Development of a soundscape simulator tool

This paper discusses the development of an interactive soundscape simulator, enabling users to manipulate a series of parameters to investigate if there is group correlation between factors such as source selection, positioning and level. The basis of the simulator stems from fieldwork and recordings carried out in London and Manchester. Through the use of an enhanced version of soundwalking, respondents are led on a walk around an urban space focusing on the soundscape, whilst answering questions in a semi-structured interview. The data collected is then used to inform the ecological validity of the simulator. The laboratory based tests use simulations based on spaces recorded in a series of urban locations, as well as an ‘idealised’ soundscape simulation, featuring data from all recorded locations. The sound sources used are based on user highlighted selections from all locations, based on preferences extracted from soundwalk field data. Preliminary results show the simulator is effective in obtaining numerical data based on subjective choices as well as, effective qualitative data which provides an insight into the reasoning behind the respondents choices. This work forms part of the Positive Soundscape Project

Modelling the healthcare costs of an opportunistic chlamydia screening programme.

OBJECTIVES: To estimate the average cost per screening offer, cost per testing episode and cost per chlamydia positive episode for an opportunistic chlamydia screening programme (including partner management), and to explore the uncertainty of parameter assumptions, based on the costs to the healthcare system. METHODS: A decision tree was constructed and parameterised using empirical data from a chlamydia screening pilot study and other sources. The model was run using baseline data from the pilot, and univariate and multivariate sensitivity analyses were conducted. RESULTS: The total estimated cost for offering screening over 12 months to 33,215 females aged 16-24 was 493,412 pounds . The average cost (with partner management) was 14.88 pounds per screening offer (90% credibility interval (CI) 10.34 to 18.56), 21.83 pounds per testing episode (90% CI 18.16 to 24.20), and 38.36 pounds per positive episode (90% CI 33.97 to 42.25). The proportion of individuals accepting screening, the clinician (general practitioner/nurse) time and their relative involvement in discussing screening, the test cost, the time to notify patients of their results, and the receptionist time recruiting patients had the greatest impact on the outcomes in both the univariate and multivariate sensitivity analyses. CONCLUSIONS: Results from this costing study may be used to inform resource allocation for current and future chlamydia screening programme implementation

New evidence for zero-temperature relaxation in a spin-polarized Fermi liquid

Spin-echo experiments are reported for 3He-4He solutions under extremely high B/T conditions, B=14.75  T and T≥1.73  mK. The 3He concentration x3 was adjusted close to the value xc≈3.8% at which the spin-rotation parameter μM0 vanishes. In this way the transverse and longitudinal spin-diffusion coefficients D⊥,D∥ were measured while keeping |μM0|\u3c1. It is found that the temperature dependence of D⊥ deviates strongly from 1/T2, with anisotropy temperature Ta=4.26-0.44+0.18  mK. This value is close to the theoretical prediction for dilute solutions and suggests that spin current relaxation remains finite as the temperature tends to zero

The positive soundscape project : a synthesis of results from many disciplines

This paper takes an overall view of ongoing findings from the Positive Soundscape Project, a large inter-disciplinary soundscapes study which is nearing completion. Qualitative fieldwork (soundwalks and focus groups) and lab-based listening tests have revealed that two key dimensions of the emotional response are calmness and vibrancy. In the lab these factors explain nearly 80% of the variance in listener response. Physiological validation is being sought using fMRI measurements, and these have so far shown significant differences in the response of the brain to affective and neutral soundscapes. A conceptual framework which links the key soundscape components and which could be used for future design is outlined. Metrics are suggested for some perceptual scales and possibilities for soundscape synthesis for design and user engagement are discussed, as are the applications of the results to future research and environmental noise policy

Cimetidine in colorectal cancer – are the effects immunological or adhesion-mediated?

British Journal of Cancer (2002) 86, 159–160. DOI: 10.1038/sj/bjc/6600097 www.bjcancer.co

Research into the practical and policy applications of soundscape concepts and techniques in urban areas

