19,102 research outputs found

    Fucking Law (A New Methodological Movement)

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    This paper sets the groundwork for a new methodological movement. I claim that methodological strategies must take as their object the laws with found sexual identity, or rather should be ‘fucking with’ law by creatively confronting, occupying and agitating limiting ethical frameworks that control access to the field. The movement is ethnographic, since it finds research ethics and ‘straight’ academic space’ to be where these rules are the most harmful in limiting access to the field, for female researchers in particular. The approach (but also to some extent the target) is Deleuzian and post-Deleuzian philosophy whose theoretical leaps have sought to shift and cause slippage in laws of sexual identity. However, when these laws are tested by researchers proposing to access the field, specifically ethnographically and autoethnographically, it is clear they have not ‘slipped’ at all. This is clear through the questions raised by ethics committees. Fucking law therefore becomes a methodological movement intimately connecting ethical agendas and sex as an encounter in the field. I claim the methodological movement of ‘fucking’ law captures, or at least attempts to capture, the slipperiness of the body, the encounter, the research project and sex itself. The movement that is ‘fucking law’ is essential in agitating and occupying not only philosophy, but limiting institutional research agendas and their ethical frameworks. The implications of ‘Fucking Law’ will be necessarily unpredictable, but the main practical and connected social implication is a questioning as to why more women are not practically questioning arguably one of the biggest questions: the ethics of sexuality. Fucking law argues for the questioning of these laws with bodies, and experimenting with philosophies which underpin and create institutional ethical rules

    Under the fucking skin: a whore and her hotel room door

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    Isserley, the heroine of Michel Faber’s Under the Skin tells a truly intimate story of her body: interspecies flesh, blood, cumbersome breasts, inconvenient sexual drives, stray hairs, skin, disappointment, vulnerability and humour. She tells a story of her sometimes terrifying and perfunctory capture of men, while revealing the failure of her skin to cover the truth of her body. This is an achievement that accounts of sexuality and of the city rarely manage. The figure of the ‘whore’, ‘the mistress’, the sexually ‘promiscuous’ woman is often painted as a cold, non-maternal, sexually free and capable woman, who is adept at containing her ‘affects’, otherwise known as her emotions and vulnerabilities, under her skin, thereby presenting an easily consumable and pristinely fuckable surface. The city is a space that could easily be thought of as her ‘playground’, especially hotels, where their commercial, cold and solid surface are built to conceal the painful and joyous nature of her fucking. Urban hotels are one part of the ‘tiles of the visible’, which are complicit in the production of the surface effect of sexuality, and the painful rationalisation of fucking, yet simultaneously embodying a mine of historical fucking artefacts in the form of women’s experiences. This piece tells a free-flowing story of one self-confessed whore and mistress, her encounter with hotels, and her failure in two respects: to contain her body beneath her skin, and at complicity with the city’s deception

    Interrupting the courtroom organism: screaming bodies, material affects and the theatre of cruelty

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    This article offers a method of reading the courtroom which produces an alternative mapping of the space. My method combines a reading of Antonin Artaud’s Theatre of Cruelty with a Deleuzian theoretical analysis. I suggest that this is a useful method since it allows examination of the spatial praxes of the courtroom which pulsate with a power to organize, terrorize and to judge. This method is also able to conceptualize the presence of ‘‘screaming’’ bodies and living matter which are appropriated to build, as well as feed the presence and functioning of the courtroom space, or organism. By using a method that articulates the cry of these bodies in the shadow of the organism, it becomes clear that this cry is both unwelcome and suppressed by the courtroom. The howl of anxious bodies enduring the process and space of the law can be materialized through interruptions to the courtroom, such as when bodies stand when they should not and when they speak when they should be silent. These vociferous actualizations of the scream serve only to feed the organism they seek to disturb, yet if the scream is listened to before it disrupts, the interruption becomes-imperceptible to the courtroom. Through my Artaudian/Deleuzian reading, I give a voice to the corporeal gasp that lingers before the cry, which is embedded within the embodied multiplicity from which it is possible to draw a creative line of flight. The creative momentum of this line of flight produces a sustainable interruption to the courtroom process, which instead of being consumed by the system, has the potential to produce new courtroom alignments. My text therefore offers an alternative reading of the courtroom, and in doing so also offers a refined understanding of how to productively ‘‘interrupt’’ the courtroom process

    Selective flow-induced vesicle rupture to sort by membrane mechanical properties

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    International audienceVesicle and cell rupture caused by large viscous stresses in ultrasonication is central to biomedical and bioprocessing applications. The flow-induced opening of lipid membranes can be exploited to deliver drugs into cells, or to recover products from cells, provided that it can be obtained in a controlled fashion. Here we demonstrate that differences in lipid membrane and vesicle properties can enable selective flow-induced vesicle break-up. We obtained vesicle populations with different membrane properties by using different lipids (SOPC, DOPC, or POPC) and lipid:cholesterol mixtures (SOPC:chol and DOPC:chol). We subjected vesicles to large deformations in the acoustic microstreaming flow generated by ultrasound-driven microbubbles. By simultaneously deforming vesicles with different properties in the same flow, we determined the conditions in which rupture is selective with respect to the membrane stretching elasticity. We also investigated the effect of vesicle radius and excess area on the threshold for rupture, and identified conditions for robust selectivity based solely on the mechanical properties of the membrane. Our work should enable new sorting mechanisms based on the difference in membrane composition and mechanical properties between different vesicles, capsules, or cells

    Dude Looks Like a Lady: Gender Deception, Consent and Ethics

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    Finding the answer to whether consent is present within a sexual encounter has become increasingly difficult for the courts. We argue that this is due to the focus placed on entrenching gender binaries, a conservative sexual ethic and clear offender/victim roles. It should be the case that the court’s task is to find the truth of the encounter in coming to a judgment as to the ethical balance, rather than judging the parties’ conformity to cisnormative and heteronormative roles. This endeavour is obscured by the court’s need to exclude ‘sex talk’, or otherwise testimony as to the messy reality of the encounter, in favour of asserting gender identity and a procreative understanding of sex. We are, therefore, left in the position where the required information necessary for valid consent is obscured by the courts. We draw on an analysis of cases involving issues relating to consent to sex in order to argue for a judicial approach that is informed by a more flexible understanding of sexual autonomy
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