18 research outputs found
ΠΠ·Π»ΠΎΠΆΠ±Π° ΡΠΎ ΡΡΠ°ΡΠΎΠ³ΡΠ°Π΄ΡΠΊΠΈ Π½ΠΎΡΠΈΠΈ
Π‘ΡΠ°ΡΠΎΠ³ΡΠ°Π΄ΡΠΊΠΈΡΠ΅ Π½ΠΎΡΠΈΠΈ ΠΎΠ΄ Π΅ΡΠ½ΠΎΠ»ΠΎΡΠΊΠ°ΡΠ° ΠΏΠΎΡΡΠ°Π²ΠΊΠ° Π²ΠΎ ΠΌΡΠ·Π΅ΡΠΎΡ Π²ΠΎ Π¨ΡΠΈΠΏ ΡΠ΅ Π½Π΅ΠΏΡΠΎΡΠ΅Π½Π»ΠΈΠ²Π° ΠΈΠ½ΡΠΏΠΈΡΠ°ΡΠΈΡΠ° Π·Π° ΡΠΎΠ·Π΄Π°Π²Π°ΡΠ΅ Π½Π° Π½ΠΎΠ²ΠΈ ΠΌΠΎΠ΄Π΅Π»ΠΈ ΠΊΠΎΠΈ ΡΠ° ΡΠΈΠΌΠ±ΠΎΠ»ΠΈΠ·ΠΈΡΠ°Π°Ρ Π±ΠΎΠ³Π°ΡΠ°ΡΠ° ΠΊΡΠ»ΡΡΡΠ½Π° ΠΈΡΡΠΎΡΠΈΡΠ° Π½Π° ΠΌΠ°ΠΊΠ΅Π΄ΠΎΠ½ΡΠΊΠ°ΡΠ° ΠΆΠ΅Π½Π°, ΠΏΡΠ΅ΠΊΡ ΠΊΠΎΡΠ° ΡΠ΅ ΠΌΠ°Π½ΠΈΡΠ΅ΡΡΠΈΡΠ°Π»Π΅ ΡΠΈΡΠ΅ ΠΊΡΠ»ΡΡΡΠ½ΠΈ Π΄Π²ΠΈΠΆΠ΅ΡΠ° Π²ΠΎ ΠΏΠΎΠ³Π»Π΅Π΄ Π½Π° ΠΎΠ±Π»Π΅ΠΊΠ°ΡΠ° ΠΊΠ°ΠΊΠΎ Π΅Π΄Π½Π° ΠΎΠ΄ ΠΌΠ½ΠΎΠ³ΡΡΠ΅ Π·Π½Π°ΡΠ°ΡΠ½ΠΈ Π°ΡΡΠ΅ ΡΠ°ΠΊΡΠΈ ΠΊΠΎΠΈ ΡΠ° ΠΊΠ°ΡΠ°ΠΊΡΠ΅ΡΠΈΠ·ΠΈΡΠ°Π°Ρ ΠΊΡΠ»ΡΡΡΠ°ΡΠ° Π½Π° ΠΌΠ°ΠΊΠ΅Π΄ΠΎΠ½ΡΠΈΡΠ΅.
ΠΡΠ΅ΠΊΡ ΠΎΠ²ΠΎΡ ΡΠΈΠΏ Π½Π° ΠΎΠ±Π»Π΅ΠΊΠ° ΡΠ΅ ΠΎΠ±ΠΈΠ΄ΠΎΠ²ΠΌΠ΅ Π΄Π° Π³ΠΈ ΠΏΡΠΈΠΊΠ°ΠΆΠ΅ΠΌΠ΅ ΠΎΡΠ½ΠΎΠ²Π½ΠΈΡΠ΅ ΠΊΡΠΎΠ΅Π²ΠΈ Π½Π° ΡΡΠ°ΡΠΎΠ³ΡΠ°Π΄ΡΠΊΠ°ΡΠ° Π½ΠΎΡΠΈΡΠ°, ΡΠ»Π΅Π΄Π΅ΡΡΠΈ Π³ΠΈ ΠΈ ΠΏΡΠΎΠΌΠ΅Π½ΠΈΡΠ΅ ΠΊΠΎΠΈ Π½Π°ΡΡΠ°Π½Π°Π»Π΅ Π²ΠΎ ΠΏΠ΅ΡΠΈΠΎΠ΄ΠΎΡ ΠΎΠ΄ ΠΊΡΠ°ΡΠΎΡ Π½Π° 19 Π²Π΅ΠΊ ΠΏΠ° Π΄ΠΎ Π²ΡΠΎΡΠ°ΡΠ° ΠΏΠΎΠ»ΠΎΠ²ΠΈΠ½Π° Π½Π° 20 Π²Π΅ΠΊ, ΠΏΠ΅ΡΠΈΠΎΠ΄ Π²ΠΎ ΠΊΠΎΡ ΡΡΠ°ΡΠΎΠ³ΡΠ°Π΄ΡΠΊΠ°ΡΠ° Π½ΠΎΡΠΈΡΠ° Π΅ ΡΠ΅ΡΡΡΠ΅ ΠΌΠ°ΡΠΊΠ°Π½ΡΠ΅Π½ ΡΠΈΠΌΠ±ΠΎΠ» Π·Π° Π½ΠΈΠ²Π½Π° Π²ΠΈΠ·ΡΠ΅Π»Π½Π° ΠΈΠ΄Π΅Π½ΡΠΈΡΠΈΠΊΠ°ΡΠΈΡΠ°.
