8 research outputs found
Problem of Sources in Researching V.N. Khitrovoβs Biography
Through their work, the author examines some of the problems of studying sources while researching the biography of famous Russian statesman V.N. Khitrovo (1834-1903), who played an important role in shaping the Middle East foreign policy of the Russian Empire. While in the region, he made a great contribution to the protection of Orthodoxy and Orthodox pilgrims in the Holy Land, including the development of education of the Arab population of Palestine and Syria, and promoting the spread of Orthodox education. In order to reconstruct the biography of V.N. Khitrovo, sources of various nature and origin were identified and classified. There has been conducted for the first-time analysis of materials from the private collection of V.N. Khitrovo stored in the Department of Manuscripts of the Russian State Library; on their basis, the role of V.N. Khitrovo as a specialist in the field of genealogy is revealed within the text. The materials on the history of the Khitrovo family collected by him make it possible to most fully present the history of the family and its role in the development of the future statesman and organizer of science. There was used a wide range of unpublished archival documents containing material important for the reconstruction of V.N. Khitrovoβs biography. Above all, it is the correspondence of widow S.D. Khitrovo with bibliographer and literary critic S.I. Ponomarev. In addition, for the first time, the authors have collected obituary materials, a large amount of reference literature published in Russia in the second half of the XIX - early XX centuries, published official sources and documents of private origin, which have allow the researchers to begin supplementing, clarifying and correcting the information and facts from V.N. Khitrovoβs biography
ΠΡΡΠΎΡΠ½ΠΈΠΊΠΎΠ²Π΅Π΄ΡΠ΅ΡΠΊΠΈΠ΅ ΠΏΡΠΎΠ±Π»Π΅ΠΌΡ ΠΈΠ·ΡΡΠ΅Π½ΠΈΡ Π±ΠΈΠΎΠ³ΡΠ°ΡΠΈΠΈ Π.Π. Π₯ΠΈΡΡΠΎΠ²ΠΎ