Executive Summary 1 The aim of this review was to investigate existing research into soundscape concepts and to produce recommendations for future research into the practical identification, management and enhancement of soundscapes in urban areas. 2 Existing research on soundscapes was investigated using four methods: i. a survey of more than 500 papers in the academic literature, ii. an analysis of 27 case studies of soundscape assessment, iii. an analysis of 15 case studies of soundscape design, and iv. interviews with five key soundscape experts. Analysis of this data was conducted to identify significant gaps in the knowledge base and suggest a way of obtaining a practical soundscape assessment method. 3 Soundscapes were found to be a highly multi-disciplinary topic, with many different ideas, concepts, aims and methods evident in the literature. The definition of the term soundscape is itself not settled; for the purposes of this project, we have defined it as “the totality of all sounds within a location with an emphasis on the relationship between individual’s or society’s perception of, understanding of and interaction with the sonic environment.” 4 This review highlights that a range of methodological approaches have been used to establish classifications and categorisations of sounds and soundscapes. The relationship between different categories of sounds and their interaction needs to be considered to increase the understanding of soundscape assessments and to derive soundscape classifications. 5 The different methods and tools used to assess soundscapes, in a variety of locations, each have advantages and disadvantages; using a number of methods in one case study can help to mitigate against the disadvantages of any one method. The case studies assessed in this report demonstrate the importance of individual and demographic similarities/differences, people’s behaviour, physical aspects of the soundscape, other sensory and environmental elements, and the general location and context, in understanding and assessing soundscapes. 6 Soundscape assessments involving a subjective component have highlighted a number of variables that play a part in the assessment. These include the individual’s knowledge and prior experience of the soundscape, the meaning they derive from it, their attitude towards the sound source, their behaviour, their noise sensitivity, demographic and cultural dimensions, and their sense of control over the noise. 7 Research has shown that sometimes a soundscape is perceived as a collection of the individual sounds of which it is comprised; soundscape assessments are therefore related to the assessment of those sound types. This implies that soundscape assessment relies upon the identification of the sounds, the prominence of the sounds, and potentially the ratio of certain sound types to other sound types within the soundscape. It is also highlighted that, because the soundscape varies over time, note must be taken of the fact that any soundscape assessment relates to a singular moment in time. Furthermore, research has shown that soundscape assessments can be dependent on an individual’s memory (when using subjective assessments methods) and/or the segment of the soundscape that was recorded (when playing back recorded soundscapes in a laboratory situation). 8 Multi-sensory experience is also shown to be highly relevant to soundscape assessment and must therefore be acknowledged as soundscapes are not perceived in sensory isolation; in particular audio-visual interactions have been shown to have an effect on soundscape perception. Many researchers point to the importance of understanding the full environmental and social context for soundscape assessment, the relevance of comparing similar place types, and the effect of moving between one soundscape and another on an assessment. 9 Turning to the subject of soundscape design, it is noted that there is a dearth of case studies involving the modification and design of soundscapes, both in the UK and internationally. The rationale behind many of the case studies’ focus upon or consideration of sound was the improvement of a soundscape that was negatively affected by the sound of traffic. Approaches to soundscape design varied, ranging from the use of noise control elements, such as barriers and absorbers, to the utilisation or exploitation of natural elements that already exist in the location. Some case studies introduced sounds to the soundscape, in particular water sounds, while others incorporated specific sonic art installations to alter the soundscape or detract attention from existing features of the soundscape. A number of case studies used design alterations to improve the soundscape and perception of the soundscape including altering visual aspects of the place, altering the layout of the area, pedestrianisation of the area, and providing entertainment facilities (e.g. cafes). 10 Case studies whereby design modifications or interventions have taken place, have had little or no formal evaluation of their success. The studies that were evaluated used a number of different methods involving both objective and subjective measures and included the experimental comparison of subjective ratings, observations of people’s behaviour, recognition and awards for good designs, and level of complaints about the soundscape. This demonstrates that different evaluation tools may be necessary dependent upon the type of soundscape intervention being evaluated. Additionally, by combining methods to produce an interdisciplinary evaluation, a more accurate understanding of the success of the soundscape design is possible, hence improving future interventions. 11 The relationship between environment and individual is complex, with many factors, some of which cannot currently be quantified. Important factors include: prominent individual sound sources, the interaction of sources, other sensory stimuli and contextual and individual factors such as meaning, and expectation. Some of these factors can be captured by subjective rating scales for high-level concepts like ‘calmness’, ‘vibrancy’ and ‘spaciousness’. Other factors, such as the semantic meaning of a soundscape are best characterised currently by qualitative descriptors. There are good prospects for developing objective acoustic metrics to evaluate some factors but in most cases this work is still at an early stage, and the methods developed so far have only been applied in specific contexts; to provide metrics that are more broadly applicable they would need to be evaluated in a broader range of locations and conditions. The expert interviews and case studies illustrated the diversity of views across different disciplines on the most promising soundscape methods. All the interviewees agreed on the need for an interdisciplinary approach, and on the need to retain some form of subjective rating when assessing soundscapes. 12 Ultimately, six important gaps have been identified in the soundscape knowledge base. These are areas where more research would significantly improve understanding soundscape assessments. These gaps have been identified as: i. a lack of genuinely interdisciplinary projects (characterised by a shared perspective) instead of multidisciplinary projects (where researchers work in parallel within their own disciplines). These are needed to deal with the multidimensional experience of soundscape perception. ii. a lack of basic knowledge on many aspects of soundscape cognition, perception and classification. iii.a need for large-scale robust field trials of soundscape assessment methods instead of the more common experiment of a new method in a single location. iv. a need to develop more soundscape-specific indicators and tools that could eventually be used for soundscape design. v. a need to rigorously assess deliberate soundscape interventions to understand which design aspects work and which do not. vi. a lack of a close connection between soundscape research, design and planning practice. 13 Finally, a new research project is proposed to develop a robust field assessment method. The aim of this project is to develop a method based on existing research methods but introducing greater confidence by trialling the method across many real urban soundscapes. Options are presented for developing a purely qualitative assessment tool or one that incorporates and integrates both qualitative and quantitative ratings. 14 We recommend that a first step for an assessment method, which could realistically be developed in the near future, should be based on qualitative methods. A second iteration of this soundscape assessment tool could supplement the qualitative techniques with quantitative methods, first based on subjective rating scales and eventually on objective metrics which predict the subjective ratings

