Greg Curnoe : Some Lettered Works, 1961-1969

Curnoe explains the origin of his practice of using text in paintings and his interest in the use of "language that was as simple as possible using no metaphors." Biographical notes

Deeds/Abstracts : The History of a London Lot

Retracing the history of his property in London (Ontario) from the Paleo Period through to December 1991, Curnoe's project attempts to reestablish a sense of legitimacy in acquiring a piece of land in Canada. Biographical notes. Bibl. 10 p

Albert E. Templar : Retrospective

Davis's biographical account describes Templar's education in New York (1919-1923) and the artist's continued involvement with the London, Ontario community. Biographical notes. Circa 15 bibl. ref

Greg Curnoe : Deeds Abstracts

This limited-edition artist's publication comprises four sections of writings by the artist, with a critical introduction by Frank Davey. Curnoe's writing records historical details culled from oral histories and public records specific to the area around London, Ontario, and explores the politics of representation through a discussion of his paintings as commentaries on artistic conventions and intersections of writing, ethinicity, social power structures, and technology

3rd Dalhousie Drawing Exhibition

Curator/exhibitor Curnoe stresses the diversity of style in the work of six London artists he selected for the third Dalhousie Drawing Exhibition. Biographical notes

The Great Canadian Sonnet : Drawings by Greg Curnoe = The Great Canadian Sonnet : Dessins de Greg Curnoe

Presentation of Curnoe's drawings illustrating a novel by McFadden, accompanied by comments by both artist and writer on their mutual productions

Clark McDougall : Paintings since 1953

Woodman surveys McDougall's career, noting the influence of Matisse on his use of colour and outline. McDougall reflects on his working methods. Includes an appreciation by Curnoe and biographical notes

Murray Favro : A Retrospective

Fleming outlines Favro's life and the development of his projected reconstructions and technical objects in relation to the artist's interest in perception, the machine, and the principles of machine evolution. Biographical notes. Bibl. 7 p