3 research outputs found
(Un)Familiar Jewishness in the Work of Jiřà Weil
Jiřà Weil (1900–1959), the Czech writer of Jewish origin, is known primarily for his works of fiction dealing with the experience of the Shoah, both in the form of short stories and his celebrated novels Život s hvÄ›zdou (Life with a Star, 1949) and Na stÅ™eÅ¡e je Mendelssohn (Mendelssohn is on the Roof, 1960), as well as the text collage ŽalozpÄ›v za 77 297 obÄ›tà (Lamentation for 77 297 Victims, 1958). However, the fact that Weil presented the theme of Jewishness also from a different perspective is often overlooked — for example in the novel HarfenÃk (The Harpist, 1958) and in the unpublished texts ‘Perrotina, maÅ¡ina chlebozlodÄ›jská’ (Perrotine, the Bread-Stealing Machine) and ‘TiskaÅ™ská romance’ (A Printer’s Romance), in which he linked the theme of Jewishness to that of the beginnings of the labour movement in the Czech lands in the 19th century. Although Weil’s post-war literary output is characterised by his focus on themes of Jewishness and the Shoah, we also find Jewish figures represented in his pre-war novel writing. Last but not least, it is necessary also to recall his texts of a non-fiction character, in which he dealt with Jewish themes in the course of his employment at the State Jewish Museum. The focal point of this contribution therefore resides in the presentation of Weil’s lesser-known texts, dealing with the theme of Jewishness other than through the prism of the Shoah, and in his uncovering of a complex of Jewish identities in his pre-war novel Moskvahranice (Moscow-Border, 1937)