Emotions Beyond Regulation: Backgrounded Emotions in Science and Trust

Emotions are understood sociologically as experiences of involvement. Emotion regulation influences the type, incidence, and expression of emotions. Regulation occurs through physical processes prior to an emotions episode, through social interaction in which a person’s emotions are modified due to the reactions of others to them, and by a person’s self-modification or management of emotions which they are consciously aware of. This article goes on to show that there are emotions which the emoting subject is not consciously aware of. Therefore, a certain class of emotions function by foregrounding external objects of attention while remaining outside the emoting subject’s consciousness. The nature and significance of such backgrounded emotions beyond explicit emotion regulation are explored through consideration of their role in theory choice in science and in trust relations. Keywords aesthetic joy, confidence, consciousness, interaction, theory choice The concept of emotion regulation is as old as considerations of emotions themselves. The most enduring system of thought in human history, devised by Confucius 500 years before Christ, is founded on the idea of the moral education and ritual regula-tion of emotions. A century later, in ancient Greece, in respons

Playing hard: Young men’s experiences of drinking in inner-city Melbourne

In recent years, the concept of ‘calculated hedonism’ has dominated sociological understandings of young people’s drinking practices. However, while contributing some important insights, this conceptualisation has not sufficiently considered the affective and embodied aspects of alcohol consumption. Our analysis explores the meanings and understandings of alcohol consumption among male participants in an 18-month study of young adults living in inner-city Melbourne. Data were collected via in-depth, semi-structured interviews and participant observation during drinking events. We draw on Roger Caillois’ notion of ‘play’ to analyse sessional drinking among these men. The four categories of play identified by Callois – competition, chance, simulation and vertigo – were all present in the accounts of these men’s drinking practices. This analysis offers a way of conceptualising men’s alcohol consumption in more nuanced ways that acknowledge the affective and embodied aspects of drinking as part of pleasure-seeking