ИСКУССТВО КАК ПРОЕКТ СПАСЕНИЯ

The article represents an analysis of Boris Pasternak’s poem “Vesna, ty syrost` rudnika v viskah” (1915). The author reveals the latent plan of the text by comparing it to Pasternak’s reflections on art in “Okhrannaya gramota”. Pasternak turns the traditional motive of spring awakening into a new semantic plan – the origin of art. The spring in this poem becomes a metaphor to creative work, which is based on the idea of art’s mission as of salvation, transfiguration of the whole reality. Mythological motives are revealed in the text, a connection between the myth about Hyacinth’s death and Christian sacrifice

New Radical-Cation Salts Based on the TMTTF and TMTSF Donors with Iron and Chromium Bis(Dicarbollide) Complexes: Synthesis, Structure, Properties

New radical-cation salts based on tetramethyltetrathiafulvalene (TMTTF) and tetramethyltetraselenefulvalene (TMsTSF) with metallacarborane anions (TMTTF)[3,3′-Cr(1,2-C2B9H11)2], (TMTTF)[3,3′-Fe(1,2-C2B9H11)2], and (TMTSF)2[3,3′-Cr(1,2-C2B9H11)2] were synthesized by electrocrystallization. Their crystal structures were determined by single crystal X-ray diffraction, and their electrophysical properties in a wide temperature range were studied. The first two salts are dielectrics, while the third one is a narrow-gap semiconductor: σRT = 5 × 10−3 Ohm−1cm−1; Ea ≈ 0.04 eV (aprox. 320 cm−1)