33 research outputs found

    Streptomyces clavuligerus์˜ ์œ ์ „์ฒด ํ•ด๋…๊ณผ clavulanic acid ์ƒํ•ฉ์„ฑ ์กฐ์ ˆ์— ๊ด€ํ•œ ์—ฐ๊ตฌ

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    Thesis(doctors) --์„œ์šธ๋Œ€ํ•™๊ต ๋Œ€ํ•™์› :์ƒ๋ช…๊ณผํ•™๋ถ€,2008.8.Docto

    Assessment of risk factors for suicide attempts in patients with bipolar disorder

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    ํ•™์œ„๋…ผ๋ฌธ(์„์‚ฌ) --์„œ์šธ๋Œ€ํ•™๊ต ๋Œ€ํ•™์› :์˜ํ•™๊ณผ(์ •์‹ ๊ณผํ•™์ „๊ณต),2010.2.Maste

    ์„ธ๋ฅด๊ฒŒ์ด ํ”„๋กœ์ฝ”ํ”ผ์—ํ”„ ํ”ผ์•„๋…ธํ˜‘์ฃผ๊ณก 2๋ฒˆ Op.16 ์—ฐ๊ตฌ

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    ํ•™์œ„๋…ผ๋ฌธ(์„์‚ฌ)--์„œ์šธ๋Œ€ํ•™๊ต ๋Œ€ํ•™์› :์Œ์•…ํ•™๊ณผ ํ”ผ์•„๋…ธ์ „๊ณต,2002.Maste

    Designing a Comprehensive Medieval Music History Program

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    ํ•™์œ„๋…ผ๋ฌธ(์„์‚ฌ) --์„œ์šธ๋Œ€ํ•™๊ต ๋Œ€ํ•™์› :ํ˜‘๋™๊ณผ์ •(์Œ์•…๊ต์œก์ „๊ณต),2007.Maste

    A Study on the Current State of University Art Museums in Korea and the Plans for their Activation