Through their work, the author examines some of the problems of studying sources while researching the biography of famous Russian statesman V.N. Khitrovo (1834-1903), who played an important role in shaping the Middle East foreign policy of the Russian Empire. While in the region, he made a great contribution to the protection of Orthodoxy and Orthodox pilgrims in the Holy Land, including the development of education of the Arab population of Palestine and Syria, and promoting the spread of Orthodox education. In order to reconstruct the biography of V.N. Khitrovo, sources of various nature and origin were identified and classified. There has been conducted for the first-time analysis of materials from the private collection of V.N. Khitrovo stored in the Department of Manuscripts of the Russian State Library; on their basis, the role of V.N. Khitrovo as a specialist in the field of genealogy is revealed within the text. The materials on the history of the Khitrovo family collected by him make it possible to most fully present the history of the family and its role in the development of the future statesman and organizer of science. There was used a wide range of unpublished archival documents containing material important for the reconstruction of V.N. Khitrovoβs biography. Above all, it is the correspondence of widow S.D. Khitrovo with bibliographer and literary critic S.I. Ponomarev. In addition, for the first time, the authors have collected obituary materials, a large amount of reference literature published in Russia in the second half of the XIX - early XX centuries, published official sources and documents of private origin, which have allow the researchers to begin supplementing, clarifying and correcting the information and facts from V.N. Khitrovoβs biography.Π Π°ΡΡΠΌΠ°ΡΡΠΈΠ²Π°ΡΡΡΡ ΠΈΡΡΠΎΡΠ½ΠΈΠΊΠΎΠ²Π΅Π΄ΡΠ΅ΡΠΊΠΈΠ΅ ΠΏΡΠΎΠ±Π»Π΅ΠΌΡ Π² ΠΈΠ·ΡΡΠ΅Π½ΠΈΠΈ Π±ΠΈΠΎΠ³ΡΠ°ΡΠΈΠΈ ΠΈΠ·Π²Π΅ΡΡΠ½ΠΎΠ³ΠΎ ΡΠΎΡΡΠΈΠΉΡΠΊΠΎΠ³ΠΎ Π³ΠΎΡΡΠ΄Π°ΡΡΡΠ²Π΅Π½Π½ΠΎΠ³ΠΎ Π΄Π΅ΡΡΠ΅Π»Ρ Π.Π. Π₯ΠΈΡΡΠΎΠ²ΠΎ (1834-1903), ΠΊΠΎΡΠΎΡΡΠΉ ΡΡΠ³ΡΠ°Π» Π²Π°ΠΆΠ½ΡΡ ΡΠΎΠ»Ρ Π² ΡΠΎΡΠΌΠΈΡΠΎΠ²Π°Π½ΠΈΠΈ Π±Π»ΠΈΠΆΠ½Π΅Π²ΠΎΡΡΠΎΡΠ½ΠΎΠ³ΠΎ ΠΊΡΡΡΠ° Π²Π½Π΅ΡΠ½Π΅ΠΉ ΠΏΠΎΠ»ΠΈΡΠΈΠΊΠΈ Π ΠΎΡΡΠΈΠΉΡΠΊΠΎΠΉ ΠΈΠΌΠΏΠ΅ΡΠΈΠΈ. ΠΠ΄Π½ΠΎΠ²ΡΠ΅ΠΌΠ΅Π½Π½ΠΎ ΠΎΠ½ Π²Π½Π΅Ρ Π±ΠΎΠ»ΡΡΠΎΠΉ Π²ΠΊΠ»Π°Π΄ Π² Π·Π°ΡΠΈΡΡ ΠΏΡΠ°Π²ΠΎΡΠ»Π°Π²ΠΈΡ ΠΈ ΠΏΡΠ°Π²ΠΎΡΠ»Π°Π²Π½ΡΡ
