953 research outputs found
Variability of the chemical index of alteration (CIA) in the Paraná River suspended load
Variability of the chemical index of alteration (CIA) in the Paraná River suspended loa
What Has 100 Billion Dollars Worth of Debt Relief Done for Low- Income Countries?
Between 1989 and 2003, low-income countries received $100 billion in debt relief. The stated objectives for much of this debt relief have been to reduce debt overhang and to free up recipient government resources for development spending that would otherwise have been used for debt service. In this paper we empirically assess the extent to which debt relief has been successful in meeting these objectives, using a newly-constructed database measuring the present value of debt relief for 62 low-income countries. We find little evidence that debt relief has affected the level and composition of public spending in recipient countries. We also do not find evidence that debt relief has raised growth, investment rates or the quality of policies and institutions among recipient countries. Although we cannot rule out the possibility that our failure to find evidence of positive impacts of debt relief is due to a variety of data and statistical problems, the evidence reported here does suggest that some skepticism is in order regarding the likely benefits of further large-scale debt relief.Debt Relief, HIPC, Low-Income Countries, Debt
Who gets debt relief ?
The authors use preliminary results from an ongoing effort to construct estimates of debt relief to study its allocation across a sample of 62 low-income countries. They find some evidence that debt relief, particularly from multilateral creditors, has been allocated to countries with better policies in recent years. Somewhat surprisingly, conditional on per capita incomes and policy, more indebted countries are not much more likely to receive debt relief. But countries that have large debts especially to multilateral creditors are more likely to receive debt relief. The authors do not find much evidence that debt relief responds to shocks to GDP growth. Finally, most of the persistence in debt relief is driven by slowly changing country characteristics, indicating that it may be difficult for countries to"exit"from cycles of repeated debt relief.External Debt,Banks&Banking Reform,Strategic Debt Management,Foreign Direct Investment,Economic Theory&Research
The Effects of Conflict on the Structure of the Economy
The presence of conflict affects peoples economic incentives. Some sectors of activity flourish, while others suffer. For understanding structural problems in developing countries and designing appropriate post-conflict reconstruction policies, it is essential to understand in what ways conflict affects the structure of the economy. We develop a simple model of conflict and multiple sectors of activity, where conflict efforts, the allocation of factor endowments and the production outputs are endogenous. We predict that for moderately destructive conflicts labor-intensive sectors are most affected by fighting, while for highly destructive conflicts capital-intensive sectors suffer most. In the latter case, under some conditions it is also possible that in the presence of endogenous conflict - an increase in the price of the capital-intensive commodity reduces the output of this same good. The model further predicts that export-sectors and sectors that require inter-temporal investments are particularly exposed to conflict activity. In the empirical part of the paper, we study the impact of various forms of conflict, separately and as an aggregate conflict index constructed with principal component analysis. We present some basic stylized facts about the effect of conflict on the productive structure of the economy. Conflict reduces the share of the manufacturing sector in the GDP, increases the exploitation of some simple natural resources (i.e. forestry) and reduces the production of crops. Using industrial level data for developing countries we study the channels through which conflict affects the manufacturing sector. As expected, we find that industries that are more institutional/transaction intensive are the ones that suffer most in conflictive societies. Laborintensive sectors are also negatively affected by conflict. It is also found that exporting industries and sectors requiring external financing suffer more during conflict. Our results are robust to sensitivity analysis. --Conflict,Production Structure,Resource Curse,Post-Conflict Reconstruction
La lectura como comentario : reflexiones acerca de la teorĂa de la recepciĂłn a travĂ©s de los Nueve ensayos dantescos de Jorge Luis Borges
El presente trabajo propone una reflexiĂłn sobre conceptos elaborados
por la TeorĂa de la RecepciĂłn Literaria, a travĂ©s de la literatura de los
Nueve ensayos dantescos (1992) de Jorge Luis Borges. AsĂ, se analizan los
diversos modos de la recepciĂłn literaria productiva (la lectura como comentario);
la actividad hermenéutica (la metáfora o la difracción como
mecanismo de lectura), a la vez que se revisan las propuestas de Hans
RoberĂ Jauss, bajo diferentes problemáticas por la crĂtica literaria
postestructural.Fil: Depetris, Carolina.
