18 research outputs found

    ИзлоТба со староградски носии

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    БтароградскитС носии ΠΎΠ΄ Π΅Ρ‚Π½ΠΎΠ»ΠΎΡˆΠΊΠ°Ρ‚Π° поставка Π²ΠΎ ΠΌΡƒΠ·Π΅Ρ˜ΠΎΡ‚ Π²ΠΎ Π¨Ρ‚ΠΈΠΏ сС Π½Π΅ΠΏΡ€ΠΎΡ†Π΅Π½Π»ΠΈΠ²Π° ΠΈΠ½ΡΠΏΠΈΡ€Π°Ρ†ΠΈΡ˜Π° Π·Π° создавањС Π½Π° Π½ΠΎΠ²ΠΈ ΠΌΠΎΠ΄Π΅Π»ΠΈ ΠΊΠΎΠΈ ја симболизираат Π±ΠΎΠ³Π°Ρ‚Π°Ρ‚Π° ΠΊΡƒΠ»Ρ‚ΡƒΡ€Π½Π° ΠΈΡΡ‚ΠΎΡ€ΠΈΡ˜Π° Π½Π° макСдонската ΠΆΠ΅Π½Π°, ΠΏΡ€Π΅ΠΊΡƒ која сС манифСстиралС ситС ΠΊΡƒΠ»Ρ‚ΡƒΡ€Π½ΠΈ двиТСња Π²ΠΎ ΠΏΠΎΠ³Π»Π΅Π΄ Π½Π° ΠΎΠ±Π»Π΅ΠΊΠ°Ρ‚Π° ΠΊΠ°ΠΊΠΎ Π΅Π΄Π½Π° ΠΎΠ΄ ΠΌΠ½ΠΎΠ³ΡƒΡ‚Π΅ Π·Π½Π°Ρ‡Π°Ρ˜Π½ΠΈ Π°Ρ€Ρ‚Π΅ Ρ„Π°ΠΊΡ‚ΠΈ ΠΊΠΎΠΈ ја ΠΊΠ°Ρ€Π°ΠΊΡ‚Π΅Ρ€ΠΈΠ·ΠΈΡ€Π°Π°Ρ‚ ΠΊΡƒΠ»Ρ‚ΡƒΡ€Π°Ρ‚Π° Π½Π° ΠΌΠ°ΠΊΠ΅Π΄ΠΎΠ½Ρ†ΠΈΡ‚Π΅. ΠŸΡ€Π΅ΠΊΡƒ овој Ρ‚ΠΈΠΏ Π½Π° ΠΎΠ±Π»Π΅ΠΊΠ° сС ΠΎΠ±ΠΈΠ΄ΠΎΠ²ΠΌΠ΅ Π΄Π° Π³ΠΈ ΠΏΡ€ΠΈΠΊΠ°ΠΆΠ΅ΠΌΠ΅ основнитС ΠΊΡ€ΠΎΠ΅Π²ΠΈ Π½Π° староградската носија, слСдСјќи Π³ΠΈ ΠΈ ΠΏΡ€ΠΎΠΌΠ΅Π½ΠΈΡ‚Π΅ ΠΊΠΎΠΈ настаналС Π²ΠΎ ΠΏΠ΅Ρ€ΠΈΠΎΠ΄ΠΎΡ‚ ΠΎΠ΄ ΠΊΡ€Π°Ρ˜ΠΎΡ‚ Π½Π° 19 Π²Π΅ΠΊ ΠΏΠ° Π΄ΠΎ Π²Ρ‚ΠΎΡ€Π°Ρ‚Π° ΠΏΠΎΠ»ΠΎΠ²ΠΈΠ½Π° Π½Π° 20 Π²Π΅ΠΊ, ΠΏΠ΅Ρ€ΠΈΠΎΠ΄ Π²ΠΎ кој староградската носија Π΅ ΡΠ΅ΡƒΡˆΡ‚Π΅ ΠΌΠ°Ρ€ΠΊΠ°Π½Ρ‚Π΅Π½ симбол Π·Π° Π½ΠΈΠ²Π½Π° Π²ΠΈΠ·ΡƒΠ΅Π»Π½Π° ΠΈΠ΄Π΅Π½Ρ‚ΠΈΡ„ΠΈΠΊΠ°Ρ†ΠΈΡ˜Π°. Π’ΠΎ овој ΠΏΠ΅Ρ€ΠΈΠΎΠ΄ ΠΊΠ°ΠΊΠΎ Ρ€Π΅Π·ΡƒΠ»Ρ‚Π°Ρ‚ Π½Π° ΠΏΡ€ΠΎΠΌΠ΅Π½ΠΈΡ‚Π΅ ΠΎΠ΄ Ρ‚Ρ€Π°Π΄ΠΈΡ†ΠΈΠΎΠ½Π°Π»Π΅Π½ сточарски ΠΊΠΎΠ½ стациониран Π½Π°Ρ‡ΠΈΠ½ Π½Π° ΠΆΠΈΠ²ΠΎΡ‚ ΠΊΠ°ΠΊΠΎ ΠΈ Π°ΡΠΈΠΌΠΈΠ»Π°Ρ†ΠΈΡ˜Π° ΠΈ ΠΈΠ½Ρ‚Π΅Π³Ρ€Π°Ρ†ΠΈΡ˜Π° со мСсното насСлСниС, Π½ΠΎΡΠΈΡ˜Π°Ρ‚Π° ΠΏΠΎΡ‡Π½Π°Π»Π° Π΄Π° Ρ‚Ρ€ΠΏΠΈ ΠΏΠΎΠ΅Π΄ΠΈΠ½Π΅Ρ‡Π½ΠΈ трансформации ΠΊΠ°ΠΊΠΎ Π²ΠΎ ΡΠ²ΠΎΡ˜Π°Ρ‚Π° структура Ρ‚Π°ΠΊΠ° ΠΈ Π²ΠΎ ΡΠ²ΠΎΡ˜Π°Ρ‚Π° Ρ„ΡƒΠ½ΠΊΡ†ΠΈΡ˜Π°, СстСтска, ΠΌΠ°Ρ‚Π΅Ρ€ΠΈΡ˜Π°Π»Π½Π°Ρ‚Π° Π±Π°Π·Π° ΠΈ слично, Π·Π° Π½Π° ΠΊΡ€Π°Ρ˜ Π΄Π° Π±ΠΈΠ΄Π΅ Π·Π°ΠΌΠ΅Π½Π΅Ρ‚Π° со Π½ΠΎΠ²ΠΈΠΎΡ‚ ala-franga ΠΌΠΎΠ΄Π΅Π», со ΡˆΡ‚ΠΎ исчСзнал Π²ΠΈΠ·ΡƒΠ΅Π»Π½ΠΈΠΎΡ‚ Π΅Ρ„Π΅ΠΊΡ‚ Π·Π° Π΅Ρ‚Π½ΠΈΡ‡ΠΊΠ°Ρ‚Π° ΠΈΠ΄Π΅Π½Ρ‚ΠΈΡ„ΠΈΠΊΠ°Ρ†ΠΈΡ˜Π° Π½Π° Π΅Ρ‚Π½ΠΈΡ‡ΠΊΠΈΡ‚Π΅ Π·Π°Π΅Π΄Π½ΠΈΡ†ΠΈ

