deskripcije i dedukcijska (deduktivna) metoda. Vizualna antropologija polazi od ideje da se kultura očituje kroz vidljive simbole ugrađene u geste, ceremonije, rituale i artefakte smještene u izgrađenom i prirodnom okruženju. Kultura se zamišlja tako da se manifestira u scenarijima sa zapletima koji uključuju glumce i glumice s ulogama, kostimima i rekvizitima. Ako se kultura može vidjeti, onda bi istraživači trebali biti u mogućnosti koristiti audiovizualne tehnologije kako bi zabilježili njezine elemente i aspekte, odnosno podatke koji podliježu analizi i prezentaciji. Iako se podrijetlo vizualne antropologije povijesno može nalaziti u pozitivističkim pretpostavkama da se objektivna stvarnost može bilježiti, većina suvremenih teoretičara kulture naglašava društveno konstruiranu prirodu kulturne stvarnosti i poprilično nestabilnu prirodu našeg razumijevanja bilo koje kulture. Postoji očigledan odnos između pretpostavke da je kultura objektivno promatrana i pučkog vjerovanja u neutralnost, transparentnost i objektivnost audiovizualnih tehnologija.U radu su analizirani filmovi Gdje sanjaju zeleni mravi, Woodabe: Pastiri Sunca, Čovjek grizli i Spilja zaboravljenih snova. Iako drugačije tematike, sve ih veže ista poveznica – čovjek kao glavni ''akter''. Aboridžini u pravnoj borbi za svoju zemlju, Woodabe pleme sa svojim običajima i jedinstvenim kulturnim i društvenim elementima, osebujni Timothy Treadwell koji se odlučuje na suživot s grizli medvjedima te crteži u spilji Chauvet koji nam predstavljaju grafičke dokaze o životu, djelovanju i donekle razmišljanju čovjeka od prije nekih tridesetak tisuća godina. Iako Herzog često preuzima ulogu pripovjedača i s već ranije spomenutim glasom boga ''samo'' vodi gledatelja kroz film, često ubacuje osobni stav, što je svakako odlika svakog pravog umjetnika.This final paper presents some aspects of film anthropology with an emphasis on Werner Herzog, and through selected examples from his filmography describes the characteristics of visual anthropology and generally documentary film in the service of documenting man and his action in the environment, usually in the form of unusual. Compilation, descriptive and deductive methods were used in the development of the paper. Visual anthropology starts from the idea that culture manifests itself through visible symbols embedded in gestures, ceremonies, rituals and artifacts housed in a built and natural environment. Culture is imagined to be manifested in plot scenarios involving actors and actresses with roles, costumes, and props. If culture can be seen, then researchers should be able to use audiovisual technologies to capture its elements and aspects, that is, data that is subject to analysis and presentation. Although the origins of visual anthropology may historically lie in the positivist assumptions that objective reality can be recorded, most contemporary cultural theorists emphasize the socially constructed nature of cultural reality and the rather volatile nature of our understanding of any culture. There is an obvious relationship between the assumption that culture is objectively viewed and the popular belief in the neutrality, transparency and objectivity of audiovisual technologies.The paper analyzes Where the green ants dream, Woodabe: Herdsmen of the Sun, Grizzly Man and Cave Of Forgotten Dreams. Although different topics, they are all linked by the same link - man; as the main '' actor ''. Aborigines in the legal battle for their country, the Woodabe tribe with its customs and unique cultural and social elements, the peculiar Timothy Treadwell who decides to coexist with grizzly bears and drawings in the Chauvet cave that present graphic evidence of the life, work and somewhat thinking of man from some thirty thousand years ago. Although Herzog often takes on the role of storyteller and, with the aforementioned voice of the god, '' just '' guides the viewer through the film, he often inserts a personal attitude, which is certainly a characteristic of any true artist

Wavelet Footprints and Frames for Signal Processing and Communication

Linear transforms and expansions are fundamental mathematical tools of signal processing. In particular, the wavelet transform has played an important role in several signal processing tasks, compression being a prime example. A signal can be represented in a basis or a frame. Frames, which are an extension of bases to overcomplete sets of vectors, are sometimes preferred to bases because of their greater design freedom and recently they have had an important impact in signal processing