ΠΠΎ ΠΎΠ²ΠΎΡ ΠΏΠ΅ΡΠΈΠΎΠ΄ ΠΊΠ°ΠΊΠΎ ΡΠ΅Π·ΡΠ»ΡΠ°Ρ Π½Π° ΠΏΡΠΎΠΌΠ΅Π½ΠΈΡΠ΅ ΠΎΠ΄ ΡΡΠ°Π΄ΠΈΡΠΈΠΎΠ½Π°Π»Π΅Π½ ΡΡΠΎΡΠ°ΡΡΠΊΠΈ ΠΊΠΎΠ½ ΡΡΠ°ΡΠΈΠΎΠ½ΠΈΡΠ°Π½ Π½Π°ΡΠΈΠ½ Π½Π° ΠΆΠΈΠ²ΠΎΡ ΠΊΠ°ΠΊΠΎ ΠΈ Π°ΡΠΈΠΌΠΈΠ»Π°ΡΠΈΡΠ° ΠΈ ΠΈΠ½ΡΠ΅Π³ΡΠ°ΡΠΈΡΠ° ΡΠΎ ΠΌΠ΅ΡΠ½ΠΎΡΠΎ Π½Π°ΡΠ΅Π»Π΅Π½ΠΈΠ΅, Π½ΠΎΡΠΈΡΠ°ΡΠ° ΠΏΠΎΡΠ½Π°Π»Π° Π΄Π° ΡΡΠΏΠΈ ΠΏΠΎΠ΅Π΄ΠΈΠ½Π΅ΡΠ½ΠΈ ΡΡΠ°Π½ΡΡΠΎΡΠΌΠ°ΡΠΈΠΈ ΠΊΠ°ΠΊΠΎ Π²ΠΎ ΡΠ²ΠΎΡΠ°ΡΠ° ΡΡΡΡΠΊΡΡΡΠ° ΡΠ°ΠΊΠ° ΠΈ Π²ΠΎ ΡΠ²ΠΎΡΠ°ΡΠ° ΡΡΠ½ΠΊΡΠΈΡΠ°, Π΅ΡΡΠ΅ΡΡΠΊΠ°, ΠΌΠ°ΡΠ΅ΡΠΈΡΠ°Π»Π½Π°ΡΠ° Π±Π°Π·Π° ΠΈ ΡΠ»ΠΈΡΠ½ΠΎ, Π·Π° Π½Π° ΠΊΡΠ°Ρ Π΄Π° Π±ΠΈΠ΄Π΅ Π·Π°ΠΌΠ΅Π½Π΅ΡΠ° ΡΠΎ Π½ΠΎΠ²ΠΈΠΎΡ ala-franga ΠΌΠΎΠ΄Π΅Π», ΡΠΎ ΡΡΠΎ ΠΈΡΡΠ΅Π·Π½Π°Π» Π²ΠΈΠ·ΡΠ΅Π»Π½ΠΈΠΎΡ Π΅ΡΠ΅ΠΊΡ Π·Π° Π΅ΡΠ½ΠΈΡΠΊΠ°ΡΠ° ΠΈΠ΄Π΅Π½ΡΠΈΡΠΈΠΊΠ°ΡΠΈΡΠ° Π½Π° Π΅ΡΠ½ΠΈΡΠΊΠΈΡΠ΅ Π·Π°Π΅Π΄Π½ΠΈΡΠΈ