ΠΏΠ°Π»ΠΎΠΌΠ½ΠΈΠΊΠΎΠ² Π² Π‘Π²ΡΡΠΎΠΉ ΠΠ΅ΠΌΠ»Π΅, Π² ΡΠ°Π·Π²ΠΈΡΠΈΠ΅ ΠΎΠ±ΡΠ°Π·ΠΎΠ²Π°Π½ΠΈΡ Π°ΡΠ°Π±ΡΠΊΠΎΠ³ΠΎ Π½Π°ΡΠ΅Π»Π΅Π½ΠΈΡ ΠΠ°Π»Π΅ΡΡΠΈΠ½Ρ ΠΈ Π‘ΠΈΡΠΈΠΈ, ΡΠΏΠΎΡΠΎΠ±ΡΡΠ²ΠΎΠ²Π°Π» ΡΠ°ΡΠΏΡΠΎΡΡΡΠ°Π½Π΅Π½ΠΈΡ ΠΏΡΠ°Π²ΠΎΡΠ»Π°Π²Π½ΠΎΠ³ΠΎ ΠΏΡΠΎΡΠ²Π΅ΡΠ΅Π½ΠΈΡ. Π‘ ΡΠ΅Π»ΡΡ ΡΠ΅ΠΊΠΎΠ½ΡΡΡΡΠΊΡΠΈΠΈ Π±ΠΈΠΎΠ³ΡΠ°ΡΠΈΠΈ Π.Π. Π₯ΠΈΡΡΠΎΠ²ΠΎ Π²ΡΡΠ²Π»Π΅Π½Ρ ΠΈ ΠΊΠ»Π°ΡΡΠΈΡΠΈΡΠΈΡΠΎΠ²Π°Π½Ρ ΡΠ°Π·Π½ΠΎΠΎΠ±ΡΠ°Π·Π½ΡΠ΅ ΠΏΠΎ Ρ
Π°ΡΠ°ΠΊΡΠ΅ΡΡ ΠΈ ΠΏΡΠΎΠΈΡΡ
ΠΎΠΆΠ΄Π΅Π½ΠΈΡ ΠΈΡΡΠΎΡΠ½ΠΈΠΊΠΈ. ΠΠΏΠ΅ΡΠ²ΡΠ΅ ΠΏΡΠΎΠ²Π΅Π΄Π΅Π½ Π°Π½Π°Π»ΠΈΠ· ΠΌΠ°ΡΠ΅ΡΠΈΠ°Π»ΠΎΠ² ΠΈΠ· Π»ΠΈΡΠ½ΠΎΠΉ ΠΊΠΎΠ»Π»Π΅ΠΊΡΠΈΠΈ Π.Π. Π₯ΠΈΡΡΠΎΠ²ΠΎ, Ρ
ΡΠ°Π½ΡΡΠ΅ΠΉΡΡ Π² ΠΡΠ΄Π΅Π»Π΅ ΡΡΠΊΠΎΠΏΠΈΡΠ΅ΠΉ Π ΠΎΡΡΠΈΠΉΡΠΊΠΎΠΉ Π³ΠΎΡΡΠ΄Π°ΡΡΡΠ²Π΅Π½Π½ΠΎΠΉ Π±ΠΈΠ±Π»ΠΈΠΎΡΠ΅ΠΊΠΈ; Π½Π° ΠΈΡ
ΠΎΡΠ½ΠΎΠ²Π΅ ΡΠ°ΡΠΊΡΡΠ²Π°Π΅ΡΡΡ ΡΠΎΠ»Ρ Π.Π. Π₯ΠΈΡΡΠΎΠ²ΠΎ ΠΊΠ°ΠΊ ΡΡΠ΅Π½ΠΎΠ³ΠΎ-ΡΠΏΠ΅ΡΠΈΠ°Π»ΠΈΡΡΠ° Π² ΠΎΠ±Π»Π°ΡΡΠΈ Π³Π΅Π½Π΅Π°Π»ΠΎΠ³ΠΈΠΈ. Π‘ΠΎΠ±ΡΠ°Π½Π½ΡΠ΅ ΠΈΠΌ ΠΌΠ°ΡΠ΅ΡΠΈΠ°Π»Ρ ΠΏΠΎ ΠΈΡΡΠΎΡΠΈΠΈ ΡΠΎΠ΄Π° Π₯ΠΈΡΡΠΎΠ²ΠΎ ΠΏΠΎΠ·Π²ΠΎΠ»ΡΡΡ Π½Π°ΠΈΠ±ΠΎΠ»Π΅Π΅ ΠΏΠΎΠ»Π½ΠΎ ΠΏΡΠ΅Π΄ΡΡΠ°Π²ΠΈΡΡ ΠΈΡΡΠΎΡΠΈΡ ΡΠ΅ΠΌΡΠΈ ΠΈ Π΅Π΅ ΡΠΎΠ»Ρ Π² ΡΡΠ°Π½ΠΎΠ²Π»Π΅Π½ΠΈΠΈ Π±ΡΠ΄ΡΡΠ΅Π³ΠΎ Π³ΠΎΡΡΠ΄Π°ΡΡΡΠ²Π΅Π½Π½ΠΎΠ³ΠΎ Π΄Π΅ΡΡΠ΅Π»Ρ ΠΈ ΠΎΡΠ³Π°Π½ΠΈΠ·Π°ΡΠΎΡΠ° Π½Π°ΡΠΊΠΈ. ΠΡΠΈΠ²Π»Π΅ΡΠ΅Π½ ΡΠΈΡΠΎΠΊΠΈΠΉ ΠΊΠΎΠΌΠΏΠ»Π΅ΠΊΡ Π½Π΅ΠΎΠΏΡΠ±Π»ΠΈΠΊΠΎΠ²Π°Π½Π½ΡΡ
Π°ΡΡ
ΠΈΠ²Π½ΡΡ
Π΄ΠΎΠΊΡΠΌΠ΅Π½ΡΠΎΠ², ΡΠΎΠ΄Π΅ΡΠΆΠ°ΡΠΈΡ
Π²Π°ΠΆΠ½ΡΠΉ Π΄Π»Ρ ΡΠ΅ΠΊΠΎΠ½ΡΡΡΡΠΊΡΠΈΠΈ Π±ΠΈΠΎΠ³ΡΠ°ΡΠΈΠΈ Π.Π. Π₯ΠΈΡΡΠΎΠ²ΠΎ ΠΌΠ°ΡΠ΅ΡΠΈΠ°Π». ΠΡΠ΅ΠΆΠ΄Π΅ Π²ΡΠ΅Π³ΠΎ ΡΡΠΎ ΠΏΠ΅ΡΠ΅ΠΏΠΈΡΠΊΠ° Π²Π΄ΠΎΠ²Ρ Π‘.Π. Π₯ΠΈΡΡΠΎΠ²ΠΎ Ρ Π±ΠΈΠ±Π»ΠΈΠΎΠ³ΡΠ°ΡΠΎΠΌ ΠΈ Π»ΠΈΡΠ΅ΡΠ°ΡΡΡΠΎΠ²Π΅Π΄ΠΎΠΌ Π‘.Π. ΠΠΎΠ½ΠΎΠΌΠ°ΡΠ΅Π²ΡΠΌ. ΠΠΏΠ΅ΡΠ²ΡΠ΅ ΡΠΎΠ±ΡΠ°Π½Ρ ΠΌΠ°ΡΠ΅ΡΠΈΠ°Π»Ρ Π½Π΅ΠΊΡΠΎΠ»ΠΎΠ³ΠΎΠ², ΠΏΡΠΈΠ²Π»Π΅ΡΠ΅Π½ Π±ΠΎΠ»ΡΡΠΎΠΉ ΠΎΠ±ΡΠ΅ΠΌ ΡΠΏΡΠ°Π²ΠΎΡΠ½ΠΎΠΉ Π»ΠΈΡΠ΅ΡΠ°ΡΡΡΡ, ΠΈΠ·Π΄Π°Π²Π°Π²ΡΠ΅ΠΉΡΡ Π² Π ΠΎΡΡΠΈΠΈ Π²ΠΎ Π²ΡΠΎΡΠΎΠΉ ΠΏΠΎΠ»ΠΎΠ²ΠΈΠ½Π΅ XIX - Π½Π°ΡΠ°Π»Π΅ XX Π²., ΠΎΠΏΡΠ±Π»ΠΈΠΊΠΎΠ²Π°Π½Π½ΡΡ
ΠΎΡΠΈΡΠΈΠ°Π»ΡΠ½ΡΡ
ΠΈΡΡΠΎΡΠ½ΠΈΠΊΠΎΠ² ΠΈ Π΄ΠΎΠΊΡΠΌΠ΅Π½ΡΠΎΠ² Π»ΠΈΡΠ½ΠΎΠ³ΠΎ ΠΏΡΠΎΠΈΡΡ
ΠΎΠΆΠ΄Π΅Π½ΠΈΡ, ΠΊΠΎΡΠΎΡΡΠ΅ ΠΏΠΎΠ·Π²ΠΎΠ»ΡΡΡ Π΄ΠΎΠΏΠΎΠ»Π½ΠΈΡΡ, ΡΡΠΎΡΠ½ΠΈΡΡ ΠΈ ΡΠΊΠΎΡΡΠ΅ΠΊΡΠΈΡΠΎΠ²Π°ΡΡ ΠΈΠΌΠ΅ΡΡΠΈΠ΅ΡΡ Π² ΡΠ°ΡΠΏΠΎΡΡΠΆΠ΅Π½ΠΈΠΈ ΠΈΡΡΠ»Π΅Π΄ΠΎΠ²Π°ΡΠ΅Π»Π΅ΠΉ ΡΠ²Π΅Π΄Π΅Π½ΠΈΡ ΠΈ ΡΠ°ΠΊΡΡ ΠΈΠ· Π»ΠΈΡΠ½ΠΎΠΉ Π±ΠΈΠΎΠ³ΡΠ°ΡΠΈΠΈ Π.Π. Π₯ΠΈΡΡΠΎΠ²ΠΎ
ΠΡΠΊΡΡΡΡΠ²ΠΎ ΠΊΠ½ΠΈΠ³ΠΈ Π.Π‘. Π‘ΡΠ΅Π»Π»Π΅ΡΠΊΠΎΠ³ΠΎ