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    ํ•™์œ„๋…ผ๋ฌธ (์„์‚ฌ)-- ์„œ์šธ๋Œ€ํ•™๊ต ๋Œ€ํ•™์› : ๋ฏธ์ˆ ๋Œ€ํ•™ ํ˜‘๋™๊ณผ์ •๋ฏธ์ˆ ๊ฒฝ์˜, 2018. 8. ์ •์˜๋ชฉ.๋ณธ ๋…ผ๋ฌธ์€ ํ•œ๊ตญ ๋Œ€ํ•™๋ฏธ์ˆ ๊ด€์˜ ํ˜„ํ™ฉ์„ ํŒŒ์•…ํ•˜์—ฌ ์ „์‹œ, ์†Œ์žฅํ’ˆ, ์šด์˜ํ”„๋กœ๊ทธ๋žจ์„ ์ค‘์‹ฌ์œผ๋กœ ํ•ด์™ธ ๋Œ€ํ•™๋ฏธ์ˆ ๊ด€์˜ ํ˜„ํ™ฉ๊ณผ ๋น„๊ต๋ถ„์„ํ•˜๊ณ , ์ด๋ฅผ ํ†ตํ•ด ํ•œ๊ตญ ๋Œ€ํ•™๋ฏธ์ˆ ๊ด€์— ์ ์šฉ ๊ฐ€๋Šฅํ•œ ํ™œ์„ฑํ™” ๋ฐฉ์•ˆ์„ ์ œ์•ˆํ•ด ๋ณด๋Š”๋ฐ ๊ทธ ๋ชฉ์ ์ด ์žˆ๋‹ค. ํ•œ๊ตญ์—์„œ ๋ฏธ์ˆ ๊ด€์˜ ์ข…๋ฅ˜๋Š” ํฌ๊ฒŒ ๊ตญยท๊ณต๋ฆฝ, ์‚ฌ๋ฆฝ, ๋Œ€ํ•™๋ฏธ์ˆ ๊ด€์œผ๋กœ ๋‚˜๋‰˜์–ด์ ธ ์žˆ์œผ๋ฉฐ ์˜ค๋Š˜๋‚  ๋ฏธ์ˆ ๊ด€ ํ™œ์„ฑํ™”์— ์žˆ์–ด์„œ ์šฐ๋ฆฌ๋‚˜๋ผ๋Š” ๋งค๋…„ ์„ฑ์žฅํ•˜๊ณ  ์žˆ๋Š” ์ถ”์„ธ์ด๋‹ค. ๊ทธ๋Ÿฌ๋‚˜ ๋Œ€ํ•™๋ฏธ์ˆ ๊ด€์˜ ์œ„์น˜๋Š” ๋Œ€์ค‘๋“ค์—๊ฒŒ ๋‹ค์†Œ ์ƒ์†Œํ•˜์—ฌ, ๊ทธ ์ธ์ง€๋„๊ฐ€ ๋น„๊ต์  ๋‚ฎ์€ ํŽธ์ด๋‹ค. ์•„์ง๊นŒ์ง€ ๋Œ€ํ•™๋ฏธ์ˆ ๊ด€์€ ๊ตญ๋‚ด์— 15๊ฐœ๋งŒ์ด ์กด์žฌํ•˜๊ณ  ์žˆ๋Š”๋ฐ, ์ƒ๋‹น์ˆ˜๊ฐ€ ๋ถ€์† ๊ฑด๋ฌผ์˜ ํ•œ์ผ ์— ์ „์‹œ์‹ค์˜ ํ˜•ํƒœ๋กœ ๋งˆ๋ จ๋˜์–ด ์žˆ๋Š” ์‹ค์ •์ด๋‹ค. ๋˜ํ•œ ๋‹ค๋ฅธ ๊ตญยท๊ณต๋ฆฝ ๋ฐ ์‚ฌ๋ฆฝ ๋ฏธ์ˆ ๊ด€๋“ค๊ณผ ๋น„๊ตํ–ˆ์„ ๋•Œ, ๋Œ€ํ•™๋ฏธ์ˆ ๊ด€์œผ๋กœ์„œ ํŠน์„ฑํ™”๊ฐ€ ๋˜์–ด์žˆ๋‹ค๊ณ  ์„ค๋ช…ํ•˜๊ธฐ ์–ด๋ ค์šด ์ ์ด ์žˆ๋‹ค. ์ •์ฑ…์ ์ธ ์ธก๋ฉด์—์„œ๋„ ๋Œ€ํ•™๊ณผ ๋ฏธ์ˆ ๊ด€ ์‚ฌ์ด์—์„œ ์• ๋งคํ•œ ์œ„์น˜์— ์žˆ์–ด ์žฌ์ •์  ์–ด๋ ค์›€์„ ๊ฒช๋Š” ๊ณณ์ด ๋งŽ์•„ ์†Œ์žฅํ’ˆ ํ™•๋ณด๊ฐ€ ๋”๋””๊ฑฐ๋‚˜, ๊ต์œก ํ”„๋กœ๊ทธ๋žจ, ์ „์‹œ๋ฅผ ๊ตฌ์„ฑํ•˜๋Š”๋ฐ ์žˆ์–ด ์†Œ๊ทน์ ์ธ ์›€์ง์ž„์„ ๋ณด์ด๋Š” ๊ณณ์ด ๋Œ€๋‹ค์ˆ˜๋‹ค. ๊ทธ๋Ÿฌ๋‚˜ ํ•ด์™ธ์˜ ํ˜„ํ™ฉ์€ ๋Œ€ํ•™๋ฏธ์ˆ ๊ด€๋งŒ์˜ ํŠน์ˆ˜์„ฑ๊ณผ ํ•จ๊ป˜ ๋‚˜๋ฆ„๋Œ€๋กœ์˜ ํ™œ์„ฑํ™”๋ฅผ ์ด๋ฃจ๊ณ  ์žˆ๋‹ค. ๊ฐ ๋‚˜๋ผ์˜ ๋Œ€ํ‘œ์ ์ธ ๋Œ€ํ•™๋ฏธ์ˆ ๊ด€์ธ ์˜๊ตญ ์˜ฅ์Šคํผ๋“œ๋Œ€ํ•™๊ต ์• ์Šˆ๋ชฐ๋ฆฐ ๋ฏธ์ˆ ๊ด€, ๋ฏธ๊ตญ ์˜ˆ์ผ๋Œ€ํ•™๊ต ์•„ํŠธ ๊ฐค๋Ÿฌ๋ฆฌ, ์ผ๋ณธ ๋„์ฟ„์˜ˆ์ˆ ๋Œ€ํ•™๊ต ๋ฏธ์ˆ ๊ด€, ๊ทธ๋ฆฌ๊ณ  ์ค‘๊ตญ ์นญํ™”๋Œ€ํ•™๊ต ๋ฏธ์ˆ ๊ด€์˜ ํ˜„ํ™ฉ ๋“ฑ์„ ์‚ดํŽด๋ณด๋ฉด์„œ ๊ทธ๋“ค์ด ์–ด๋– ํ•œ ๋ฐฉ์‹์œผ๋กœ ๋Œ€ํ•™๋ฏธ์ˆ ๊ด€์˜ ํ™œ์„ฑํ™”๋ฅผ ๋•๊ณ  ์žˆ๋Š”์ง€ ์•Œ์•„๋ณด์•˜๋‹ค. ํ˜„ํ™ฉ์€ ์ „์‹œ๊ฒฝํ–ฅ, ์†Œ์žฅํ’ˆ์˜ ์ข…๋ฅ˜์™€ ์ˆ˜, ๊ทธ๋ฆฌ๊ณ  ๊ต์œก ํ”„๋กœ๊ทธ๋žจ์„ ์ค‘์‹ฌ์œผ๋กœ ์‚ดํŽด๋ณด์•˜๋‹ค. ํ•ด์™ธ ๋Œ€ํ•™๋ฏธ์ˆ ๊ด€์˜ ๊ฒฝ์šฐ ์˜ค๋ž˜๋œ ์—ญ์‚ฌ๋กœ ์ธํ•ด ์†Œ์žฅํ’ˆ์˜ ํ™•๋ณด๊ฐ€ ์ƒ๋‹นํžˆ ๋‹ค์–‘ํ•˜๊ฒŒ ์ด๋ฃจ์–ด์ง„ ๊ฒฝ์šฐ๊ฐ€ ๋งŽ์•˜๊ณ , ๊ทธ๋กœ์ธํ•ด ๋Œ€ํ•™๊ตฌ์„ฑ์› ์ค‘์‹ฌ์˜ ์ „์‹œ๋ฅผ ๋งŽ์ด ํ•˜๋Š” ํ•œ๊ตญ ๋Œ€ํ•™๋ฏธ์ˆ ๊ด€์— ๋น„ํ•ด ์†Œ์žฅํ’ˆ์„ ํ†ตํ•œ ๋ฏธ์ˆ ์‚ฌ์  ์ „์‹œ๊ฐ€ ๋งŽ์Œ์„ ์•Œ ์ˆ˜ ์žˆ์—ˆ๋‹ค. ํŠนํžˆ, ๊ต์œก ํ”„๋กœ๊ทธ๋žจ ๋ถ€๋ถ„์—์„œ ๋Œ€ํ•™์˜ ํ•™์ƒ๋“ค๊ณผ ๊ต์ˆ˜๋ฅผ ์œ„ํ•œ ๋ฏธ์ˆ ๊ด€๊ณผ์˜ ์—ฐ๊ณ„ ํ”„๋กœ๊ทธ๋žจ์ด ๋งค์šฐ ์ฒด๊ณ„์ ์œผ๋กœ ์ด๋ฃจ์–ด์ง€๊ณ  ์žˆ๋‹ค. ์ด๋Ÿฌํ•œ ํ•™์ˆ  ์—ฐ๊ตฌ ๋ฐ ๋Œ€ํ•™๊ตฌ์„ฑ์›์„ ์œ„ํ•œ ํ”„๋กœ๊ทธ๋žจ์ด ๋Œ€ํ•™๋ฏธ์ˆ ๊ด€์œผ๋กœ์„œ์˜ ์ •์ฒด์„ฑ์„ ํ˜•์„ฑํ•ด์ฃผ์–ด ํ™œ์„ฑํ™” ๋˜๋Š” ๋ฐฉํ–ฅ์— ์žˆ์–ด ํ•ต์‹ฌ์  ์—ญํ• ์„ ํ•˜๊ณ  ์žˆ๋‹ค๊ณ  ํ•  ์ˆ˜ ์žˆ๋‹ค. ๋‚˜์•„๊ฐ€ ๋Œ€ํ•™๋ฏธ์ˆ ๊ด€์˜ ํ™œ์„ฑํ™”๋Š” ๊ถ๊ทน์ ์œผ๋กœ ๋Œ€ํ•™ ๋ฐ ์ง€์—ญ์‚ฌํšŒ์— ๋งค์šฐ ๊ธ์ •์ ์ธ ์˜ํ–ฅ์„ ๋ฏธ์น˜๊ธฐ๋„ ํ•œ๋‹ค. ๊ทธ๋ฆฌํ•˜์—ฌ ๋„์ถœ๋œ ๋น„๊ต๋ถ„์„ ๊ฒฐ๊ณผ๋ฅผ ๋ฐ”ํƒ•์œผ๋กœ, ๋Œ€ํ•™๋ฏธ์ˆ ๊ด€์˜ ํŠน์„ฑํ™”๋ฅผ ํ†ตํ•œ ํ™œ์„ฑํ™”๋ฅผ ์œ„ํ•ด ํ•œ๊ตญ์˜ ์ƒํ™ฉ์— ์ ์šฉ ๊ฐ€๋Šฅํ•œ ๋ฐฉ์•ˆ์„ ๋ชจ์ƒ‰ํ–ˆ๋‹ค. ์ฐจ๋ณ„ํ™”๋œ ๋ณตํ•ฉ๋ฌธํ™”๊ณต๊ฐ„์œผ๋กœ์„œ์˜ ๋Œ€ํ•™๋ฏธ์ˆ ๊ด€, ์ „๋ฌธ์„ฑ์„ ์‚ด๋ฆฐ ๊ต์œกํ”„๋กœ๊ทธ๋žจ ๊ฐ•ํ™”, ๊ทธ๋ฆฌ๊ณ  ๋Œ€ํ•™๋ฐ•๋ฌผ๊ด€์˜ ํ˜„๋Œ€๋ฏธ์ˆ ๋ถ€๋ฅผ ๊ฐ•ํ™”์‹œํ‚ค๋Š” ๋ฐฉ์•ˆ์„ ํ†ตํ•œ ํ™œ์„ฑํ™”๋ฅผ ์ œ์‹œํ•ด ๋ณด์•˜๋‹ค. ๋ณธ ๋…ผ๋ฌธ์€ ํ•™์ˆ ์—ฐ๊ตฌ์™€ ๊ต์œก์ด ์ฃผ๋ชฉ์ ์ธ ๋Œ€ํ•™๋ฏธ์ˆ ๊ด€์ด ๋Œ€ํ•™์˜ ํŠน์ˆ˜์„ฑ์„ ๊ฐ•์กฐํ•  ๋•Œ ์ƒ๋‹นํžˆ ์„ฑ์žฅํ•  ๊ฐ€๋Šฅ์„ฑ์ด ์žˆ๋‹ค๊ณ  ์˜ˆ์ƒํ–ˆ๋‹ค. ๋”ฐ๋ผ์„œ ๊ตญ๋‚ด ํ˜„ํ™ฉ์„ ํŒŒ์•…ํ•˜๊ณ  ํ™œ์„ฑํ™”๋ฅผ ์š”๊ตฌํ•˜๋Š” ๊ด€์ ์—์„œ ์—ฐ๊ตฌ๋ฅผ ํ–ˆ๋‹ค. ๋Œ€ํ•™๋ฏธ์ˆ ๊ด€์˜ ๋ฐœ์ „์€ ๋Œ€ํ•™๋ฟ๋งŒ ์•„๋‹ˆ๋ผ ์ง€์—ญ์‚ฌํšŒ์—๋„ ๊ธ์ •์ ์ธ ํšจ๊ณผ๊ฐ€ ์žˆ์„ ๊ฒƒ์ด๋ผ๋Š” ์ ์—์„œ ์—ฐ๊ตฌ์˜ ์˜์˜๊ฐ€ ์žˆ๋‹ค.The purpose of this study is to grasp the current state of university art museums in Korea and to suggest