ΠΡΠ»ΡΡΡΠ½ΠΎΡΠΎ Π½Π°ΡΠ»Π΅Π΄ΡΡΠ²ΠΎ Π½ΠΈΠ· ΠΏΡΠΈΠ·ΠΌΠ°ΡΠ° Π½Π° Π»ΠΈΠΊΠΎΠ²Π½Π°ΡΠ° Π΄Π΅ΡΠ½ΠΎΡΡ
ΠΡΠΎΠ΅ΠΊΡΠΎΡ Π΅ ΠΎΠ΄ΠΎΠ±ΡΠ΅Π½ ΠΎΠ΄ ΠΌΠΈΠ½ΠΈΡΡΠ΅ΡΡΡΠ²ΠΎΡΠΎ Π·Π° ΠΊΡΠ»ΡΡΡΠ° Π½Π° Π‘Π΅Π²Π΅ΡΠ½Π° ΠΠ°ΠΊΠ΅Π΄ΠΎΠ½ΠΈΡΠ°, ΠΊΠ°ΠΊΠΎ ΠΏΡΠΎΠ΅ΠΊΡ ΠΎΠ΄ Π½Π°ΡΠΈΠΎΠ½Π°Π»Π΅Π½ ΠΈΠ½ΡΠ΅ΡΠ΅Ρ Π²ΠΎ ΠΊΠΎΡ ΡΠ΅ ΠΈΠ½ΠΊΠΎΡΠΏΠΎΡΠΈΡΠ°Π½ΠΈ ΠΏΠΎΠ²Π΅ΡΠ΅ ΠΊΠΎΠΌΠΏΠΎΠ½Π΅Π½ΡΠΈ ΠΎΠ΄ ΡΠΌΠ΅ΡΠ½ΠΈΡΠΊΠ°ΡΠ° Π·Π°Π΅Π΄Π½ΠΈΡΠ° ΠΏΡΠ΅ΠΊΡ ΠΊΠΎΡΠ° ΡΠΎ ΡΠΌΠ΅ΡΠ½ΠΈΡΠΊΠΈ ΠΏΡΠΈΡΡΠ°ΠΏ ΡΠ΅ ΠΏΡΠ°Π²ΠΈ ΡΠΏΠΎΡ Π½Π° ΠΌΠΈΠ½Π°ΡΠΎΡΠΎ ΠΈ ΡΠ΅Π³Π°ΡΠ½ΠΎΡΡΠ° ΠΈ ΡΠ΅ΠΊΠΎΡ ΠΏΠΎΠ΅Π΄ΠΈΠ½Π΅Ρ ΠΏΡΠ΅ΠΊΡ ΡΠ²ΠΎΡΠΎΡ ΠΊΡΠ»ΡΡΡΠ΅Π½ Π·Π½Π°ΠΊ, Π³ΠΎ ΠΏΡΠΈΠΊΠ°ΠΆΠ° ΠΌΠΈΠ½Π°ΡΠΎΡΠΎ ΠΈ Π½Π°ΠΏΡΠ°Π²ΠΈ ΡΠΏΠΎΡ ΡΠΎ ΡΠ΅Π³Π°ΡΠ½ΠΎΡΡΠ° ΠΏΡΠ΅ΠΊΡ ΡΡΠΎ ΡΠ΅ Π½Π°ΠΏΡΠ°Π²ΠΈ ΡΠ½ΠΈΠΊΠ°ΡΠ΅Π½ ΠΏΠΎΠ³Π»Π΅Π΄ Π½Π° ΠΌΠΈΠ½Π°ΡΠΎΡΠΎ ΠΈ ΡΠ΅Π³Π°ΡΠ½ΠΎΡΡΠ° Π²ΠΎ Π΅Π΄Π΅Π½ ΡΡΠ±Π°Π½ Π°ΠΌΠ±ΠΈΠ΅Π½Ρ.