Dmitry Stelletsky was aΒ sculptor, aΒ painter, aΒ graphic artist and aΒ glorious representative ofΒ the Russian retrospectivism atΒ the end ofΒ the XIXthΒ β the first quarter ofΒ the XXth century that paid his attention toΒ the art ofΒ manuscript book. The paper examines one ofΒ the most important aspects ofΒ his work such asΒ book graphics which received positive enthusiastic reviews ofΒ artists and art critics. The papere shows the artistβs career from the studying atΒ the Higher Art School ofΒ the Arts Academy and his work inΒ the M.K. Tenisheva atelier till the painting ofΒ the church ofΒ the Trinity-St Sergius monastery inΒ Paris and the creating ofΒ the manuscript masterpiece called Β«The Lay ofΒ Igorβs WarfareΒ».InΒ his book graphic works Dmitry Stelletsky was able toΒ achieve asΒ close asΒ possible toΒ the traditions ofΒ ancient Russian art and toΒ revive the old Russian book tradition ofΒ compositionally stylistic unity ofΒ letters, ornaments and illustrations.ΠΠΌΠΈΡΡΠΈΠΉ Π‘ΡΠ΅Π»Π»Π΅ΡΠΊΠΈΠΉΒ β ΡΠΊΡΠ»ΡΠΏΡΠΎΡ, ΠΆΠΈΠ²ΠΎΠΏΠΈΡΠ΅Ρ, Π³ΡΠ°ΡΠΈΠΊ, ΡΡΠΊΠΈΠΉ ΠΏΡΠ΅Π΄ΡΡΠ°Π²ΠΈΡΠ΅Π»Ρ ΡΡΡΡΠΊΠΎΠ³ΠΎ ΡΠ΅ΡΡΠΎΡΠΏΠ΅ΠΊΡΠΈΠ²ΠΈΠ·ΠΌΠ° ΠΊΠΎΠ½ΡΠ° XIXΒ β ΠΏΠ΅ΡΠ²ΠΎΠΉ ΡΠ΅ΡΠ²Π΅ΡΡΠΈ XXΒ Π²., ΠΎΠ±ΡΠ°ΡΠΈΠ²ΡΠΈΠΉ ΡΠ²ΠΎΠ΅ Π²Π½ΠΈΠΌΠ°Π½ΠΈΠ΅ Π½Π°Β ΠΈΡΠΊΡΡΡΡΠ²ΠΎ ΠΊΠ½ΠΈΠ³ΠΎΠΏΠΈΡΠ°Π½ΠΈΡ. ΠΒ ΡΡΠ°ΡΡΠ΅ Π°Π½Π°Π»ΠΈΠ·ΠΈΡΡΠ΅ΡΡΡ ΠΎΠ΄ΠΈΠ½ ΠΈΠ·Β Π²Π°ΠΆΠ½Π΅ΠΉΡΠΈΡ
Π°ΡΠΏΠ΅ΠΊΡΠΎΠ² Π΅Π³ΠΎ ΡΠ²ΠΎΡΡΠ΅ΡΡΠ²Π°Β β ΠΊΠ½ΠΈΠΆΠ½Π°Ρ Π³ΡΠ°ΡΠΈΠΊΠ°, ΠΏΠΎΠ»ΡΡΠΈΠ²ΡΠ°Ρ Π²ΠΎΡΡΠΎΡΠΆΠ΅Π½Π½ΡΠ΅ ΠΎΡΠ·ΡΠ²Ρ Ρ
ΡΠ΄ΠΎΠΆΠ½ΠΈΠΊΠΎΠ² ΠΈΒ Ρ
ΡΠ΄ΠΎΠΆΠ΅ΡΡΠ²Π΅Π½Π½ΡΡ
ΠΊΡΠΈΡΠΈΠΊΠΎΠ². ΠΒ ΡΡΠ°ΡΡΠ΅ ΠΏΠΎΠΊΠ°Π·Π°Π½ ΡΠ²ΠΎΡΡΠ΅ΡΠΊΠΈΠΉ ΠΏΡΡΡ Ρ
ΡΠ΄ΠΎΠΆΠ½ΠΈΠΊΠ°: ΠΎΡΒ ΡΡΠ΅Π±Ρ Π²Β ΠΡΡΡΠ΅ΠΌ Ρ
ΡΠ΄ΠΎΠΆΠ΅ΡΡΠ²Π΅Π½Π½ΠΎΠΌ ΡΡΠΈΠ»ΠΈΡΠ΅ ΠΏΡΠΈ ΠΠΊΠ°Π΄Π΅ΠΌΠΈΠΈ Ρ
ΡΠ΄ΠΎΠΆΠ΅ΡΡΠ² ΠΈΒ ΡΠ°Π±ΠΎΡΡ Π²Β ΠΌΠ°ΡΡΠ΅ΡΡΠΊΠΎΠΉ Π.Π. Π’Π΅Π½ΠΈΡΠ΅Π²ΠΎΠΉ Π΄ΠΎΒ ΡΠΎΡΠΏΠΈΡΠΈ Ρ
ΡΠ°ΠΌΠ° Π’ΡΠΎΠΈΡΠ΅-Π‘Π΅ΡΠ³ΠΈΠ΅Π²Π° ΠΏΠΎΠ΄Π²ΠΎΡΡΡ Π²Β ΠΠ°ΡΠΈΠΆΠ΅ ΠΈΒ ΡΠΎΠ·Π΄Π°Π½ΠΈΡ ΠΊΠ½ΠΈΠ³ΠΎΠΏΠΈΡΠ½ΠΎΠ³ΠΎ ΡΠ΅Π΄Π΅Π²ΡΠ° Β«Π‘Π»ΠΎΠ²ΠΎ ΠΎΒ ΠΏΠΎΠ»ΠΊΡ ΠΠ³ΠΎΡΠ΅Π²Π΅Β».ΠΒ ΡΠ²ΠΎΠΈΡ
ΠΊΠ½ΠΈΠΆΠ½ΡΡ
Π³ΡΠ°ΡΠΈΡΠ΅ΡΠΊΠΈΡ
ΡΠ°Π±ΠΎΡΠ°Ρ
