Spatial textures: place, touch, and praesentia

In this paper I consider the everyday ways in which people make place through touch. Beginning with discussions with visually impaired people about their experiences of museum places, I seek to offer a more general understanding of the coconstruction of place and subjectivity through the role of touch. Touch produces a form of confirmation of the subject - world at the interface between the materiality of that world and the hand. Such an encounter is understood not as initially meaningful and representational to a subject who is distinct and distally knowledgable about the world, but as constitutive - through a proximal encounter with the praesentia of a place, which is both present and absent - of the subject itself. As such, I aim to contribute to ongoing debates around the themes of performativity and non-representationalist knowledge within geography

An order of pure decision Growing up in a virtual world and the adolescent's experience of being-in-a-body

Technological advances and the dominant values of contemporary culture make it possible and acceptable to alter, extend, or altogether bypass the body and its functions in actuality and in virtual space. This has contributed to a split between the body and the self, leading to a disembodied subjectivity that may encourage a neglect of the body’s unconscious meaning for the individual. Due to the psychic requirement during adolescence to accommodate the reality of the changing body, some vulnerable adolescents are especially primed for the seductions of virtual space—a “space” that is nowadays not only culturally sanctioned, but also idealized. The use of cyberspace can become a psychic refuge from the challenge of integrating the reality and meaning of the sexual body into the image of the self. Two case examples illustrate how for some vulnerable adolescents it is through the use of cyberspace that confusion about the real body can be denied or disavowed; for them the integrity of the self is sustained through pseudorepresentations of the body defensively experienced in terms of “play” rather than pathology