Boston University Wind Ensemble, October 10, 2013

This is the concert program of the Boston University Wind Ensemble performance on Thursday, October 10, 2013 at 8:00 p.m., at the Tsai Performance Center, 685 Commonwealth Avenue, Boston, Massachusetts. Works performed were Masque by Kenneth Hesketh, Serenade No. 10 in Bb Major "Gran Partita", K. 361 by Wolfgang Amadeus Mozart, Watchman, Tell Us of the Night by Mark Camphouse, and Dance Movements by Philip Sparke. Digitization for Boston University Concert Programs was supported by the Boston University Humanities Library Endowed Fund

A Philip Glass Retrospective: Paul Barnes, piano, December 3, 2016

This is the concert program of the A Philip Glass Retrospective: Paul Barnes, piano performance on Saturday, December 3, 2016 at 4:30 p.m., at the Marshall Room, 855 Commonwealth Avenue. Works performed were the following by Philip Glass: Etudes 6, 8, 11, 16, 18 and 20 from "The Complete Piano Etudes," II. Conclusion from "Satyagraha" from "Trilogy Sonata" (arranged by Paul Barnes), II. Orphée's Bedroom and IV. Orphée and the Princess from "Orphée Suite for Piano" (arranged by P. Barnes), and III. The Land from Piano Concerto No. 2 (After Lewis and Clark) (arranged by P. Barnes). Digitization for Boston University Concert Programs was supported by the Boston University Humanities Library Endowed Fund

The Foundation of Hallyu – K-Pop's Coming of Age

We are still, collectively struggling to come to terms with Hallyu, Korean Wave. This is seen in the multitude of contrasting perspective that have been applied by journalists and academics alike since the turn of the new millennium. This article explores the various different approaches, argues for new theoretical paradigms, and explores, as a case study, how foundations for K-Pop as Korean Wave were built in the years before the term itself, Hallyu, was created

Why Hybrid Meson Coupling to Two S-wave Mesons is Suppressed

We introduce strong interaction selection rules for the two-body decay and production of hybrid and conventional mesons coupling to two S-wave hybrid or conventional mesons. The rules arise from symmetrization in states in the limit of non-relativistically moving quarks. The conditions under which hybrid coupling to S-wave states is suppressed are determined by the rules, and the nature of their breaking is indicated.Comment: 9 pages, LaTeX, 1 eps figures, uses epsf. Minor modifications, Title chang

Boston University Chamber Orchestra, October 27, 2014

This is the concert program of the Boston University Chamber Orchestra performance on Monday, October 27, 2014 at 8:00 p.m., at the Tsai Performance Center, 685 Commonwealth Avenue, Boston, Massachusetts. Works performed were Symphony No. 29 in A major, K. 201 by Wolfgang Amadeus Mozart and Symphony No. 2 in C minor, Op. 17, "Little Russian" by Piotr Ilyich Tchaikovsky. Digitization for Boston University Concert Programs was supported by the Boston University Humanities Library Endowed Fund

Boston University Percussion Ensemble: Blossom and Bell, April 5, 2016

This is the concert program of the Boston University Percussion Ensemble: Blossom and Bell performance on Tuesday, April 5, 2016 at 8:30 p.m., at the Concert Hall, 855 Commonwealth Avenue. Works performed were Flex by Mark Berger, Red Arc/Blue Veil by John Luther Adams, A Flower by John Cage, Mantra II by Ramon Humet, Percussion Quartet by Alfred Schnittke, and Carillon Ritual by Philip Grange. Digitization for Boston University Concert Programs was supported by the Boston University Humanities Library Endowed Fund

Boston University Percussion Ensemble: Blossom and Bell, March 21, 2016

This is the concert program of the Boston University Percussion Ensemble: Blossom and Bell performance on Monday, March 21, 2016 at 8:00 p.m., at the Concert Hall, 855 Commonwealth Avenue. Works performed were Flex by Mark Berger, Red Arc/Blue Veil by John Luther Adams, A Flower by John Cage, Mantra II by Ramon Humet, Percussion Quartet by Alfred Schnittke, and Carillon Ritual by Philip Grange. Digitization for Boston University Concert Programs was supported by the Boston University Humanities Library Endowed Fund

Boston University Wind Ensemble, March 1, 2012

This is the concert program of the Boston University Wind Ensemble performance on Thursday, March 1, 2012 at 8:00 p.m., at the Tsai Performance Center, 685 Commonwealth Avenue, Boston, Massachusetts. Works performed were Zion by Dan Welcher, Serenade in D minor for Winds, Cello and Double Bass, op. 44 by Antonin Dvorák, The Year of the Dragon by Philip Sparke, and Three City Blocks by John Harbison. Digitization for Boston University Concert Programs was supported by the Boston University Humanities Library Endowed Fund