ΠΠΌΠΈΡΡΠΈΠΉ Π‘ΡΠ΅Π»Π»Π΅ΡΠΊΠΈΠΉ ΡΠΌΠΎΠ³ Π΄ΠΎΠ±ΠΈΡΡΡΡ ΠΌΠ°ΠΊΡΠΈΠΌΠ°Π»ΡΠ½ΠΎΠ³ΠΎ ΠΏΡΠΈΠ±Π»ΠΈΠΆΠ΅Π½ΠΈΡ ΠΊΒ ΡΡΠ°Π΄ΠΈΡΠΈΡΠΌ Π΄ΡΠ΅Π²Π½Π΅ΡΡΡΡΠΊΠΎΠ³ΠΎ ΠΈΡΠΊΡΡΡΡΠ²Π° ΠΈΒ Π²ΠΎΠ·ΡΠΎΠ΄ΠΈΡΡ Π΄ΡΠ΅Π²Π½Π΅ΡΡΡΡΠΊΡΡ ΠΊΠ½ΠΈΠΆΠ½ΡΡ ΡΡΠ°Π΄ΠΈΡΠΈΡ ΠΊΠΎΠΌΠΏΠΎΠ·ΠΈΡΠΈΠΎΠ½Π½ΠΎ-ΡΡΠΈΠ»ΠΈΡΡΠΈΡΠ΅ΡΠΊΠΎΠ³ΠΎ Π΅Π΄ΠΈΠ½ΡΡΠ²Π° ΠΏΠΈΡΡΠΌΠ°, ΠΎΡΠ½Π°ΠΌΠ΅Π½ΡΠΎΠ² ΠΈΒ ΠΈΠ»Π»ΡΡΡΡΠ°ΡΠΈΠΉ
FATES OF RUSSIAN ART IN THE YEARS OF REVOLUTION AND CIVIL WAR (PECULIARITIES OF A.A. RYBNIKOVβS CREATIVE WORK)
The article is devoted to the fate of the intellectuals who came over to the Soviet power and participated in the revolutionary process. The analysis is carried out on the example of the life and work of artist Alexei Rybnikov (1887-1949), who came from a merchant family, initially received economic education, graduated from Kharkov school of painting and drawin-gand participated in the exhibitions of βJack of diamondsβ.There are considered the peculiarities of his pre-revolutionary art. The author notes the role of the artist in the rescue of the unique art collections in the years of his work in the Peopleβs Commissariat for Education. There is shownhow the Revolution and the Civil war, the nationalization and requisition of artistic values changed the processes of museum construction in Russia and then the Soviet Union. The author points out that the process of nationalization of the historical and artistic values revealed one of the important issues related to the conservation of works of art - the problem of restoration. The solution to this problem was associated with the need to study the technological characteristics of the paintings by old masters, to record the physical condition of all existing works of art, to describe its technical condition. There is shown that the practical work of rescue and restoration of the old mastersβ heritage, which was carried out at the State Tretyakov gallery and the Hermitage by artists, technologists, photographers and scientists (chemists and physicists), led to the discovery of new methods of paintings salvation. Russian artist Alexei Rybnikov began his career before the revolution of 1917 as a painter, book designer and muralist.Like many other representatives of this profession, at first he became an officer of the Peopleβs Commissariat for Education, then an employee of a museum. This path of a free artistβs transformation into a serious museum employee gave the world a new way of washing paintings, and then the method of texture photography invented by him. In the history of the world restoration this method is known as βMethode Rybnikoffβ
