The politics of performance: transnationalism and its limits in former Yugoslav popular music, 1999–2004

This paper examines transnational relations between the Yugoslav successor states from the point of view of popular music, and demonstrates how transnational musical figures (such as Djordje Balaševi?, Mom?ilo Bajagi?-Bajaga and Ceca Ražnatovi?) are interpreted as symbolic reference points in national ethnopolitical discourse in the process of identity construction. Another symbolic function is served by Serbian turbofolk artists, who in Croatia serve as a cultural resource to distance oneself from a musical genre associated by many urban Croats with the ruralization (and Herzegovinization) of Croatian city space. In addition, value judgements associated with both Serbian and Croatian newly composed folk music provide an insight into the transnational negotiation of conflicting identities in the ex-Yugoslav context. Ultimately the paper shows how the ethnonational boundaries established by nationalizing ideologies created separate cultural spaces which themselves have been transnationalized after Yugoslavia's disintegration

New Records of Thremma anomalum

Distribution of Thremma anomalum was well documented by the late 1980s. How ever, macrozoobenthos research within Serbian watercourses between 1989 and 2010 reveal a shift of the western boundary of the distribution. Recent research in western Serbia and northern Montenegro has shown no trace of this species, in spite of its previous presence. In Bosnia and Herzegovina, the species was found in only one of ten former localities, implying that the species might entirely vanish from zoographic region 5 in the near future. On the other hand, the species was found at 17 localities in eastern, southeastern and southern Serbia, sections of the area where the species was not recorded earlier. This research has shown that T. anomalum is not restricted to cold waters and builds specific biocenoses characterized by dominance of Trichoptera and Gammaridae