Рациональное, мистическое, мифопоэтическое в культуре мусульман Средней Азии и парадигмы ее развития (XIX – начало XX в.)

The relics of written culture of Muslims of Central Asia of the late period (before Soviet time), not connected directly with a book tradition, are considered in the article. The author accents attention on the “small forms” — various extractions, records, qit‘a with philosophical, didactic, professional-practical and others content. Mainly they are poetical texts in Persian-Tajik and Turkic-Uzbek languages. The results of an examination show variety types of design for a present kind of literary monuments in the traditional Muslim society: from utilitarian and everyday occurrence for forms of records, and to highly artistic pieces of calligraphic art of qit‘a. All of them independently of the “forms of organization” in any case were presented at the everyday life, professional activity and spiritual searching of a Central Asian man. They formed a circle of his cultural interests and values, thoughts and sensations — from pragmatic and rational to philosophical and emotional aesthetic. Common and dominating was mythopoetical consciousness. It determined condition of culture in many cases, and directions of activity of diff erent intellectual forces in the society. Pieces of qit‘a and other written texts used in the article are from the collection of author, and majority of them are published for the fi rst time.В статье рассматриваются памятники письменной культуры мусульман Средней Азии позднего (досоветского) периода, не связанные напрямую с книжной традицией. Автор акцентирует внимание на «малых формах» — различных выписках, записях, кит‘а философского, назидательного, профессионально-практического и иного содержания. Они представлены, преимущественно, поэтическими текстами на персидско-таджикском и тюркско-узбекском языках. Результаты рассмотрения показывают разнообразие типов оформления данного вида письменных памятников в традиционном мусульманском обществе: от утилитарных, бытовых по форме записей до высокохудожественных образцов каллиграфического искусства кит‘а. Все они, независимо от «форм организации», так или иначе присутствовали в повседневной жизни, профессиональной деятельности, духовных исканиях среднеазиатского человека. Они образовывали круг его культурных интересов и ценностей, размышлений и чувствований — от прагматических и рациональных до философских и эмоционально-эстетических. Общим и доминирующим являлось мифопоэтическое сознание. Оно во многом определяло состояние культуры и направления деятельности различных интеллектуальных сил в обществе. К рассмотрению привлекаются образцы кит‘а и других письменных текстов из собрания автора статьи, большинство из которых публикуются впервые

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Impact of Pore Structure on Reservoir Quality of Carbonates

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