MOSCOW PRINTERS-FOREIGNERS IN THE LAST THIRD OF THE 19TH - EARLY 20TH CENTURY
The article considers the role of foreigners in the publishing business of Moscow in the last third of the 19th - early 20th century on the example of Moscow printers E.-C. A. Lissner and A.A. Levenson, whose ancestors came to Russia from Austria and Germany. The historio-graphical review showed that the history of Moscow publishing houses and foreign printers who arrived in Russia remains beyond the scope of the current scientiο¬ c interest. There are analyzed the stages of the development of the publishing business, it features, printing ο¬ ndings, the speciο¬ cs of the book market.E.-C. A. Lissner and A.A. Levenson are the brightest ο¬ gures in Russia in the ο¬ eld of publishing. Starting from scratch, they were able to create unique typography, in which it was possible to produce multicolour hard products, phototype table, to improve engraving, chromolithography and colour photozincography. To perform these works, they attracted specialists who were able to develop and implement new ways of printing. E.-C. A. Lissner and A.A. Levenson collaborated with the best artists of Russia helping to implement the ideas of publishing quality printed products that contributed to the aesthetic education of readers. The article reveals the importance of the activities of the two publishers of German origin E.-C. A. Lissner and A. Levenson in the development of the Russian culture (literature and art) and the popularization of scientiο¬ c knowledge. They laid new principles of publishing and printing of illustrations, created a new trend in book production. Their activities contributed to the opening of new names in literature and art, promotion of Russian printing technology and book production to both domestic and foreign markets, development of book art and improve-ment of printing
