Tapestry

Liquor-cap tapestry shown in Axel Vervoordt's Artempo: Where Time Becomes Art at the Museo Fortun

Designing a Working Space for an Art Icon: A Conversation between El Anatsui and Tony Asare

Description: Moynihan Institute of Global Affairs Maxwell African Scholars Union presents Designing a Working Space for an Art Icon: A Conversation between El Anatsui and Tony Asare Architect Tony Asare and artist El Anatsui will discuss their collaboration on the design of Anatsui’s art studio in Ghana. The conversation will focus on the joy and challenges of communication between an architect who was tasked to give form to an art studio, and an artist whose work is often described to have “unfixed form.” The conversation will be moderated by Yutaka Sho, Associate Professor, School of Architecture, Syracuse University Tony Asare Tony Asare is the director of the architecture firm Tekton Consult in Accra, Ghana. He has practiced in Ghana, Senegal, Gambia and other African countries for over 24 years. He was trained at the School of Architecture in Kwame Nkrumah University of Science and Technology in Kumasi, Ghana, and Urban Planning and Infrastructure Management from Human Settlement Management Institute (HUDCO) in Delhi, India. Tony was the winner of the Affordable Housing competition while he was still a student; Social Housing for slum upgrading in Amui-Dzor, Ashaiman; and the Conservation and Restoration of Historical Homes for the Elmina Cultural Heritage and Management Programme, together with Urban Solutions. Tony designed the mascot of the Under 20 Soccer Tournament held in Ghana in 1999. Tony writes a blog gongnbeater.com about infrastructure and planning issues in Ghana. El Anatsui El Anatsui, a Ghanaian artist living and working in Nigeria, is best known for his sculpture made with typically discarded materials such as thousands of folded and crumpled pieces of aluminum bottle caps sourced from local alcohol recycling stations and bound together with copper wire. His use of these materials reflects his interest in reuse, transformation, and an intrinsic desire to connect to his continent, Africa, while transcending the limitations of place. His work can interrogate the history of colonialism and draw connections between consumption, waste, and the environment, but at the core is his unique formal language that distinguishes his practice. His work has been shown at some of the most prestigious art collections in the world including The Metropolitan Museum of Art, NY; The Museum of Modern Art, NY; National Museum of African Art, Smithsonian Institution, Washington DC; The British Museum; and the Vatican Museum

Pages in the Wind : A Reader

" This is a bedside book, composed by artists participating in the international exhibition of the 52nd International Art Exhibition La Biennale di Venezia. The writtings that appear in these pages, whether entire or in excerpted form, have been chosen by them from their reading and are being passed along in the expectation that tgey will be of more than casual interest to others. " -- Page 5 of book