60 research outputs found
Kwaito’s Promise: Music and the Aesthetics of Freedom in South Africa. Gavin Steingo. 2016. Chicago and London: University of Chicago Press. 23 bw figures (maps, transcriptions and photos), 2 tables, bibliography, filmography, index, 327pp.
After Digitisation, What Next? Suggested Guidelines for the Sale, Reproduction and Repatriation of Digital Deritage
In order to give you a glimpse of the International Library of African Music (ILAM), its origin, and how it exists today, a DVD that briefly tells the story has been uploaded to the Internet for readers to view. In addition to information about Hugh Tracey, the founder of ILAM, and our collections, you will see performances in ILAM’s small outdoor amphitheatre. These are, first, Venda Tshikona reed pipe dancing; then a Chopi timbila orchestra from Mozambique; performance of amadinda xylophone music from Uganda; Shona mibra music; and, finally, some Pedi Dinaka reed pipe dancing. I hope this video will give you a clearer idea of Hugh Tracey's legacy for African music. To access the ILAM DVD, go to http://www.youtube.com/watch?v=WtnqPaT2wv
JAZZ IN SERVICE OF THE STRUGGLE: THE NEW BRIGHTON STORY
This article contributes to the substantial body of publications on South African jazz with information on jazz performance and performers in New Brighton, a township adjacent to Port Elizabeth noted for its vibrant jazz scene and outstanding jazz musicians. The article covers several decades from the heyday of swing bands in the 1940s–50s through the 1960s–70s when New Brighton’s premier jazz combo, the Soul Jazzmen, were at the height of their artistry. The role of swing bands in New Brighton and surrounding communities as the training ground for members of the Soul Jazzmen and other local musicians of note is discussed, as well as how the Soul Jazzmen in turn were tutors for musicians of the next generation who became widely recognized artists, composers and arrangers. This is followed by a focus on the Soul Jazzmen and compositions by its members that protested against the apartheid regime in the 1960s–70s. The article is informed by historic photographs, newspaper clippings and information from oral history interviews that richly document how jazz was performed in service of the anti-apartheid struggle in New Brighton
Oliver Mtukudzi Living Tuku Music in Zimbabwe. Jennifer W. Kyker. 2016. Bloomington and Indianapolis: Indiana University Press. 25 images, 3 transcriptions, bibliography, index, 290 pp.
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