ΠΠ½ΠΈΠΆΠ½ΠΎΠ΅ ΡΠ²ΠΎΡΡΠ΅ΡΡΠ²ΠΎ Π.Π‘. Π‘Π°ΠΌΠΎΠΊΠΈΡΠ°
Nikolay Samokish is an outstanding representative of Russian battle-piece painting in the end of the 19th and the first half of the 20th centuries. One of the major aspects of his creativity β the book graphics which brought him the All-Russia success and fame is analyzed in the article. In his book graphic art Nikolay Samokish is more than βillustratorβ. In his graphic of ornamental character he obtained constructive easiness, simplicity combining it with the features of a well-conceived.ΠΠΈΠΊΠΎΠ»Π°ΠΉ Π‘Π°ΠΌΠΎΠΊΠΈΡ β Π²ΡΠ΄Π°ΡΡΠΈΠΉΡΡ ΠΏΡΠ΅Π΄ΡΡΠ°Π²ΠΈΡΠ΅Π»Ρ ΡΡΡΡΠΊΠΎΠΉ Π±Π°ΡΠ°Π»ΡΠ½ΠΎΠΉ ΠΆΠΈΠ²ΠΎΠΏΠΈΡΠΈ ΠΊΠΎΠ½ΡΠ° XIX β ΠΏΠ΅ΡΠ²ΠΎΠΉ ΠΏΠΎΠ»ΠΎΠ²ΠΈΠ½Ρ XX Π²Π΅ΠΊΠ°. Π ΡΡΠ°ΡΡΠ΅ Π°Π½Π°Π»ΠΈΠ·ΠΈΡΡΠ΅ΡΡΡ ΠΎΠ΄ΠΈΠ½ ΠΈΠ· Π²Π°ΠΆΠ½Π΅ΠΉΡΠΈΡ
Π°ΡΠΏΠ΅ΠΊΡΠΎΠ² Π΅Π³ΠΎ ΡΠ²ΠΎΡΡΠ΅ΡΡΠ²Π° β ΠΊΠ½ΠΈΠΆΠ½Π°Ρ Π³ΡΠ°ΡΠΈΠΊΠ°, ΠΏΡΠΈΠ½Π΅ΡΡΠ°Ρ Ρ
ΡΠ΄ΠΎΠΆΠ½ΠΈΠΊΡ Π²ΡΠ΅ΡΠΎΡΡΠΈΠΉΡΠΊΠΈΠΉ ΡΡΠΏΠ΅Ρ
ΠΈ ΡΠ»Π°Π²Ρ. Π ΡΠ²ΠΎΠ΅ΠΌ ΠΊΠ½ΠΈΠΆΠ½ΠΎ-Π³ΡΠ°ΡΠΈΡΠ΅ΡΠΊΠΎΠΌ ΡΠ²ΠΎΡΡΠ΅ΡΡΠ²Π΅ ΠΠΈΠΊΠΎΠ»Π°ΠΉ Π‘Π°ΠΌΠΎΠΊΠΈΡ ΡΠΌΠΎΠ³ ΠΏΠΎΠΉΡΠΈ Π΄Π°Π»ΡΡΠ΅ ΠΏΠΎΠ½ΡΡΠΈΡ Β«Ρ
ΡΠ΄ΠΎΠΆΠ½ΠΈΠΊ-ΠΈΠ»Π»ΡΡΡΡΠ°ΡΠΎΡΒ». Π ΡΠΈΡΡΠ½ΠΊΠ°Ρ
ΠΎΡΠ½Π°ΠΌΠ΅Π½ΡΠ°Π»ΡΠ½ΠΎΠ³ΠΎ Ρ
Π°ΡΠ°ΠΊΡΠ΅ΡΠ° ΠΎΠ½ Π΄ΠΎΠ±ΠΈΠ»ΡΡ ΠΊΠΎΠ½ΡΡΡΡΠΊΡΠΈΠ²Π½ΠΎΠΉ Π»Π΅Π³ΠΊΠΎΡΡΠΈ, ΠΏΡΠΎΡΡΠΎΡΡ, ΡΠΎΡΠ΅ΡΠ°Ρ Π΅Π΅ Ρ ΡΠ΅ΡΡΠ°ΠΌΠΈ Ρ
ΠΎΡΠΎΡΠΎ ΠΏΠΎΠ½ΡΡΠΎΠΉ ΠΌΠΎΠ½ΡΠΌΠ΅Π½ΡΠ°Π»ΡΠ½ΠΎΡΡΠΈ
LIFE AND COMMUNITY MINISTRY OF JACOB (DOMSKY). THE EMINENT BISHOP OF YAKUTSK AND VILYUYSK
The article considers the peculiar features of the selfless service in the far regions of the Russian Empire. The analysis is carried out on the example of the life and ministry of missionary, educator, teacher, preacher, Bishop Jacob (Domsky). His participation in the process of improving spiritual schools, the conditions of teaching and mentoring, developing new and improving old educational programmes contributed to the solution to one of the most important tasks - the training of highly educated Ministers of the Church. These graduates were able to serve the Fatherland in Siberia, the Far East, the Russian mission in China and Japan, in the vast territory of the Aleutian and Alaska dioceses. The