plans for their activation through comparing the tendencies of their exhibitions, collections, and education programs with those of university art museums abroad. In Korea, art museums are largely divided into three types: public, private, and university. Every year, the total number of art museums is growing, but only a small portion of the general audience is aware of university art museums. There are only 15 registered university art museums so far. More still, with the exception of a few university art museums which are built to store their artwork separately from the rest of the university, most of them exist only in the form of exhibition halls included in other departments. Additionally, when compared to public or private art museums, it is hard to define the precise identity of the university art museum as it is not definitely characterized in regard to exhibitions, collections, and programs. Also, because university art museum is vaguely located in between the university and a museum regarding art and cultural policy, many of them are facing financial difficulties to manage the art museums. On the other hand, many university art museums abroad are being activated with the definite identity of being an academic museum and providing differentiated systems. In order to examine these issues in depth, a comparative study was conducted to research the current state of university art museums abroad. Oxford Universitys Ashmolean Museum in England, the Yale University Art Gallery in United States, The University Museum, Tokyo University of the Arts in Japan, and Tsinghua University Art Museum in China were selected and analyzed to find what elements contribute to their vitalization. In doing so, suggestions may be formulated to apply their approaches toward the vitalization of university art museums in Korea. Indicators for their current state are categorized by exhibition topics which show the tendency of their exhibitions, the number and types of their collections, and their educational or operational programs. Results indicate that university art museums abroad usually have extensive collections, as the history of each art museum itself has been built up over a long period of time. Because of this, art museums abroad host more exhibits concerning art history than university art museums in Korea. In particular, their education programs are systematically organized vis-ร -vis connecting their collections with curricula for students and faculty. Specialized academic research and the formation of educational programs for the campus community define the identity of the university art museum, each of which plays a central role in vitalizing university art museums. Such orientations ultimately positively influence those universities and society at large. Furthermore, there is no association like the ICOM or the UMAC in Korea, which is a key oversightsuch councils consistently follow up on the current state of museums and discuss plans for their future development. Maintaining these interests acknowledges the value of art and cultural organizations at institutions of higher education, and allow them to receive active financial support. Therefore, following the results of the comparative study, three activation plans are suggested. First, university art museums in Korea should develop their identity as a complex cultural space to become more widely known and attract more visitors. Second, university art museums should view developing their expertise in educational programs for