3,062 research outputs found

    Smith on Jenkins, \u27Textual Poachers: Television Fans and Participatory Culture\u27

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    Textual Poachers: Television Fans and Participatory Culture by Henry Jenkins. New York: Routledge, 1992. viii + 343 pp. 95.00(cloth),ISBN978āˆ’0āˆ’415āˆ’90571āˆ’8;95.00 (cloth), ISBN 978-0-415-90571-8; 38.95 (paper), ISBN 978-0-415-90572-5. In Textual Poachers, Henry Jenkins examines the underground world of the media fandom, people who create fiction, artwork, and other forms of expression based on television shows. Drawing on a rich theoretical background with sources ranging from feminist literary criticism to cultural anthropology, Jenkins applies and adapts Michel de Certeau\u27s model of poaching, in which an audience appropriates a text for itself. Taking a stand against the stereotypical portrayal of fans as obsessive nerds who are out of touch with reality, he demonstrates that fans are pro-active constructors of an alternative culture using elements poached and reworked from the popular media

    Smith on Bacon-Smith, \u27Enterprising Women: TelevisionFandom and the Creation of Popular Myth

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    In Enterprising Women scholar Camille Bacon-Smith describes the underground culture of media fandom, that is, the network of fans who create fiction, poetry, art, and other creative works based on favorite television shows and then gather to circulate these works. Because I have been an active participant in this culture for twenty years, Bacon-Smith\u27s book was of particular interest to me, not only as an academic, but as a fan. Bacon-Smith has taken on a daunting task: reporting on a cultural phenomenon both as an engaged participant and as an unbiased observer. Her position is typical of the ethnologist who studies contemporary society, and this book is a useful example of the ethnologist\u27s dilemma, as well as an informative text on the culture she studies

    Smith on Hanley, \u27The Metaphysics of Star Trek

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    Review by Anne Collins Smith on the H-PCAACA mailing list, June 1998. The Metaphysics of Star Trek by Richard Hanley. New York: Basic Books, 1997. xviii + 253 pp. $18.00 (cloth), ISBN 978-0-465-09124-9. Richard Hanley\u27s The Metaphysics of Star Trek is an engaging examination of certain philosophical issues raised within the Star Trek universe. Its title, however, is overly broad; it would be more correctly titled, The Twentieth-Century Applied Metaphysics of Star Trek. The earliest reference in the bibliography is an article written in 1950; the next earliest, 1960. The vast majority of sources are from the 1980\u27s and 1990\u27s. There is nothing wrong with this focus; it is simply a limitation that should be noted

    Voldemort Tyrannos: Platoā€™s Tyrant in the Republic and the Wizarding World

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    In the Harry Potter novel series, by J. K. Rowling, the character of Lord Voldemort is the dictatorial ruler of the Death Eaters and aspiring despot of the entire wizarding community. As such, he serves as an apt subject for the application of Platoā€™s portrait of the tyrant in Republic IX. The process of applying Plato to Voldemort, however, leads to an apparent anomaly, the resolution of which requires that we move beyond the Republic to the account of beauty presented by Plato in the Symposium. In doing so, we shall find that while Plato can help us to understand Voldemort, Voldemort can also help us to attain a deeper understanding of Plato

    Pragmatism and Meaning: Assessing the Message of Star Trek: The Original Series

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    The original Star Trek television series purported to depict a future in which such evils as sexism and racism do not exist, and intelligent beings from numerous planets live in a condition of peace and mutual benefit. As many scholars have observed, from a standpoint of contemporary theoretical analysis, Star Trek: The Original Series contains many elements that are inimical to the utopia it claims to depict and thus undermine its supposed message. A different perspective may be gained by drawing on the American pragmatist movement, in which the value of an idea is judged by its effectiveness, how it ā€˜cashes outā€™ in terms of its impact in real life. Thus, the meaning and value of Star Trek: TOS can be assessed by observing its effects on its audience. This perspective coordinates well with Taylorā€™s discussion of the necessary conditions for the realization of a protreptic moral order in the social imaginary, as well as a pragmatist understanding of audience engagement and education
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