Universidad AutĂłnoma de Madri
Dulce y melancĂłlico: falso documental y geografĂa afectiva en Balnearios de Mariano Llinás
Dentro del Nuevo Cine Argentino, Balnearios (2002) representa una variante que apuesta a la narraciĂłn por medio de un uso novedoso de la voz over. En su Ăłpera prima, Mariano Llinás apela a distintos registros para narrar las historias de los enclaves estacionales creados con fines turĂsticos. La voz over, omnisciente y omnipresente, hilvana un relato, pero, al igual que en muchos “falsos documentales”, establece una relaciĂłn de complicidad irĂłnica con el espectador que pone en duda la autenticidad misma de lo narrado. En este ensayo analizo cĂłmo las estrategias narrativas del falso documental permiten dar cuenta de una “lĂłgica espacial” que, al mismo tiempo que desestabiliza mapas y territorios previos, reconstruye a travĂ©s de la ficciĂłn espacios e itinerarios propios de una geografĂa afectiva.Within the New Argentine Cinema, Balnearios (2002, “Beach Towns”) represents a trend that explores narrative through a novel use of the voice over. In this film, Mariano Llinás uses different registers to tell anecdotes about different touristic enclaves. An omniscient and omnipresent voiceover articulates a story of these resorts but, as in many “mockumentaries”, it also establishes a relationship of ironic complicity with the viewer that questions the authenticity of what is being narrated. In this article, I analyze how the narrative strategies of the mockumentary create a spatial logic that, while destabilizing previous maps and territories, it also reconstructs, through fiction, spaces and itineraries connected to an affective geography.Fil: Depetris Chauvin, Irene. Universidad de Buenos Aires. Facultad de FilosofĂa y Letras. Instituto de Literatura Hispanoamericana; Argentina. Consejo Nacional de Investigaciones CientĂficas y TĂ©cnicas; Argentin
Bienvenidos a la discoteca-mundo: SimulaciĂłn y violencia en Yo era una chica moderna de CĂ©sar Aira
En sus trayectos por la ciudad, las jĂłvenes de Yo era una chica moderna (2004) de CĂ©sar Aira actĂşan repitiendo imágenes mediáticas, que las inscriben en el horizonte del espectáculo contemporáneo, pero sus performances de simulaciĂłn y violencia suponen tambiĂ©n una deriva respecto de esos mismos elementos preconstituidos. Este artĂculo analiza cĂłmo esos desplazamientos disparan un devenir de la subjetividad que expone de manera crĂtica el funcionamiento del simulacro contemporáneo.Em suas derivas pela cidade, as jovens de Yo era una chica moderna (2004) de CĂ©sar Aira, atuam repetindo imagens mediáticas que as inscrevem no horizonte do espetáculo contemporâneo, mas suas performances de simulação e violĂŞncia representam tambĂ©m uma separação desses elementos prĂ©-constituĂdos. Este artigo discute o modo em que esses deslocamentos acionam um devir da subjetividade que expõe criticamente o funcionamento do simulacro contemporâneo.Fil: Depetris Chauvin, Irene. Universidad de Buenos Aires. Facultad de FilosofĂa y Letras. Instituto de Literatura Hispanoamericana; Argentin
Precariedades y emergencias de Norte a Sur: reinvenciĂłn, colaboraciĂłn, expansiĂłn
En este breve artĂculo de opiniĂłn me detengo en las dinámicas de precarizaciĂłn laboral y en las formas de organizaciĂłn emergentes a lo largo de las AmĂ©ricas para dar cuenta de una nueva geografĂa del trabajo acadĂ©mico. Fil: Depetris Chauvin, Irene. Universidad de Buenos Aires. Facultad de FilosofĂa y Letras. Instituto de Literatura Hispanoamericana; Argentina. Consejo Nacional de Investigaciones CientĂficas y TĂ©cnicas; Argentin
Bandas de sonido transnacionales: voz e identidad en el cine brasileño contemporáneo
A lo largo del siglo XX, en el marco de los cines nacionales, la textura del discurso y la sincronizaciĂłn de voces y cuerpos fueron centrales para la creaciĂłn de lo que Benedith Anderson entendĂa por comunidad imaginada, al mismo tiempo que otros usos de la voz, en otras cinematografĂas, permiten articular sentidos que no necesariamente consolidan esas ideas de comunidad. Desde esta perspectiva, que considera la relaciĂłn entre lo sonoro y el espacio, es posible problematizar quĂ© pasa con las identidades nacionales en las pelĂculas del siglo XXI que se focalizan en desplazamientos trasnacionales. Teniendo en cuenta que la voz, en sincronĂa o diacronĂa con las imágenes exhibidas en pantalla, delimita espacios que sustentan o desestabilizan identidades culturales, en este artĂculo me gustarĂa reconsiderar la idea de una identidad territorial, lingĂĽĂstica y afectiva brasileña por medio del análisis de la lengua hablada y del uso de las voces en dos importantes filmes de la retomada: Terra Estrangeira, de Walter Salles y Daniela Thomas (1995), y Estorvo, de Ruy Guerra (2000).Fil: Depetris Chauvin, Irene. Universidad de Buenos Aires. Facultad de FilosofĂa y Letras. Instituto de Literatura Hispanoamericana; Argentina. Consejo Nacional de Investigaciones CientĂficas y TĂ©cnicas; Argentin
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