students and faculty members as their top priority as a member of the university community. Third, universities should develop fine art department in university museums that already exist on campus. In this way, university art museums can extend faster and expect the increase in financial support as an enhanced art and cultural institution in universities. This research paper brings to light the potential for development of university art museums if they, as academic institutions, emphasize their unique characteristics which differentiate them from other art museums. The activation of university art museums, which primarily focuses on research and education, will eventually create a positive feedback loop for the university and its community.์ œ 1 ์žฅ ์„œ๋ก  1 ์ œ 1 ์ ˆ ์—ฐ๊ตฌ๋ฐฐ๊ฒฝ๊ณผ ๋ชฉ์  1 ์ œ 2 ์ ˆ ์—ฐ๊ตฌ์˜ ๋‚ด์šฉ๊ณผ ๋ฐฉ๋ฒ• 2 ์ œ 2 ์žฅ ๋Œ€ํ•™๋ฏธ์ˆ ๊ด€์˜ ํŠน์ˆ˜์„ฑ 5 ์ œ 1 ์ ˆ ๋Œ€ํ•™๋ฏธ์ˆ ๊ด€๊ณผ ์ผ๋ฐ˜๋ฏธ์ˆ ๊ด€์˜ ์ฐจ์ด 5 1. ๋Œ€ํ•™๋ฏธ์ˆ ๊ด€์˜ ์—ญ์‚ฌ 5 2. ๋Œ€ํ•™๋ฏธ์ˆ ๊ด€์˜ ๋ชฉ์ ๊ณผ ์—ญํ•  11 3. ๋Œ€ํ•™๋ฏธ์ˆ ๊ด€์˜ ์žฅ์ ๊ณผ ํ•œ๊ณ„ 14 ์ œ 2 ์ ˆ ๋Œ€ํ•™๋ฏธ์ˆ ๊ด€์˜ ํ•„์š”์„ฑ 17 ์ œ 3 ์žฅ ๋Œ€ํ•™๋ฏธ์ˆ ๊ด€ ๋น„๊ต์—ฐ๊ตฌ 21 ์ œ 1 ์ ˆ ๊ตญ๋‚ด ๋Œ€ํ•™๋ฏธ์ˆ ๊ด€ ํ˜„ํ™ฉ 21 1. ์„œ์šธ๋Œ€ํ•™๊ต ๋ฏธ์ˆ ๊ด€ 26 2. ์กฐ์„ ๋Œ€ํ•™๊ต ๋ฏธ์ˆ ๊ด€ 31 3. ๋™์•„๋Œ€ํ•™๊ต ์„๋‹น๋ฏธ์ˆ ๊ด€ 34 ์ œ 2 ์ ˆ ํ•ด์™ธ ๋Œ€ํ•™๋ฏธ์ˆ ๊ด€ ํ˜„ํ™ฉ 37 1. ์˜๊ตญ ์˜ฅ์Šคํผ๋“œ๋Œ€ํ•™๊ต ์• ์Šˆ๋ชฐ๋ฆฐ ๋ฏธ์ˆ ๊ด€ 37 2. ๋ฏธ๊ตญ ์˜ˆ์ผ๋Œ€ํ•™๊ต ์•„ํŠธ ๊ฐค๋Ÿฌ๋ฆฌ 45 3. ์ผ๋ณธ ๋„์ฟ„์˜ˆ์ˆ ๋Œ€ํ•™ ๋ฏธ์ˆ ๊ด€ 54 4. ์ค‘๊ตญ ์นญํ™”๋Œ€ํ•™๊ต ๋ฏธ์ˆ ๊ด€ 60 ์ œ 3 ์ ˆ ๋น„๊ต๊ฒฐ๊ณผ 63 ์ œ 4 ์žฅ ํ™œ์„ฑํ™”๋ฅผ ์œ„ํ•œ ๋ฐฉ์•ˆ 67 1. ์ฐจ๋ณ„ํ™”๋œ ๋ณตํ•ฉ๋ฌธํ™”๊ณต๊ฐ„์œผ๋กœ์„œ์˜ ๋Œ€ํ•™๋ฏธ์ˆ ๊ด€ 67 2. ์ „๋ฌธ์  ๊ต์œก ํ”„๋กœ๊ทธ๋žจ ๊ฐ•ํ™” 70 3. ๋Œ€ํ•™๋ฐ•๋ฌผ๊ด€์˜ ํ˜„๋Œ€๋ฏธ์ˆ ๋ถ€ ๊ฐ•ํ™” 72 ์ œ 5 ์žฅ ๊ฒฐ๋ก  75 ์ฐธ๊ณ ๋ฌธํ—Œ 78 ์ฐธ๊ณ ๋„ํŒ 84 Abstract 85Maste

