Strongly correlated wave functions for artificial atoms and molecules

A method for constructing semianalytical strongly correlated wave functions for single and molecular quantum dots is presented. It employs a two-step approach of symmetry breaking at the Hartree-Fock level and of subsequent restoration of total spin and angular momentum symmetries via Projection Techniques. Illustrative applications are presented for the case of a two-electron helium-like single quantum dot and a hydrogen-like quantum dot molecule.Comment: 9 pages. Revtex with 2 GIF and 1 EPS figures. Published version with extensive clarifications. A version of the manuscript with high quality figures incorporated in the text is available at http://calcite.physics.gatech.edu/~costas/qdhelproj.html For related papers, see http://www.prism.gatech.edu/~ph274c

Validity of rating scale measures of voice quality

The validity of perceptual measures of vocal quality has been neglected in studies of voice, which focus more commonly on rater reliability. Validity depends in part on reliability, because an unreliable test does not measure what it is intended to measure. However, traditional measures of rating reliability only partially represent interrater agreement, because they cannot reflect variations or patterns of agreement for specific voice samples. In this paper the likelihood that two raters would agree in their ratings of a single voice is examined, for each voice in five previously gathered data sets. Results do not support the continued assumption that traditional rating procedures produce useful indices of listeners' perceptions. Listeners agreed very poorly in the midrange of scales for breathiness and roughness, and mean ratings in the midrange of such scales did not represent the extent to which a voice possesses a quality, but served only to indicate that listeners disagreed. Techniques like analysis by synthesis or judgment of similarity avoid decomposing quality into constituent dimensions, and do not require a listener to compare an external stimulus to an unstable internal representation, thus decreasing the error in measures of quality. Modeling individual differences in perception can increase the variance accounted for in models of quality, further reducing the error in perceptual measures. Thus such techniques may provide valid alternatives to current approaches

Phonons and related properties of extended systems from density-functional perturbation theory

This article reviews the current status of lattice-dynamical calculations in crystals, using density-functional perturbation theory, with emphasis on the plane-wave pseudo-potential method. Several specialized topics are treated, including the implementation for metals, the calculation of the response to macroscopic electric fields and their relevance to long wave-length vibrations in polar materials, the response to strain deformations, and higher-order responses. The success of this methodology is demonstrated with a number of applications existing in the literature.Comment: 52 pages, 14 figures, submitted to Review of Modern Physic

Perception of aperiodicity in pathological voice

Although jitter, shimmer, and noise acoustically characterize all voice signals, their perceptual importance in naturally produced pathological voices has not been established psychoacoustically. To determine the role of these attributes in the perception of vocal quality, listeners were asked to adjust levels of jitter, shimmer, and the noise-to-signal ratio in a speech synthesizer, so that synthetic voices matched naturally produced tokens. Results showed that, although listeners agreed well in their judgments of the noise-to-signal ratio, they did not agree with one another in their chosen settings for jitter and shimmer. Noise-dependent differences in listeners' ability to detect changes in amounts of jitter and shimmer implicate both listener insensitivity and inability to isolate jitter and shimmer as separate dimensions in the overall pattern of aperiodicity in a voice as causes of this poor agreement. These results suggest that jitter and shimmer are not useful as independent indices of perceived vocal quality, apart from their acoustic contributions to the overall pattern of spectrally shaped noise in a voice. (c) 2005 Acoustical Society of America

Measuring vocal quality with speech synthesis.

Much previous research has demonstrated that listeners do not agree well when using traditional rating scales to measure pathological voice quality. Although these findings may indicate that listeners are inherently unable to agree in their perception of such complex auditory stimuli, another explanation implicates the particular measurement method-rating scale judgments-as the culprit. An alternative method of assessing quality-listener-mediated analysis-synthesis-was devised to assess this possibility. In this new approach, listeners explicitly compare synthetic and natural voice samples, and adjust speech synthesizer parameters to create auditory matches to voice stimuli. This method is designed to replace unstable internal standards for qualities like breathiness and roughness with externally presented stimuli, to overcome major hypothetical sources of disagreement in rating scale judgments. In a preliminary test of the reliability of this method, listeners were asked to adjust the signal-to-noise ratio for 12 synthetic pathological voices so that the resulting stimuli matched the natural target voices as well as possible For comparison to the synthesis judgments, listeners also judged the noisiness of the natural stimuli in a separate task using a traditional visual-analog rating scale. For 9 of the 12 voices, agreement among listeners was significantly (and substantially) greater for the synthesis task than for the rating scale task. Response variances for the two tasks did not differ for the remaining three voices. However, a second experiment showed that the synthesis settings that listeners selected for these three voices were within a difference limen, and therefore observed differences were perceptually insignificant. These results indicate that listeners can in fact agree in their perceptual assessments of voice quality, and that analysis-synthesis can measure perception reliably