Las "Novelas" de Mateo María Bandello como fuentes del teatro de Lope de Vega Carpio

Con dedicatoria autógrafa del autor a Joaquín de Entrambasagua

Un ignoto manoscritto palermitano delle Obras líricas di Don Antonio de Solis y Rivadeneyra

Gasparetti Antonio. Un ignoto manoscritto palermitano delle Obras líricas di Don Antonio de Solis y Rivadeneyra. In: Bulletin Hispanique, tome 33, n°4, 1931. pp. 289-324

Giovan Battista Giraldi e Lope de Vega

Gasparetti Antonio. Giovan Battista Giraldi e Lope de Vega. In: Bulletin Hispanique, tome 32, n°4, 1930. pp. 372-403

La traducción del teatro áureo en Italia, desde el siglo XIX hasta nuestros días. Constantes y variables en la formación de un canon

This essay aims to provide an over view of the Italian translations of Spanish Golden Age theatre from the 19th centur y to the present, identifying above all the differ-ences in the approach to Spanish texts compared to previous centuries and the distinc-tive features of each historical-cultural period within this long span of time. Romantic translations (a period marked by the great collections of theatrical texts by Monti and La Cecilia) were characterised by their marked preference for religious and honour-based dramas and for the works of Calderón; while the 20th centur y saw a general reworking of the corpus of translated texts, with a stable presence of Calderón and the recover y of the dramas on peasant honour by Lope de Vega. The emergence and affirmation of the poetic translation is highlighted, from the early experiments of the 1920s to the general acceptance of our days, and the role hispanists and writers played in this choice. An analysis of the corpus of translation collections in the 20th and 21st centuries, as well as of the many individual translations, also shows how the canon of the Spanish Golden Age theatre has changed both on the academic and editorial side

Calderón de la Barca en la colección de Comedias escogidas

Despite the importance of the Comedias escogidas collection (1652-1681/ 1704) as a means of dissemination of plays for the theatre in the second half of the seventeenth century, this work has not been studied in depth from a point of view that takes into consideration issues related to authorship, and which does not only approach it from a bibliographical perspective. This paper studies Calderón de la Barca's authorship with a double approach: on the one hand, we intend to elucidate his involvement in the bureaucratic process of the book collection; on the other hand, we provide a quantitative analysis not only of his comedias but also of works mistakenly attributed to him. The paper also provides new bibliographical data

Hypothalamic melanin-concentrating hormone is induced by cold exposure and participates in the control of energy expenditure in rats

Short-term cold exposure of homeothermic animals leads to higher thermogenesis and food consumption accompanied by weight loss. An analysis of cDNA-macroarray was employed to identify candidate mRNA species that encode proteins involved in thermogenic adaptation to cold. A cDNA-macroarray analysis, confirmed by RT-PCR, immunoblot, and RIA, revealed that the hypothalamic expression of melanin-concentrating hormone (MCH) is enhanced by exposure of rats to cold environment. The blockade of hypothalamic MCH expression by antisense MCH oligonucleotide in cold-exposed rats promoted no changes in feeding behavior and body temperature. However, MCH blockade led to a significant drop in body weight, which was accompanied by decreased liver glycogen, increased relative body fat, increased absolute and relative interscapular brown adipose tissue mass, increased uncoupling protein 1 expression in brown adipose tissue, and increased consumption of lean body mass. Thus, increased hypothalamic MCH expression in rats exposed to cold may participate in the process that allows for efficient use of energy for heat production during thermogenic adaptation to cold