    The Hawthorne Effect on the Adherence to Hand Hygiene

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    Purpose: This observational study was aimed to determine the influence of the Hawthorne effect on the adherence to hand hygiene (HH) among healthcare workers (HCWs) in South Korea. Methods: HCWs were monitored in 2 periods regarding adherence to HH when there were indications for HH. In first period, HCWs recognized that their behavior of hand hygiene being observed (overt observation), and did not recognize in second period (covert observation). Results: The overall difference in HH rate between two periods was 45.0% point (77.8% vs 32.8%). There were significant differences between profession but in nurse aids. The differences in HH rate between two periods were 46.1% point in nurses, 29.9% point in physicians, 64.0% in radiologists, 62.5% point in laboratory technicians, 36.4% point in physio-therapist, and 1.0% point in nurse aids. The Hawthorne effect on the adherence to HH lasted more than 3 months. Conclusion: The Hawthorne effect markedly influence on the adherence to HH regardless of profession except nurse aids. Therefore, Hawthorne effect can be useful tool to improve and sustain the adherence to HH among HCWs in South Korea

    ํ•ด์™ธ์ถœ์žฅ๋ณด๊ณ ์„œ-2013๋…„ ์ผ๋ณธ ์‹๋†์ž์›๊ฒฝ์ œํ•™ํšŒ ์ถœ์žฅ๋ณด๊ณ ์„œ (ํ›„์ฟ ์˜ค์นด, ๋ฒณํ‘ธ)

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    1. ์—ฌํ–‰๊ธฐ๊ฐ„ : 2013๋…„ 9์›” 14์ผ ~ 17์ผ (3๋ฐ•4์ผ) 2. ์—ฌ ํ–‰ ์ž : ๊น€์ข…ํ™” ์ฑ…์ž„์—ฐ๊ตฌ์›, ์†ก์ฃผ์—ฐ ์—ฐ๊ตฌ์› 3. ์—ฌ ํ–‰ ๊ตญ : ์ผ๋ณธ (ํ›„์ฟ ์˜ค์นด, ๋ฒณํ‘ธ) 4. ์—ฌํ–‰๋ชฉ์ โ–ก ์ผ๋ณธ ์‹๋†์ž์›๊ฒฝ์ œํ•™ํšŒ ๋ฐœํ‘œ โ—ฆ ์ฃผ์ œ: ้Ÿ“ๅ›ฝใซใŠใ‘ใ‚‹6ๆฌก็”ฃๆฅญๅŒ–็ตŒๅ–ถไฝ“ใฎใ‚ฟใ‚คใƒ—ๅˆ†ใ‘ใจๆˆๅŠŸ่ฆๅ› ใซ้–ขใ™ใ‚‹็ ”็ฉถ (ํ•œ๊ตญ์˜ 6์ฐจ์‚ฐ์—…ํ™” ๊ฒฝ์˜์ฒด์˜ ์œ ํ˜•๋ถ„๋ฅ˜ ๋ฐ ์„ฑ๊ณต์š”์ธ์— ๊ด€ํ•œ ์—ฐ๊ตฌ) โ–ก ๋ฉ”์ธ ์‹ฌํฌ์ง€์›€ ์ฐธ์„ โ—ฆ ์ฃผ์ œ: ไผๆฅญใฎ่พฒๆฅญๅ‚ๅ…ฅใฎๅฎŸๆ…‹ใจๅœฐๅŸŸ่พฒๆฅญใธใฎๅฝฑ้Ÿฟ (๊ธฐ์—…์˜ ๋†์—…์ฐธ์—ฌ ์‹คํƒœ์™€ ์ง€์—ญ๋†์—…์˜ ์˜ํ–ฅ) โ–ก ์ผ๋ณธ ๋†์—…๊ฒฝ์ œํ•™์ž๋“ค๊ณผ์˜ ๊ต๋ฅ˜ โ—ฆ ์ผ๋ณธ ํ์Šˆ์ง€์—ญ์˜ ํ์Šˆ๋Œ€ํ•™, ์ฟ ๋งˆ๋ชจํ† ๋Œ€ํ•™, ์‚ฌ๊ฐ€๋Œ€ํ•™, ๋ฏธ์•ผ์žํ‚ค๋Œ€ํ•™, ํžˆ๋กœ์‹œ๋งˆ๋Œ€ํ•™, ๋‚˜๊ฐ€์‚ฌํ‚คํ˜„๋ฆฝ๋Œ€ํ•™, ๊ฐ€๊ณ ์‹œ๋งˆ๋Œ€ํ•™, ๋ฅ˜ํ๋Œ€ํ•™ ๋“ฑ ๋†์—…๊ฒฝ์ œํ•™ ์ „๊ณต ์—ฐ๊ตฌ์ž๋“ค๊ณผ ๊ต๋ฅ˜1. ์—ฌํ–‰๊ธฐ๊ฐ„ 2. ์—ฌํ–‰์ž 3. ์—ฌํ–‰๊ตญ 4. ์—ฌํ–‰๋ชฉ์  5. ์„ธ๋ถ€์ผ์ • 6. ์ฃผ์š”ํ™œ๋™ ๊ฒฐ๊ณผ ๋ณด

