5 research outputs found
PANIS ET ARS: ARTISTAS E GESTORES NAS INDÚSTRIAS CRIATIVAS
A crescente importância econômica e social das indústrias criativas -
atividades nas quais a criatividade é a essência do negócio, abrangendo toda a
produção cultural ou artística – ainda não se refletiu na geração de estudos
sobre suas questões gerenciais e organizacionais. Pesquisas nessa área são
relevantes, tanto para aplicação prática na orientação dos profissionais, quanto
para contribuição em formulações teóricas. Nesse contexto, o objetivo desta tese
é entender a produção nas indústrias criativas a partir da perspectiva de seus
principais atores - os criadores e os gestores que se relacionam com eles -
procurando saber como trabalham, o que desejam, como interagem e que
dificuldades enfrentam. Foi realizada uma pesquisa qualitativa, na linha
construtivista, baseada em entrevistas em profundidade com criadores
autônomos - escritores e artistas visuais - e com os gestores envolvidos em suas
atividades. Os resultados da pesquisa sugerem que os criadores possuem uma
motivação intrínseca ligada ao exercício da atividade artística em si e que não há
necessidade de intervenção em seu processo criativo. Além disso, os gestores
dos grupos estudados – editores e galeristas - atuam basicamente como
distribuidores ou revendedores, e seu foco de interesse está no produto e não no
artista. Eles são gestores do produto, tratando apenas o livro, a tela, a obra. No
entanto, os artistas precisam de gestores de carreira, que possam auxiliar na
valorização tanto da obra, quanto do criador. A reputação do autor naturalmente
valoriza seus produtos. É preciso então construir a marca do artista,
principalmente devido ao surgimento das novas mídias, que embora gerem mais
oportunidades, apresentam menor potencial em cada canal individualmente. Não
interessa ao artista estar apenas na editora ou galeria, pois o exercício de outras
atividades e a exposição em diferentes locais o valorizam, e, portanto, é preciso
saber onde vale investir para venda e reforço da imagem. Nesse cenário, tornase
importante a figura praticamente inexistente hoje no Brasil: o agente – o
intermediário que representa os autores e administra suas obras.The growing economic and social importance of the creative industries -
activities in which creativity is the essence of the business, covering the cultural
and artistic production - is not yet reflected in the generation of studies on their
managerial and organizational issues. Research on this area is important both for
practical application in the guidance of industry professionals, and to contribute to
theoretical formulations. Therefore, the aim of this thesis is to understand the
production in the creative industries from the perspective of its main actors - the
creative people and managers that relate to them - looking at how they work,
what they want, how they interact and what difficulties they face. A qualitative
research in a constructive line was carried out, based on interviews with
independent creators - writers and visual artists - and the managers involved in
their activities. The survey results suggest that the creators have an intrinsic
motivation related to the exercise of artistic activity in itself and there is no need
to intervene in their creative process. Moreover, the managers of the groups
studied - publishers and gallery owners - basically act as distributors or resellers,
and their focus of interest is in the product and not the artist. They are managers
of the product, treating only the book, the screen, the works. However, we can
see that the artists need a career management, which can help both the
appreciation of the work, and the creator. The reputation of the author naturally
values its products. We must then build the brand of artist, chiefly due to the
emergence of new media, generating more opportunities, but less potential for
each channel individually. It is not enough to the artist to be published or exposed
in a gallery, for the exercise of other activities and exposure in different places
values the author, and so it is necessary to know where it is worth investing for
sales and image enhancement. In this scenario, a figure practically nonexistent in
Brazil today becomes important: the agent - the intermediate who represents the
author and manages his works
Empreendedorismo cultural e turismo: perspectivas para desenvolvimento das indústrias criativas no bairro da Madre Deus, São Luís (Maranhão, Brasil)
NEOTROPICAL ALIEN MAMMALS: a data set of occurrence and abundance of alien mammals in the Neotropics
Biological invasion is one of the main threats to native biodiversity. For a species to become invasive, it must be voluntarily or involuntarily introduced by humans into a nonnative habitat. Mammals were among first taxa to be introduced worldwide for game, meat, and labor, yet the number of species introduced in the Neotropics remains unknown. In this data set, we make available occurrence and abundance data on mammal species that (1) transposed a geographical barrier and (2) were voluntarily or involuntarily introduced by humans into the Neotropics. Our data set is composed of 73,738 historical and current georeferenced records on alien mammal species of which around 96% correspond to occurrence data on 77 species belonging to eight orders and 26 families. Data cover 26 continental countries in the Neotropics, ranging from Mexico and its frontier regions (southern Florida and coastal-central Florida in the southeast United States) to Argentina, Paraguay, Chile, and Uruguay, and the 13 countries of Caribbean islands. Our data set also includes neotropical species (e.g., Callithrix sp., Myocastor coypus, Nasua nasua) considered alien in particular areas of Neotropics. The most numerous species in terms of records are from Bos sp. (n = 37,782), Sus scrofa (n = 6,730), and Canis familiaris (n = 10,084); 17 species were represented by only one record (e.g., Syncerus caffer, Cervus timorensis, Cervus unicolor, Canis latrans). Primates have the highest number of species in the data set (n = 20 species), partly because of uncertainties regarding taxonomic identification of the genera Callithrix, which includes the species Callithrix aurita, Callithrix flaviceps, Callithrix geoffroyi, Callithrix jacchus, Callithrix kuhlii, Callithrix penicillata, and their hybrids. This unique data set will be a valuable source of information on invasion risk assessments, biodiversity redistribution and conservation-related research. There are no copyright restrictions. Please cite this data paper when using the data in publications. We also request that researchers and teachers inform us on how they are using the data