ΠΠ»Π°Π²Π½Π°ΡΠ° ΡΠ΅Π» Π½Π° ΠΎΠ²ΠΎΡ ΠΏΡΠΎΠ΅ΠΊΡ Π΅ ΠΏΠΎΡΡΠΈΠΊΠ½ΡΠ²Π°ΡΠ΅ Π½Π° ΠΈΠ½ΠΈΡΠΈΡΠ°ΡΠΈΠ²Π°ΡΠ° Π΄ΠΎ ΡΠΈΡΠ΅ Π³ΡΠ°ΡΠ°Π½ΠΈ Π²ΠΎ ΠΏΡΠ΅Π·Π΅ΠΌΠ°ΡΠ΅ Π½Π° Π°ΠΊΡΠΈΠ²Π½ΠΎ ΡΡΠ΅ΡΡΠ²ΠΎ Π·Π° ΠΎΠ΄ΡΠΆΡΠ²Π°ΡΠ΅, Π²ΡΠ΅Π΄Π½ΡΠ²Π°ΡΠ΅, ΠΏΡΠΎΠΌΠΎΡΠΈΡΠ° ΠΈ Π½Π΅Π³ΡΠ²Π°ΡΠ΅ Π½Π° ΠΊΡΠ»ΡΡΡΠ½ΠΎΡΠΎ Π½Π°ΡΠ»Π΅Π΄ΡΡΠ²ΠΎ.
ΠΠ°ΡΡΠ°Π½ΠΎΡ ΡΠ΅ ΠΎΠ΄ΡΠΆΠ° ΠΏΡΠ΅Π΄ ΠΏΠ»Π°ΡΠΎΡΠΎ Π½Π° ΠΠ£ ΠΠ°Π²ΠΎΠ΄ ΠΈ ΠΡΠ·Π΅Ρ - Π¨ΡΠΈΠΏ, ΡΠΎ ΠΏΠΎΠ·Π΄ΡΠ°Π²Π΅Π½ Π³ΠΎΠ²ΠΎΡ Π½Π° ΠΠΈΠ½ΠΈΡΡΠ΅ΡΠΊΠ°ΡΠ° Π·Π° ΠΡΠ»ΡΡΡΠ° Π½Π° Π Π‘Π ΠΡΠ΅Π½Π° Π‘ΡΠ΅ΡΠΎΠ²ΡΠΊΠ°, Π΄ΠΈΡΠ΅ΠΊΡΠΎΡΠΎΡ Π½Π° Π£ΠΏΡΠ°Π²Π°ΡΠ° Π·Π° Π·Π°ΡΡΠΈΡΠ° Π½Π° ΠΊΡΠ»ΡΡΡΠ½ΠΎΡΠΎ Π½Π°ΡΠ»Π΅Π΄ΡΡΠ²ΠΎ Π½Π° Π Π‘Π, Π΄Π΅ΠΊΠ°Π½ΠΎΡ Π½Π° ΠΠΈΠΊΠΎΠ²Π½Π° Π°ΠΊΠ°Π΄Π΅ΠΌΠΈΡΠ° ΠΏΡΠΈ Π£Π½ΠΈΠ²Π΅ΡΠ·ΠΈΡΠ΅ΡΠΎΡ βΠΠΎΡΠ΅ ΠΠ΅Π»ΡΠ΅Π²β Π¨ΡΠΈΠΏ - Π£ΠΠ ΠΈ Π΄ΠΈΡΠ΅ΠΊΡΠΎΡΠΎΡ Π½Π° ΠΠ£ ΠΠ°Π²ΠΎΠ΄ ΠΈ ΠΡΠ·Π΅Ρ - Π¨ΡΠΈΠΏ - ΠΠΈΡΠΊΠΎ Π¨ΡΠ΅ΡΡΠΎΠ²
Final control of men's shirts
Quality control is one of the most important factors in the textile industry
and it is often closely related to the accepted quality level and final control. The final
control is done by the quality controller to ensure that the quality of the garment
accomplish the requirements of the client. Quality control is a requirement in the
production of men's shirts because it maintains the quality of the brand and the
cooperation between the garment company and the customer. Every step in the
manufacturing process of men's shirts is vital to the overall quality of the final product.
Namely, errors identified during the production process are immediately reported to the
manufacturer, so direct intervention is possible for their removal, and not after transport
to the client's country. In this way it is possible to save time, reduce production costs and
at the same time reduce organizational problems.