An activity-centric conceptual framework for assessing and creating positive urban soundscapes

The Positive Soundscapes Project is an interdisciplinary investigation of soundscape perception [1]. The project seeks to develop a rounded view of human perception of soundscapes by drawing together methods from the disciplines of engineering sound quality [2], acoustics, psychoacoustics, physiology [3], as well as sound art, acoustic ecology and social science [4]. In the acoustics community, sound in the environment, especially that made by other people has overwhelmingly been considered in negative terms as both intrusive and undesirable. The strong focus of traditional engineering acoustics on reducing noise levels ignores the many possibilities for characterizing positive aspects of the soundscape, whereas art and social science disciplines interpret soundscape perception as a multimodal and multi-dimensional concept. The project team come from a wide range of disciplines and are applying their experiences to investigate soundscapes from different aspects to produce a more nuanced and complete picture of listener response than has so far been achieved. In order for the team behind the project to achieve this, an underpinning framework is required, by which to approach and move the project forward, while aligning thinking from the different disciplines. This paper describes a high-level first iteration of the conceptual framework, which is structured in three parts. The use and potential application of the framework within the Positive Soundscapes Project is then discussed

A novel live-attenuated vaccine candidate for mayaro Fever.

Mayaro virus (MAYV) is an emerging, mosquito-borne alphavirus that causes a dengue-like illness in many regions of South America, and which has the potential to urbanize. Because no specific treatment or vaccine is available for MAYV infection, we capitalized on an IRES-based approach to develop a live-attenuated MAYV vaccine candidate. Testing in infant, immunocompetent as well as interferon receptor-deficient mice demonstrated a high degree of attenuation, strong induction of neutralizing antibodies, and efficacy against lethal challenge. This vaccine strain was also unable to infect mosquito cells, a major safety feature for a live vaccine derived from a mosquito-borne virus. Further preclinical development of this vaccine candidate is warranted to protect against this important emerging disease

Kaon decays and the flavour problem

After a brief introduction to the so-called flavour problem, we discuss the role of rare K decays in probing the mechanism of quark-flavour mixing. Particular attention is devoted to the formulation of the Minimal Flavour Violation hypothesis, as a general and natural solution to the flavour problem, and to the fundamental role of K -> pi nu nu-bar decays in testing this scenario.Comment: 10 pages, 6 figures, contribution to TH 2002 (Paris, July 2002

Defining the key wintering habitats in the Sahel for declining African-Eurasian migrants using expert assessment

SummaryThe Sahel in West Africa is a major wintering area for many western Palearctic migrants. The breeding populations of many of these have declined over the past 50 years. However, there have been few intensive field studies on migrant ecology in the Sahel and these were generally within a very restricted area. Consequently our knowledge of the distribution of species within this extensive area and the habitat associations of these species is limited. Understanding these habitat associations is essential for the effective conservation management of populations. We brought together a group of experts and consulted a wider group by email to assess the main Sahelian habitat types used by 68 African-Eurasian migrant bird species. Those species that showed strongest declines during 1970–1990 were associated with more open habitats than those newly declining during 1990–2000, when declining species were associated with habitats with more shrubs and trees. Populations of species that winter in the Sahel are generally stable or increasing now as rainfall has increased and is now near the long-term average for the Sahel. Those which use the Sahel only as a staging area are, in many cases, in rapid decline at present.We would like to thank Andy Clements, Paul Donald, Lincoln Fishpool and Mike Mortimore for contributing to the workshop and Peter Jones, Ian Newton, Volker Salewski, Tim Wacher, Eddy Wymenga and Leo Zwarts for useful comments by email on draft habitat importance scores. This study was funded by the Newton Trust and the Cambridge Conservation Initiative Collaborative Fund, supported by Arcadia. WJS is funded by Arcadia.This is the accepted manuscript of a paper published in Bird Conservation International, Volume 24, Issue 04, December 2014, pp 477-491, DOI: http://dx.doi.org/10.1017/S0959270913000531, Published online: 24 February 201