    ΠšΡƒΠ»Ρ‚ΡƒΡ€Π½ΠΎΡ‚ΠΎ наслСдство Π½ΠΈΠ· ΠΏΡ€ΠΈΠ·ΠΌΠ°Ρ‚Π° Π½Π° Π»ΠΈΠΊΠΎΠ²Π½Π°Ρ‚Π° Π΄Π΅Ρ˜Π½ΠΎΡΡ‚

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    ΠŸΡ€ΠΎΠ΅ΠΊΡ‚ΠΎΡ‚ Π΅ ΠΎΠ΄ΠΎΠ±Ρ€Π΅Π½ ΠΎΠ΄ министСрството Π·Π° ΠΊΡƒΠ»Ρ‚ΡƒΡ€Π° Π½Π° Π‘Π΅Π²Π΅Ρ€Π½Π° МакСдонија, ΠΊΠ°ΠΊΠΎ ΠΏΡ€ΠΎΠ΅ΠΊΡ‚ ΠΎΠ΄ Π½Π°Ρ†ΠΈΠΎΠ½Π°Π»Π΅Π½ интСрСс Π²ΠΎ кој сС ΠΈΠ½ΠΊΠΎΡ€ΠΏΠΎΡ€ΠΈΡ€Π°Π½ΠΈ повСќС ΠΊΠΎΠΌΠΏΠΎΠ½Π΅Π½Ρ‚ΠΈ ΠΎΠ΄ ΡƒΠΌΠ΅Ρ‚Π½ΠΈΡ‡ΠΊΠ°Ρ‚Π° Π·Π°Π΅Π΄Π½ΠΈΡ†Π° ΠΏΡ€Π΅ΠΊΡƒ која со ΡƒΠΌΠ΅Ρ‚Π½ΠΈΡ‡ΠΊΠΈ пристап сС ΠΏΡ€Π°Π²ΠΈ спој Π½Π° ΠΌΠΈΠ½Π°Ρ‚ΠΎΡ‚ΠΎ ΠΈ ΡΠ΅Π³Π°ΡˆΠ½ΠΎΡΡ‚Π° ΠΈ сСкој ΠΏΠΎΠ΅Π΄ΠΈΠ½Π΅Ρ† ΠΏΡ€Π΅ΠΊΡƒ ΡΠ²ΠΎΡ˜ΠΎΡ‚ ΠΊΡƒΠ»Ρ‚ΡƒΡ€Π΅Π½ Π·Π½Π°ΠΊ, Π³ΠΎ ΠΏΡ€ΠΈΠΊΠ°ΠΆΠ° ΠΌΠΈΠ½Π°Ρ‚ΠΎΡ‚ΠΎ ΠΈ Π½Π°ΠΏΡ€Π°Π²ΠΈ спој со ΡΠ΅Π³Π°ΡˆΠ½ΠΎΡΡ‚Π° ΠΏΡ€Π΅ΠΊΡƒ ΡˆΡ‚ΠΎ сС Π½Π°ΠΏΡ€Π°Π²ΠΈ ΡƒΠ½ΠΈΠΊΠ°Ρ‚Π΅Π½ ΠΏΠΎΠ³Π»Π΅Π΄ Π½Π° ΠΌΠΈΠ½Π°Ρ‚ΠΎΡ‚ΠΎ ΠΈ ΡΠ΅Π³Π°ΡˆΠ½ΠΎΡΡ‚Π° Π²ΠΎ Π΅Π΄Π΅Π½ ΡƒΡ€Π±Π°Π½ Π°ΠΌΠ±ΠΈΠ΅Π½Ρ‚. Π“Π»Π°Π²Π½Π°Ρ‚Π° Ρ†Π΅Π» Π½Π° овој ΠΏΡ€ΠΎΠ΅ΠΊΡ‚ Π΅ ΠΏΠΎΡ‚Ρ‚ΠΈΠΊΠ½ΡƒΠ²Π°ΡšΠ΅ Π½Π° ΠΈΠ½ΠΈΡ†ΠΈΡ˜Π°Ρ‚ΠΈΠ²Π°Ρ‚Π° Π΄ΠΎ ситС Π³Ρ€Π°Ρ“Π°Π½ΠΈ Π²ΠΎ ΠΏΡ€Π΅Π·Π΅ΠΌΠ°ΡšΠ΅ Π½Π° Π°ΠΊΡ‚ΠΈΠ²Π½ΠΎ учСство Π·Π° ΠΎΠ΄Ρ€ΠΆΡƒΠ²Π°ΡšΠ΅, Π²Ρ€Π΅Π΄Π½ΡƒΠ²Π°ΡšΠ΅, ΠΏΡ€ΠΎΠΌΠΎΡ†ΠΈΡ˜Π° ΠΈ Π½Π΅Π³ΡƒΠ²Π°ΡšΠ΅ Π½Π° ΠΊΡƒΠ»Ρ‚ΡƒΡ€Π½ΠΎΡ‚ΠΎ наслСдство. Настанот сС ΠΎΠ΄Ρ€ΠΆΠ° ΠΏΡ€Π΅Π΄ ΠΏΠ»Π°Ρ‚ΠΎΡ‚ΠΎ Π½Π° НУ Π—Π°Π²ΠΎΠ΄ ΠΈ ΠœΡƒΠ·Π΅Ρ˜ - Π¨Ρ‚ΠΈΠΏ, со ΠΏΠΎΠ·Π΄Ρ€Π°Π²Π΅Π½ Π³ΠΎΠ²ΠΎΡ€ Π½Π° ΠœΠΈΠ½ΠΈΡΡ‚Π΅Ρ€ΠΊΠ°Ρ‚Π° Π·Π° ΠšΡƒΠ»Ρ‚ΡƒΡ€Π° Π½Π° РБМ Π˜Ρ€Π΅Π½Π° БтСфовска, Π΄ΠΈΡ€Π΅ΠΊΡ‚ΠΎΡ€ΠΎΡ‚ Π½Π° Π£ΠΏΡ€Π°Π²Π°Ρ‚Π° Π·Π° Π·Π°ΡˆΡ‚ΠΈΡ‚Π° Π½Π° ΠΊΡƒΠ»Ρ‚ΡƒΡ€Π½ΠΎΡ‚ΠΎ наслСдство Π½Π° РБМ, Π΄Π΅ΠΊΠ°Π½ΠΎΡ‚ Π½Π° Π›ΠΈΠΊΠΎΠ²Π½Π° акадСмија ΠΏΡ€ΠΈ Π£Π½ΠΈΠ²Π΅Ρ€Π·ΠΈΡ‚Π΅Ρ‚ΠΎΡ‚ β€žΠ“ΠΎΡ†Π΅ Π”Π΅Π»Ρ‡Π΅Π²β€œ Π¨Ρ‚ΠΈΠΏ - Π£Π“Π” ΠΈ Π΄ΠΈΡ€Π΅ΠΊΡ‚ΠΎΡ€ΠΎΡ‚ Π½Π° НУ Π—Π°Π²ΠΎΠ΄ ΠΈ ΠœΡƒΠ·Π΅Ρ˜ - Π¨Ρ‚ΠΈΠΏ - ΠœΠΈΡ‚ΠΊΠΎ Π¨Ρ‚Π΅Ρ€Ρ˜ΠΎΠ²

