Hamâsa, oder die ältesten arabischen Volkslieder

2 t. en 1 v

Šarḥ Abī Zakarīyāʾ Yaḥyà b. ʿAlī al-Tibrīzī al-Ḫaṭīb ʿalà Dīwān ašʿār Al-ḥamāsa allatī ihṯāra-hā min ašʿār al-ʿarab al-ʿarbāʾ Abū Tammām Ḥabīb b. Aws al-Ṭāʾī

4 t. en 2 v

Título: Al-ḥamāsa

4 t. en 2 v

La Ḥamâsa d'Aboû Tammâm Ḥabîb ibn ʿAus al-Ṭâïî.

الحماسةNumérisation effectuée à partir d'un document de substitution.Ms. daté de l'an 627 de l'hégire (1230 de J. C.). Les neuf premiers feuillets sont d'une écriture moderne

Título: Hamasae carmina

El vol. II incluye dos partes, cada una con su propia portada y fecha (1847, 1851)Pars prior: Continens Textum Arabicum et quatuor indices -- Pars posterior: Continens Versionem Latinam, commemtarium et indices -- Pars posterior II: Continens Versionem Latinam, commentarium et indice

التنبيه فى الاعراب « Avertissement au sujet de l'analyse grammaticale », Commentaire grammatical sur la Ḥamâsa, par Ibn Djinnî.

التنبيه فى الاعرابالحماسةNumérisation effectuée à partir d'un document de substitution.Les soixante premiers feuillets manquent. La suite de ce commentaire, qui formait un ouvrage à part, devait contenir l'explication des noms des poètes

[Ḥamāsat Abī Tammām, 19th century?].

Fine copy of the famous anthology of poetry collected by Abū Tammām with a partial gloss in Persian.Shelfmark: Ann Arbor, University of Michigan, Special Collections Research Center, Isl. Ms. 433Origin: Lacks dated colophon ; likely 19th century as suggested by paper, cover, date in seal impression, etc.Binding: Pasteboards covered in painted lacquerwork with spine in black leather ; Type III binding (without flap) ; doublures in painted lacquerwork ; doublure hinges in black leather ; upper and lower covers in painted lacquerwork of nearly identical composition consisting of swirling floral vegetal pattern of carnations, poppies, etc. in bronze on a field of olive green bordered in a floral vegetal pattern in gold on a wide band of black, flanked by bands of bronze ; upper and lower doublures in painted work of nearly identical composition consisting of floral vegetal pattern in green, pink, and yellow, outlined in gold on a field of red ; entire panel is bordered in a series of gold bands ; sewn in lime green, yellow, and dark blue (or black) thread, two stations ; worked chevron endbands in light green and yellow ; in fair condition with some cracking, crazing, and loss of laquer ; upper board split and delaminating ; doublure hinges cracked and split ; abrasion.Support: non-European laid paper (likely Persian) ; quite transluscent, crisp and grey in tone ; no chain lines visible ; laid lines quite distinct, mainly oriented horizontally but occasionally vertically, spaced roughly 11-12 laid lines per cm. ; flyleaves in European laid paper, watermark eagle with "E A F" ; one of back flyleaves in wove paper ; many loose quires and dog-eared pages with some blocking due to moisture damage and tacky ink.Decoration: Textual dividers in the form of three inverted commas ; gold cloud-bands and other accents surrounded basmalah and between two columns on incipit and facing page ; frame consisting of a gold band outlined in black fillets and outermost blue fillet surrounds the written area ; thin gold bands outlined in black fillets demarcate the columns within the written area and border the margin ; text partially rubricated with some section headings, portions of the gloss, textual dividers, etc. in red.Script: Naskh ; large clear Persianate hand ; mainly serifless with occasional left-sloping head serifs appearing on alif and lam of definite article ; mainly closed counters ; strong vertical character (somewhat elongated in vertical) ; occasional superscripting of letters and words ; some swooping tails ; fully vocalized in same ink ; gloss in a entirely different hand ; script more of a shikastah-nastaʻlīq with characteristic descent of words to baseline, elongated horizontal strokes, and characteristic long final yāʼ, etc.Layout: Written in roughly 14 lines per page plus lines of the gloss which vary widely ; single column divided to two column to set off poetry ; frame-ruled (impression of ruling board evident).Collation: i, IV+2 (10), II (14), 2 IV(30), 2+IV (40), 11 IV(128), 2+II (134), ii ; chiefly quaternions ; several blanks left between verses, likely for rubricated headings ; catchwords present ; pagination in pencil Western numerals supplied during cataloguing.Explicit: "كانما لبست او البست فنكا فقلصت من حواشيه عن السوق قد تم"Incipit: "لو كنت من مازن لم تستبح البى بنو اللقيطة من ذهل بن شيبانا اذا لقام بنصرى معشر خشن عند الحفيظة ان ذولوثة لانا"Title supplied by cataloguer from opening on fol.1b.Ms. codex.University of Michigan Library. Manuscripts & papyri : an exhibition arranged for the XXVII International Congress of Orientalists, Ann Arbor, Michigan, August 13-19, 1967. (Ann Arbor, MI [?], 1967),Ḥājjī Khalīfah. Kashf al-ẓunūn,Brockelmann, C. GAL,Fine copy of the famous anthology of poetry collected by Abū Tammām with a partial gloss in Persian.Mode of access: Internet.Acquired by purchase (funds donated by Horace Rackham).On fol.1a (p.1), a large square seal impression dated 1266 [1849 or 50] in black ink in name of al-Muḥsin ibn Ghulām ʻAlī [?], reads "عبد الله ال محسن بن غلام على [؟] ١٢۶۶" ; a few inventory marks in pencil, on front flyleaf "133 T. De M. [i.e. Tammaro De Marinis]" and on fol.1a "89" ; a few marginal corrections ; gloss in Persian continues through fol.14b (p.28)