Literature and sustainability

Sustainability has become a key socio-political issue over recent years. However, whilst the literary-critical community has advanced enthusiastically on an exciting range of environmentally-based analyses (most obviously through the work of ecocriticism), its response specifically to sustainability—as an attempt to reconceptualise the way we live, as an idea with a particular history, and as a ubiquitous term driven through over-use to near meaninglessness—has been extremely limited. The basic idea of the volume is to make a start on filling this gap. Split into four sections: Historicising sustainability, Discourses of sustainability, The sustainability of literature, Sustainability in literature – it has some very good contributors, and starts off with an introduction about the history of the term, looks at its beginnings in the C19th, and goes onto show how contemporary authors are dealing with it including Jeanette Winterson, Michel Houellebecq, Margaret Atwood and Amitav Ghosh

Making Common Causes: Crises, Conflict, Creation, Conversations: Offerings from the Biennial ALECC Conference Queen’s University, Kingston 2016

At ALECC’s biennial gathering at Queen’s University in June 2016, participants came together to explore the possibilities of “making common causes” from a host of angles, yet all were anchored in an acknowledgement of the diverse more-than-human relationships that make up our common worlds. The following collection of short essays, authored by some of the gathering’s keynote speakers, explores specific aspects of making common causes. In this special section of The Goose, we deliberately invoke the plural of conversation. We understand the effort to make common causes as a process, rather than a “one and done” act. It is multifaceted and messy; it invites imagination and critique. Most importantly, it needs to cultivate the common ground whereupon these difficult conversations can be engaged

The Rest is Silence: Postmodern and Postcolonial Possibilities in Climate Change Fiction

Climate change is one of the most prominent symptoms of an age of unprecedented human impact on the biosphere—the age sometimes called the Anthropocene. In identifying humanity as a geological agent, the term “Anthropocene” exposes the fallacy of human exceptionalism, reminding us of the entangled nature of human and nonhuman agency, and the vast and decidedly nonhuman proportions of human action. For, as climate change and other Anthropocene events make clear, the effect of humans on their environment will far outlast human dimensions of individual lifetimes and even historical epochs: some of the impacts of humans’ activity—for example, species depletion—are irrevocable; others, such as polar ice-melt, are reversible (if at all) over immense durations of time. But in its recognition of the imbrication of human action with the biosphere (in all its human and nonhuman complexity), the concept of the Anthropocene captures a profoundly and existentially disturbing paradox. That is, even as we must confront the damaging illusion of human agency existing aloof and apart from nonhuman “nature,” we must also consider how to recuperate a nuanced view of human agency that enables humans to engage more fully with the unprecedented crisis now engulfing human and nonhuman organisms and environments

Borrowing the World: Climate Change Fiction and the Problem of Posterity

In 1971, activist-author Wendell Berry, writing about the Red River Gorge in his beloved Kentucky, invoked the trope of a natural world not granted by our forebears but on loan from our descendants—the biosphere held in trust, as it were, for generations to come (Unforeseen Wilderness 26). The re-publication of part of Berry’s work in Audubon magazine soon after (Berry, ‘One-Inch Journey’ 4) led to a mis-attribution of them to John James Audubon, and, in 1973, when Dennis Hall, an official at Michigan’s Office of Land Use, adapted them without citation, he was erroneously credited also. Similarly, Australian Environment Minister Moses Cass’s use of it in a speech to the OECD in 1974 (qtd. in O’Toole) meant that the adage has sometimes been ascribed to him. From the 1980s onwards, the phrase was quoted in speeches and reprinted on book-jackets and in report by-lines—by, among others, representatives of the United Nations Environment Programme and the World Wildlife Fund (Talbot 495). Paul and Anne Erhlich attributed it to the International Union for the Conservation of Nature (26) and an article in the Christian Science Monitor (Jones 23) assigned it to environmentalist Lester Brown of the Worldwatch Institute. The Los Angeles Times asserted that it was an Amish saying (Riley 5), United States Secretary of State James Baker named Ralph Waldo Emerson as its author (qtd. in Keyes L10), and the United States Council on Environmental Quality claimed the source to be Chief Seattle (qtd. in Keyes L10). 2 I have described these mis-attributions in detail not simply to offer an object lesson in the portability of provenance, but to suggest that this pithy aphorism has been so durable, so willingly and wishfully assigned to a range of wise and venerable sources, because it strikes a deep and resonant chord. The idea that our relationship with the biosphere is automatically a matter of posterity is a powerful one, and this quotation in particular achieves several important rhetorical tricks. It collapses a web of obligations—the interspecial and the intergenerational—into a single immemorial and apparently unthinkable strand of time. We are not simply construed as guardians of the environment for the environment’s sake; we are explicitly called on to steward it for this vastly distant future, while being reminded of our debt to those in the past. We are thus placed in a grand historical chain of obligations. This is a different version of posterity from John Passmore’s ‘chain of love’, which reads, rather, as a kind of pass-the-parcel conception of intergenerational concern: Men do not love their grand-children’s grand-children. They cannot love what they do not know. But in loving those grand-children—a love which already carries them a not inconsiderable distance into the future—they hope that those grand-children too will have grand-children to love. By this means there is established a chain of love and concern running throughout the remote future. (88) For Passmore, we ‘cannot love’ what we ‘do not know’, and thus future generations are cared for vicariously, since it is the receipt by a given generation of the love and care of immediately preceding generations that positions and motivates it to care for the next. Unlike the chain imagined by Passmore, the rhetoric of environmentalist posterity brings those future generations into the immediate purview of parental love. The call to stewardship seems to trail off into the reaches of time, but its use of synecdoche—the modelling of our attitude to future generations on our responsibilities to our offspring—replaces the terror of sublime infinity with the intimacy of parental caring, sheltering, and nurturing. From Berry’s original 3 expression of it through its many incarnations, the primal, emotional punchline is that the (every)man loves his children. In this essay, I first consider the prevalence of the notion of posterity in popular climate change discourse, scrutinising its appeal to ideas of parenthood, which leads to a consideration of this discourse’s appropriation of the figure of the child. I argue that not just this preoccupation with posterity but the use of the child as a particularly emotive shorthand conceal a collective angst about the cumulative effect of human activity on the planet. In a time of dire destruction of the biosphere at large, this anxiety is exacerbated by the intractable ethical dilemmas that underlie our obligations not just to future humans but to nonhuman species. In the final analysis, the climate change novel emerges as a space in which this angst is aired, shared, and—most importantly—queried, as countless such novels place parent-child relationships under emotional and intellectual scrutiny. Ultimately, I contend that many climate change novels’ use of apparently sentimental parent-child imagery is, paradoxically, part of a vital critique of the human exceptionalism that underwrites such imagery

Bodies of Water: Representations of Gender and Power in Asian Anthropocene Fiction

Journal of Southeast Asian Ecocriticism114-1

Climate Change and the Contemporary Novel

Climate change is becoming a major theme in the contemporary novel, as authors reflect concerns in wider society. Given the urgency and enormity of the problem, can literature (and the emotional response it provokes) play a role in answering the complex ethical issues that arise because of climate change? This book shows that conventional fictional techniques should not be disregarded as inadequate to the demands of climate change; rather, fiction has the potential to challenge us, emotionally and ethically, to reconsider our relationship to the future. Adeline Johns-Putra focuses on the dominant theme of intergenerational ethics in the contemporary novel: that is, the idea of our obligation to future generations as a basis for environmental action. Rather than simply framing parenthood and posterity in sentimental terms, the climate change novel uses their emotional appeal to critique their anthropocentricism and identity politics, offering radical alternatives instead