Keywords: men's shirt, textile materials, quality control, final contro
Analysis of the situation with textile waste
As a result of global population growth and rising living standards, textile
fiber production and consumption are projected to continue to grow and global fiber
production is expected to reach 156 million tonnes by 2030. The increase in the production
and consumption of textile products causes an increase in the amount of generated textile
waste. The increasing quantities of textile waste is a significant problem, as 2 to 15 kilograms
of waste per person are generated annually in Europe. The largest producers of textile waste
in Europe are Belgium, Czech Republic, Portugal, Italy, Austria and Netherlands. Only 20%
of clothing waste is collected globally for reuse or recycling. The remaining 80% is deposited
or incinerated, resulting in a large loss of energy and raw materials.
Keywords: textile waste, recycling, landfilling, sustainabilit
Exhibition with productions of Old Town costumes, replicas of the European costume
Production of 8 Old Town costumes which, under the influence of European culture and civilization, were also worn on the territory of North Macedonia. Presented within the framework of the international festival of ,,Mountain Civilization, Tradition, Costumes and Folklore in the Carpathians and Pind Mountains
Civilizatie Montana, Traditii, obiceiuri, folclor in munti Dialog Carpati, Pind, Roman Aroman
ΠΠ·ΡΠ°Π±ΠΎΡΠΊΠΈ Π½Π° 10 ΡΡΠ°Π΄ΠΈΡΠΈΠΎΠ½Π°Π»Π½ΠΈ Π²Π»Π°ΡΠΊΠΈ Π½ΠΎΡΠΈΠΈ ΠΏΠΎ ΠΎΡΠΈΠ³ΠΈΠ½Π°Π»Π΅Π½ ΠΊΡΠΎΡ ΠΎΠ΄ ΠΎΡΠΈΠ³ΠΈΠ½Π°Π»Π½ΠΈΡΠ΅ ΠΌΠ°ΡΠΊΠΈ Π΄Π΅ΡΡΠΊΠΈ Π½ΠΎΡΠΈ
ΠΠ΅Π½ΠΎΠ²ΠΈ Π½Π° ΡΠ΅ΠΊΡΡΠΈΠ»Π½Π°ΡΠ° ΠΈΠ½Π΄ΡΡΡΡΠΈΡΠ° ΠΏΡΠΎΠΌΠΎΡΠΈΡΠ° Π½Π° ΠΌΠ»Π°Π΄Π°ΡΠ° Π³Π΅Π½Π΅ΡΠ°ΡΠΈΡΠ°
ΠΠ·ΡΠ°Π±ΠΎΡΠΊΠ° Π½Π° 8 ΠΌΠΎΠ΄Π΅Π»ΠΈ Π½Π° ΠΎΠ±Π»Π΅ΠΊΠ° Π²ΠΎ Π²ΡΠ΅ΠΌΠ΅ Π½Π° ΠΊΠΎΡΠΎΠ½Π° ΠΊΠΎΡΠ° Π΅ ΠΈΠ½ΡΠΏΠΈΡΠ°ΡΠΈΡΠ° ΠΎΠ΄ ΡΠ²Π΅ΡΡΠΊΠΈ ΠΏΠΎΠ·Π½Π°ΡΠΈ ΠΌΠΎΠ΄Π½ΠΈ Π΄ΠΈΠ·Π°ΡΠ½Π΅ΡΠΈ ΠΈ ΠΊΠΎΡΠ° Π΄Π°Π²Π° Π±Π΅Π»Π΅Π³ ΠΎΠ΄ ΡΡΠ°Π΄ΠΈΡΠΈΠΎΠ½Π°Π»Π½Π°ΡΠ° ΠΊΡΠ»ΡΡΡΠ° Π²ΠΎ Π‘Π΅Π²Π΅ΡΠ½Π° ΠΠ°ΠΊΠ΅Π΄ΠΎΠ½ΠΈΡΠ° Π·Π° ΡΠ°Π·Π²ΠΎΡ Π½Π° Π½ΠΎΠ²ΠΈ ΠΌΠΎΠ΄Π½ΠΈ ΠΊΠΎΠ»Π΅ΠΊΡΠΈΠΈ ΠΊΠΎΠΈ ΡΠ΅ ΠΈΠ·ΡΠ°Π±ΠΎΡΡΠ²Π°Π°Ρ ΠΎΠ΄ ΡΠ΅ΡΠΈΠΊΠ»ΠΈΡΠ°ΡΠ΅ Π½Π° ΡΠ΅ΠΊΡΡΠΈΠ»Π΅Π½ ΠΎΡΠΏΠ°
Promotion of the image and work of Tose Proeski
Promotion of the image and work of Tose Proeski through the costumes he wore at his concerts, the production of the Eurovision costum