562 research outputs found

    A comparative study on the abundance and elemental composition of POM in three interconnected basins: the Black, the Marmara and the Mediterranean Seas

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    The abundance and elemental composition of suspended particulate organic matter in the upper layers of the interconnected Mediterranean, Marmara and Black Seas having different ecosystems were determined in 1990-1998. The aim was principally to compare the C:N:P ratio of seston and understand factors controlling the seston composition in near- and off-shore waters of these seas. In the Marmara Sea, euphotic zone average particulate concentrations varied regionally and seasonally between 10-35 ìM for POC, 0.4-4.5 ìM for PON and 0.05-0.45 ìM for PP. These concentrations are mostly above the off-shore Black Sea values but much greater than those measured in the open waters of the north-eastern Mediterranean whose near-shore data are comparable with the seston content of the deep Black Sea. Comparison of C:N:P ratios of seston reveals that atmospheric and land-based phosphorus input influences the C:P and N:P ratios in the near-shore waters. Apparent nutrient deficiencies observed in the water column were not as remarkable in the elemental composition of seston. Unexpectedly, in the NE Mediterranean, N:P ratios from regression analyses of particulate data are very low (7-9) in the coastal region but slightly increase to levels of 10-15 in the open sea. In the Sea of Marmara, the N:P ratios (7-12) of seston are as low as in the Mediterranean, being consistent with the particulate ratios of the Black Sea inflow and NO3:PO4 ratios of the Marmara sub-halocline water. The Black Sea seston is relatively rich in carbonaceous compounds with N:P ratio ranging merely between 15-17 in the open sea but 9-27 in coastal waters where riverine discharges markedly influence the stoichiometry of seston

    Powder sheets additive manufacturing: Principles and capabilities for multi-material printing

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    In this work, a novel Metal Additive Manufacturing using Powder sheets (MAPS) method for printing multimaterial composites in one process is proposed. MAPS employs powder sheets (i.e. metal powder-polymer matrix flexible films) as the feedstock material. Its key advantages include a relatively rapid change from one material to another and a minimum wastage of materials due to the elimination of the powder bed. The powder sheets were fabricated using a 'solvent casting' method. They were then employed in a commercialised metal printer for printing metal multi-material composites. To prove the disruptive concept of MAPS, a 60-layer trimetallic multi-material composite (304 L stainless steel, In718 and CoCrFeMnNi high entropy alloy) was additively manufactured using three different types of powder sheet material in the same manufacturing system for the first time. Experimental results indicate a high density (99.80 %) multi-material composites was printed by MAPS. EDX and SEM observations of the multi-material composites revealed variations of chemical composition and microstructure along the build direction. The newly proposed MAPS manufacturing method and results of this study provide insights into a new avenue for multi-material metallic parts

    A non-invasive imaging approach for improved assessments on the construction and the condition of historical knotted-pile carpets

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    The appraisal of the design and the weaving structure of Islamic knotted-pile carpets can tell plenty about the context in which they were produced, and the identification of signs of deterioration can help to establish their condition. These are often somewhat imprecise and laborious examinations, especially when considering carpets of large dimensions. Analytical methods that support these disciplines urge further exploration so that improved interpretations can be obtained.  An interdisciplinary combination of art history, analytical science and textile conservation aimed, on the one hand, to improve the weaving examination of these complex textile objects – by considering the spin of threads and the ply of yarns; the knot count and density; and the weaving structure of warps, wefts and piles – and on the other, to help their condition assessment – by mapping of damaged areas, old repairs and contaminations. For this purpose, the possibilities and limitations of several non-invasive imaging techniques, namely transmitted, raking or incident visible, ultraviolet (UV) and infrared (IR) illumination through Visual Spectral Comparator (VSC), as well as conventional X-radiography, mammography and (micro) CT scanning, were assessed to support the conventional visual examination of the weaving details and present condition of two 17th-century Safavid knotted-pile carpet fragments.  Observation with NUV and NIR imaging with VSC, as well as CT techniques, offered enriching overviews about weaving characteristics, damaged areas or contaminations that were not easily discernible with the naked eye, thus supporting the conventional visual examination. As a result, detailed digital mappings about the technological structure and the condition of the fragments could be obtained in a relatively efficient and accessible way. Moreover, combining art historical identification of the design with the analysis of the weaving structure confirmed that both carpet fragments are border corners that originally belonged to much larger carpets made in the so-called “Indo-Persian” style. The outcome of this interdisciplinary research brings very useful contributions for future art historical and conservation assessments of historical carpets, and it encourages further exploration of imaging techniques in the examination of other textile objects in museums and private collections

    Dating and provenancing the <i>Woman with lantern</i> sculpture – A contribution towards attribution of Netherlandish art

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    Studying the wood of art objects such as sculptures, panel paintings and furniture can be crucial to elucidate their chronology and production centre. Here we present an approach that considers the provenance of the wood and its potential availability in different areas as a means to identify the provenance of wooden art objects. We illustrate this approach with an interdisciplinary study aimed to determine the date and provenance of the Woman with lantern, a carved altar fragment from the Rijksmuseum's collections (Amsterdam, The Netherlands). The origin of this object is undocumented, but based on stylistic and iconographic features its provenance was proposed to be the altarpiece of Rennes cathedral (France), carved in Antwerp (Belgium) around 1520 C.E. However, doubts arose when curators tested the potential fit of the sculpture in that altarpiece and could not find a neat match. Dating and provenancing the wood of the sculpture by standard dendrochronological means failed to produce a date, and comparison of the tree-ring pattern from the sculpture with those of the sculptures from Rennes altarpiece delivered no results either, supporting the suspicion that the Woman with lantern belonged elsewhere. In 2019, X-ray computed tomography (CT) provided digital cross-sections throughout the sculpture and a longer tree-ring series was obtained. This time, the outermost ring was dated to the year 1487 C.E. The tree was estimated to have been cut after 1495 C.E., indicating a likely production in the first quarter of the 16th century. The origin of the timber in the eastern Netherlands/northwest Germany, combined with empirical evidence about timber availability in various regions of the Low Countries at that time, suggests that the sculpture was made in a workshop located north of the Rhine in the (current) Netherlands, rather than Antwerp. This research has led to the hypothesis that workshops north and south of the Rhine river branches in the Low Countries were supplied by forests located in different areas. If proven correct, establishing the wood provenance will assist in determining the origin of Netherlandish works of art from the late-Gothic and Northern Renaissance periods

    Structure and computation-guided yeast surface display for the evolution of TIMP-based matrix metalloproteinase inhibitors

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    The study of protein-protein interactions (PPIs) and the engineering of protein-based inhibitors often employ two distinct strategies. One approach leverages the power of combinatorial libraries, displaying large ensembles of mutant proteins, for example, on the yeast cell surface, to select binders. Another approach harnesses computational modeling, sifting through an astronomically large number of protein sequences and attempting to predict the impact of mutations on PPI binding energy. Individually, each approach has inherent limitations, but when combined, they generate superior outcomes across diverse protein engineering endeavors. This synergistic integration of approaches aids in identifying novel binders and inhibitors, fine-tuning specificity and affinity for known binding partners, and detailed mapping of binding epitopes. It can also provide insight into the specificity profiles of varied PPIs. Here, we outline strategies for directing the evolution of tissue inhibitors of metalloproteinases (TIMPs), which act as natural inhibitors of matrix metalloproteinases (MMPs). We highlight examples wherein design of combinatorial TIMP libraries using structural and computational insights and screening these libraries of variants using yeast surface display (YSD), has successfully optimized for MMP binding and selectivity, and conferred insight into the PPIs involved
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