    Final control of men's shirts

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    Quality control is one of the most important factors in the textile industry and it is often closely related to the accepted quality level and final control. The final control is done by the quality controller to ensure that the quality of the garment accomplish the requirements of the client. Quality control is a requirement in the production of men's shirts because it maintains the quality of the brand and the cooperation between the garment company and the customer. Every step in the manufacturing process of men's shirts is vital to the overall quality of the final product. Namely, errors identified during the production process are immediately reported to the manufacturer, so direct intervention is possible for their removal, and not after transport to the client's country. In this way it is possible to save time, reduce production costs and at the same time reduce organizational problems. Keywords: men's shirt, textile materials, quality control, final contro

    Analysis of the situation with textile waste

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    As a result of global population growth and rising living standards, textile fiber production and consumption are projected to continue to grow and global fiber production is expected to reach 156 million tonnes by 2030. The increase in the production and consumption of textile products causes an increase in the amount of generated textile waste. The increasing quantities of textile waste is a significant problem, as 2 to 15 kilograms of waste per person are generated annually in Europe. The largest producers of textile waste in Europe are Belgium, Czech Republic, Portugal, Italy, Austria and Netherlands. Only 20% of clothing waste is collected globally for reuse or recycling. The remaining 80% is deposited or incinerated, resulting in a large loss of energy and raw materials. Keywords: textile waste, recycling, landfilling, sustainabilit

