Pentecostalism, gerontocratic rule and democratization in Malawi: the changing position of the young in political culture

This chapter explores the relationship between the father-metaphor, gerontocratic power, democratization and religion in the context of changing political culture in Malawi. It argues that democratization in Malawi signalled a change in the nature of the dominant gerontocratic power relations associated with Chewa political traditions, and gave the young an opportunity to escape from their tightly circumscribed sociopolitical space in what for thirty years had been a highly supervised society. It further argues that religion, in particular 'born-again' (often Pentecostal) Christianity, played a significant role in changing the meaning of the crucial root paradigm of gerontocracy in Malawian political culture. The chapter shows that the position adopted by religious youth groups in the 1990s was the outcome of a 'struggle for youth' that Malawian society had faced since colonial times and in which religion played a significant role. In so doing, it deconstructs the so-called 'conservative nature' of Christian fundamentalism-cum- Pentecostalism.ASC – Publicaties niet-programma gebonde

Mother's songs: male appropriation of women's music in Malawi and Southern Africa

This study, informed by historical and socio-cultural studies into HIV/AIDS, examines the political and commercial appropriation of female music by males specifically in Malawi and, in general, Southern Africa.1 Once appropriated, this music is often used, via the oral public sphere, in ways that, politically and economically, impact negatively on women. It is here argued that while recognized factors perpetuating gender inequalities are responsible for this appropriation, factors within the power dynamics of female culture itself may be contributory. It is further suggested that this public sphere use of appropriated female music may significantly negate or subvert some formal, especially written, positive gender equality messages