opening of rural parish and parochial schools, the establishment of womenβs diocesan schools, public library and translation activities - all these facts are about the life of Jacob (Domsky). As the Bishop of one of the most distant and great foreign dioceses, he did much to establish Orthodoxy and raise the authority of the Orthodox priesthood. Based on the brief analysis of the main theological works, among which is βRussian preaching, historical review and contemporary perspective on its directionβ, the article shows the importance of the heritage of the missionary in the development of the Church historiography. For example, the activities of Bishop of Jacob (Domsky) reveal the role of Russian spiritual warriors in the organization and development of librarianship, education and spiritual enlightenment of the indigenous peoples of Siberia and the Far East
Design and photophysical investigation of dipyrromethenates coordinated with the boron(III), zinc(II) and cadmium(II) as optical elements
Alkyl-halogen-dipyrromethene (Dpm) ligands coordinated with boron(III), zinc(II), and cadmium(II) were studied experimentally and theoretically to elucidate and compare influence of the coordination centers and halogen substituents (βheavyβ atom effect) on observable photophysical properties. Novel and recently published experimental data were summarized and analyzed using quantum-mechanical calculations which revealed specific of the electronic structures and photo-induced dissipations in the molecular complexes. Halogenation of the Dpm difluoroborates (BODIPY) increases the intersystem spin crossing (ISC) and the triplet harvest whereas halogen atoms play no crucial role in fluorescence quenching of the systems with Zn(II) and Cd(II) complexing agents. Low fluorescence intensities of double Dpm moieties coordinated with the tran-sition metal ions are provided by radiationless internal conversion suppressing photoemission with following ISC which is intensified in presence of halogens. BODIPY fluorescence undergoes direct ISC competition and quenching intensity depend on the kind and the number of halogens