Alphabetizing the Nation:Medieval British Origins in Thomas Elyot's Dictionary

Reading Thomas Elyot's Dictionary, this essay examines the legacy of medieval chronicle and fable for the early modern period. Elyot's influential work, here considered in its 1542 edition as Bibliotheca Eliotae, contains entries for both “Albion” and “Britannia,” topics which plunged the work straight into the problematic inheritance of Galfridian history, recently discredited at Henry VIII's court by the Italian humanist Polydore Vergil. Elyot presents, only to dismiss, medieval legendary origins for Albion and Britain, using what he calls similitudo to find alternative explanations. His dictionary thereby transforms misleading medieval fables into something more “fitting” for England in the early days of the Reformation. Yet similitude remains problematic for Elyot; replacing the medieval Brutus legend with a story that privileges the humanist reconstruction of the illegible fragments of the past, Elyot does not avoid uncomfortable reminiscences of the senseless destruction of past cultural objects.</jats:p

Review Essay - Bodies of Knowledge

Review of Patrizia Bettella, The Ugly Woman: Transgressive Aesthetic Models in Italian Poetry from the Middle Ages to the Baroque (Univ. of Toronto Press, 2005); Nicola McDonald, ed., Medieval Obscenities (Boydell Press, 2006); Katharine Park, Secrets of Women: Gender, Generation, and the Origins of Human Dissection (Zone Books, 2006); and Carole Rawcliffe, Leprosy in Medieval England (Boydell Press, 2006)