29 research outputs found
Ingeboek (Karen Kuhn)
Karen Kuhn. Kaapstad: Griffel, 2012. 53pp. ISBN: 978-1-920424-44-2
Ek sal Coetzee net wil observeer om hom (dalk) beter te begryp
No abstract available
Skulp (Hennie Aucamp)
SkulpHennie Aucamp. Pretoria: Protea Boekhuis,2014. 70 pp. ISBN: 978-1-4853-0069-4.DOI: http://dx.doi.org/10.4314/tvl.v52i1.2
Adriaan Van Zyl: Memorandum: Marlene Van Niekerk
This article examines the textual relationship between the paintings of Adriaan van Zyl and the novel
Memorandum: a story with paintings (2006) by Marlene van Niekerk. The traditional assumptions
about what constitutes the narrative as genre are subverted by the inclusion of the so-called Hospital
Series 2004-2006 by Van Zyl. The novel should not be read as a commentary on the paintings as
such but rather as an accompaniment to the paintings â as suggested by the author herself. From the
interaction between painting and novel the reader/viewer has to rely on certain codes and conventions
to analyse the text under discussion. Genetteâs notion of transtextuality and in particular his notion of
the architext assists the reader in deconstructing the meaning of this collaborative project on human
suffering.In hierdie artikel word die tekstuele wisselwerking tussen die skilderye van Adriaan van Zyl en die
roman van Marlene van Niekerk, Memorandum: `n verhaal met prente (2006) ondersoek. Wat ons
tradisioneel bestempel as kenmerkend van die narratief as genre word gesuspendeer deur die insluiting
van `n reeks skilderye, die sg Hospitaalreeks van Adriaan van Zyl. Die roman moet nie gelees word
as synde kommentaar op die skilderye nie â soos wat die outeur self aangedui het. Uit hierdie
interaksie tussen skildery en roman word die leser/kyker gedwing om sekere kodes en konvensies te
gebruik om die teks te analiseer, maar wat noodwendig afwyk van sy bestaande opvattinge. Genette
se konsepte soos transtekstualiteit en argiteks word ingespan om hierdie gesamentlike projek oor
menslike lyding te dekonstrueerai201
Marlene Dumas and the painting of (the) flesh
Central to Marlene Dumasâs oeuvre is the depiction of human flesh in all its manifestations. By
playing on the word âfleshâ I will look at how she depicts children and nude adults in her work and
to what extent the paintings are underpinned by expressions such as âto make oneâs flesh crawlâ or
âthe sins of the fleshâ. Very few commentators have focused on Dumasâs representation of the male
nude body and that will form a major part of this analysis. My reading is loosely based on Kristevaâs
theory of abjection (1982).Sentraal in Marlene Dumas se oeuvre is die uitbeelding van die menslike vlees in sy vele manifesterings.
Deur te fokus op die woord âvleesâ word Dumas se voorstellings van kinders en naakte volwassenes in
haar skilderye bekyk en aangedui in watter mate hierdie skilderye gerugsteun word deur uitdrukkings
soos âdie sondes van die vleesâ en âom jou vel te laat kriewelâ. Min kommentaar bestaan op Dumas
se voorstelling van die manlike naaktheid en dit vorm die grootste gedeelte van hierdie artikel. My
analise is losweg gebaseer op Kristeva se teorie van abjeksie.http://www.journals.co.za/ej/ejour_sajah.htm
âons sien die Dat en die Watâ: Huldiging van T.T. Cloete
Geen abstrak beskikbaar
Donkerkamer.
Donkerkamer.Fourie Botha. Kaapstad: Queillerie. 2011.80 pp. ISBN: 978-0-7958-0022-1