Volume 51, Number 6 - November 1971

Volume 51, Number 6 - November 1971. 18 pages including covers and advertisements. Paul, Michael James Night Paul, Michael James A Woman Paul, Michael James \u27long as Im here McNeil, Paul Smith Hill Fish Market McNeil, Paul Gypsy Moth McNeil, Paul Inmate Sterling, Pamela \u27I know you\u27 McCrorie, Edward Galway Kinnell in Pawtucket marcucci, john Rudy\u27s Chair O\u27Neil, Terry The Party at the Sanscrit O\u27Neil, Terry Teacher\u27s House McDonald, Way directions to maine McDonald, Way \u27way am i looking\u27 McDonald, Way \u27 on your way up\u27 O\u27Neil, Charles, Jr. \u27Stephen Daddyless O\u27Neil, Charles, Jr. \u27When I look\u2

Volume 8, Number 4 - January 1928

Volume 8, Number 4 – January 1928. 48 pages including covers and advertisements. Hanley, John C., A Church in the Mart Egan, James V., The Poetry of Gilbert K. Chesterton Csanyi, Paul F., Clouds Greene, Frank E., On Wings of Silence O\u27Connell, John H. F., That Amazing Proposal Sheridan, James J., Mr. Hyde Penla, Joseph J. Della, Religion in Literature Hearn, Philip B., Residuum O\u27Connell, John H. F., Editorial Murphy, John W., Exchange McDonald, James E., Chronicle McDonald, James E., Alumni Notes Dromgoole, Walter T., Athletic

Volume 8, Number 9 - June 1928

Volume 8, Number 9 - June 1928. 56 pages including covers and advertisements. Sheridan, James J., Shakespearean Types Hampshire, Norman, Corpus Christi Gloriosum Hanley, John C., The Life of the Party Sheridan, James J., Castles on Olympus Csanyi, Paul F., Josephine Proposes, Napoleon Disposes O\u27Connell, John H. F., Leaves Sheridan, James J., To His Cupbearer Downing, W. J., Crashing the Golden Gate Murphy, Richard, Summer Reading O\u27Connell, John H. F., Editorial Hearn, Philip B., Residuum Murphy, John W., Exchange McDonald, James E., Chronicle McDonald, James E., Alumni Notes Dromgoole, Walter T., Athletic

The formation of the Christian biblical canon

Reviewed Book: McDonald, Lee M. The formation of the Christian biblical canon. Peabody, Mass: Hendrickson Pubs, 1995

Volume 8, Number 8 - May 1928

Volume 8, Number 8 - May 1928. 55 pages including covers and advertisements. Contents J. V. Egan, The Founder of International Law Sheridan, James J., Manumission Penta, J. J. Della, Tunney, Dempsey, and Einstein Sheridan, James J., Beyond the Clouds Sheridan, James J., The Irish Dramatic Movement Hanley, John C., The Art of Fainting Sheridan, James J., In Memoriam Sullivan, W. F., The Origin and Early Development of Baseball O\u27Connell, John H. F., Editorial Hearn, Philip B., Residuum Murphy, John W., Exchange McDonald, James E., Chronicle McDonald, James E., Alumni Notes Dromgoole, Walter T., Athletic

In the Interval of the Wave: Prince Edward Island Women\u27s Nineteenth- and Early Twentieth-Century Life Writing by Mary McDonald-Rissanen

Review of In the Interval of the Wave: Prince Edward Island Women\u27s Nineteenth- and Early Twentieth-Century Life Writing by Mary McDonald-Rissanen

Iced vovos: a one act play [Play script]

This script was developed through a collaborative process. A work of stream-of-consciousness prose reflecting on Iced VoVos, an iconic Australian confectionery, penned by Janet McDonald constitutes the heart of the script. This piece was adapted to script form by Dallas Baker, who created characters through which Janet's prose could come to life. The explorative questions that emerged when Dallas and Janet began discussing the adaptation of the text focussed on memory and embodied experience. As the collaboratively led inducement of material developed, the period of ‘handing over’ the prose for adaptation engaged ghosting that resisted what Diana Taylor calls ‘the archive’. This is a place relegated in theatre to where performative ideas take concrete form, often as a written script that can be ‘published’, and therefore maintains an emphasis on discourse to manifest creative enterprise, rather than the lived experience of the performance of the work. What emerged from the collaboration was a script that took the prose in a different, unexpected yet intriguing, direction. This research was therefore more about exploring the relational aspects of working together. In this sense the knowledge produced by this research collaboration manifests Taylor's ‘repertoire’ (rather than ‘archive’) of performance and relates to the richness of both collaborative experience and the creative outcomes arising from that experience