    Exhibition with productions of Old Town costumes, replicas of the European costume

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    Production of 8 Old Town costumes which, under the influence of European culture and civilization, were also worn on the territory of North Macedonia. Presented within the framework of the international festival of ,,Mountain Civilization, Tradition, Costumes and Folklore in the Carpathians and Pind Mountains

    Civilizatie Montana, Traditii, obiceiuri, folclor in munti Dialog Carpati, Pind, Roman Aroman

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    Π˜Π·Ρ€Π°Π±ΠΎΡ‚ΠΊΠΈ Π½Π° 10 Ρ‚Ρ€Π°Π΄ΠΈΡ†ΠΈΠΎΠ½Π°Π»Π½ΠΈ влашки носии ΠΏΠΎ ΠΎΡ€ΠΈΠ³ΠΈΠ½Π°Π»Π΅Π½ ΠΊΡ€ΠΎΡ˜ ΠΎΠ΄ ΠΎΡ€ΠΈΠ³ΠΈΠ½Π°Π»Π½ΠΈΡ‚Π΅ машки дСтски носи

    Π”Π΅Π½ΠΎΠ²ΠΈ Π½Π° тСкстилната ΠΈΠ½Π΄ΡƒΡΡ‚Ρ€ΠΈΡ˜Π° ΠΏΡ€ΠΎΠΌΠΎΡ†ΠΈΡ˜Π° Π½Π° ΠΌΠ»Π°Π΄Π°Ρ‚Π° Π³Π΅Π½Π΅Ρ€Π°Ρ†ΠΈΡ˜Π°

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    Π˜Π·Ρ€Π°Π±ΠΎΡ‚ΠΊΠ° Π½Π° 8 ΠΌΠΎΠ΄Π΅Π»ΠΈ Π½Π° ΠΎΠ±Π»Π΅ΠΊΠ° Π²ΠΎ Π²Ρ€Π΅ΠΌΠ΅ Π½Π° ΠΊΠΎΡ€ΠΎΠ½Π° која Π΅ ΠΈΠ½ΡΠΏΠΈΡ€Π°Ρ†ΠΈΡ˜Π° ΠΎΠ΄ свСтски ΠΏΠΎΠ·Π½Π°Ρ‚ΠΈ ΠΌΠΎΠ΄Π½ΠΈ Π΄ΠΈΠ·Π°Ρ˜Π½Π΅Ρ€ΠΈ ΠΈ која Π΄Π°Π²Π° Π±Π΅Π»Π΅Π³ ΠΎΠ΄ Ρ‚Ρ€Π°Π΄ΠΈΡ†ΠΈΠΎΠ½Π°Π»Π½Π°Ρ‚Π° ΠΊΡƒΠ»Ρ‚ΡƒΡ€Π° Π²ΠΎ Π‘Π΅Π²Π΅Ρ€Π½Π° МакСдонија Π·Π° Ρ€Π°Π·Π²ΠΎΡ˜ Π½Π° Π½ΠΎΠ²ΠΈ ΠΌΠΎΠ΄Π½ΠΈ ΠΊΠΎΠ»Π΅ΠΊΡ†ΠΈΠΈ ΠΊΠΎΠΈ сС ΠΈΠ·Ρ€Π°Π±ΠΎΡ‚ΡƒΠ²Π°Π°Ρ‚ ΠΎΠ΄ Ρ€Π΅Ρ†ΠΈΠΊΠ»ΠΈΡ€Π°ΡšΠ΅ Π½Π° тСкстилСн ΠΎΡ‚ΠΏΠ°

    Promotion of the image and work of Tose Proeski

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    Promotion of the image and work of Tose Proeski through the costumes he wore at his concerts, the production of the Eurovision costum
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