    ์ถฉ๋‚จ์˜ ๋†์ดŒ์ง€์—ญ ๋ฆฌ๋”ํ™œ๋™ ์‹คํƒœ์กฐ์‚ฌ

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    ์—ฐ๊ตฌ์š”์•ฝ ๋ณธ ์—ฐ๊ตฌ์˜ ์ฃผ์š” ๋‚ด์šฉ์€ ํฌ๊ฒŒ 4๋ถ€๋ฌธ์œผ๋กœ ๋‚˜๋ˆ„์–ด ๋ณผ ์ˆ˜ ์žˆ๋‹ค. ์ฒซ์งธ, ๋†์ดŒ์ง€์—ญ ๋ฆฌ๋”์™€ ๊ด€๋ จ๋œ ์—ฐ๊ตฌ๋™ํ–ฅ ๊ฒ€ํ†  ๋ฐ ์ง€์—ญ๋ฆฌ๋” ๊ฐœ๋… ๋„์ถœ, ๋‘˜์งธ, ๋†์ดŒ์ง€์—ญ ๋ฆฌ๋”์œก์„ฑ๊ณผ ๊ด€๋ จ๋œ ์ค‘์•™์ •๋ถ€ ๋ฐ ์ถฉ๋‚จ์˜ ์ •์ฑ…๋™ํ–ฅ ๊ฒ€ํ† , ์…‹์งธ, ์ถฉ๋‚จ 7๊ฐœ ์‹œ๊ตฐ ๋†์ดŒ์ง€์—ญ ๋ฆฌ๋”ํ™œ๋™ ์‹คํƒœ์กฐ์‚ฌ ๊ฐœ์š” ๋ฐ ๊ฒฐ๊ณผ, ๋„ท์งธ, ์ถฉ๋‚จ ๋†์ดŒ์ง€์—ญ ๋ฆฌ๋”ํ™œ๋™์‹คํƒœ ํ‰๊ฐ€์™€ ๊ฐœ์„ ๋ฐฉ์•ˆ, ์ •์ฑ…์ œ์–ธ์„ ํ•˜์˜€๋‹ค. 1) ๋†์ดŒ์ง€์—ญ ๋ฆฌ๋”์™€ ๊ด€๋ จ๋œ ์—ฐ๊ตฌ๋™ํ–ฅ ๊ฒ€ํ†  ๋ฐ ์ง€์—ญ๋ฆฌ๋” ๊ฐœ๋… ๋„์ถœ ์ฒซ์งธ, ๋ฆฌ๋”์œ ํ˜•๊ณผ ํŠน์„ฑ์— ๊ด€ํ•œ ์—ฐ๊ตฌ๋ฅผ ์‚ดํŽด๋ณด๋ฉด, ๋ฆฌ๋”์˜ ํ•ต์‹ฌ์—ญ๋Ÿ‰ ๋ฐ ํŠน์„ฑ์ง€ํ‘œ๋“ค์ด ์‚ถ์˜ ์งˆ ๋งŒ์กฑ๋„์— ๋ฏธ์น˜๋Š” ์˜ํ–ฅ, ๋†๊ฐ€์†Œ๋“ ํ–ฅ์ƒ ๋“ฑ์— ๋ฏธ์น˜๋Š” ์ธ๊ณผ๊ด€๊ณ„๋ฅผ ์ฃผ๋กœ ๋‹ค๋ฃจ๊ณ  ์žˆ๋‹ค. ๋ฆฌ๋”์˜ ์—ญ๋Ÿ‰ ๋ฐ ํŠน์„ฑ์ง€ํ‘œ๋กœ๋Š” ์ธ๊ฐ„๊ด€๊ณ„ ์—ญ๋Ÿ‰, ๊ฐ์„ฑ ๋ฐ ์ธ์ง€์—ญ๋Ÿ‰, ๋ฆฌ๋”์‰ฝ ์—ญ๋Ÿ‰, ์˜์‚ฌ์†Œํ†ต์—ญ๋Ÿ‰, ์‚ฐ์—…์ง€์‹ ๋ฐ ๊ธฐ์ˆ ์—ญ๋Ÿ‰, ๋†์—…๊ฒฝ์˜์—ญ๋Ÿ‰ ๋“ฑ์œผ๋กœ ๊ตฌ๋ถ„ํ•˜์˜€๋‹ค. ๋†์ดŒ์ง€์—ญ ๋ฆฌ๋”์˜ ํŠน์„ฑ์€ ์ธ์ ์ž๋ณธยท์‚ฌํšŒ์ž๋ณธ ยท์™ธ๋ถ€์  ์ธก๋ฉด, ์ง€์—ญ๋†์—… ์‹ค์ฒœ ์ธก๋ฉด์œผ๋กœ ๋ณด๊ณ  ์ง€์ž์ฒด ๋†์ •๋ชฉํ‘œ ์‹คํ˜„์— ์˜ํ–ฅ์„ ๋ถ„์„ํ•˜์˜€๋‹ค. -ย ์ดํ›„ ์ƒ๋žต์ œ1์žฅ ์—ฐ๊ตฌ์˜ ๊ฐœ์š” 1. ์—ฐ๊ตฌ์˜ ๋ฐฐ๊ฒฝ ๋ฐ ํ•„์š”์„ฑ 1 2. ์—ฐ๊ตฌ์˜ ๋ชฉ์  2 3. ์—ฐ๊ตฌ์˜ ๋‚ด์šฉ ๋ฐ ๋ฐฉ๋ฒ• 2 1) ์—ฐ๊ตฌ์˜ ๋‚ด์šฉ 2 2) ์—ฐ๊ตฌ์˜ ๋ฒ”์œ„ 3 3) ์—ฐ๊ตฌ์˜ ๋ฐฉ๋ฒ• 3 4) ์ถ”์ง„์ฒด๊ณ„ 4 5) ์ถ”์ง„๊ฒฝ๊ณผ 5 4. ์—ฐ๊ตฌ์˜ ์ฐจ๋ณ„์„ฑ ๋ฐ ๊ธฐ๋Œ€ํšจ๊ณผ 6 ์ œ2์žฅ ๋†์ดŒ์ง€์—ญ ๋ฆฌ๋”๊ด€๋ จ ์—ฐ๊ตฌ๋™ํ–ฅ 1. ์ง€์—ญ๋ฆฌ๋” ๊ฐœ๋…์˜ ์ด๋ก ์  ๋ฐฐ๊ฒฝ 7 2. ๋†์ดŒ์ง€์—ญ ๋ฆฌ๋”๊ด€๋ จ ์ด๋ก ์  ๊ฒ€ํ†  13 1) ๋ฆฌ๋”์œ ํ˜•๊ณผ ํŠน์„ฑ์— ๊ด€ํ•œ ์—ฐ๊ตฌ 13 2) ๋ฆฌ๋”์œก์„ฑ์„ ์œ„ํ•œ ๊ต์œกํ™œ์„ฑํ™”์— ๊ด€ํ•œ ์—ฐ๊ตฌ 17 3. ์ง€์—ญ๋ฆฌ๋”์˜ ๊ฐœ๋…๊ณผ ์œ ํ˜• 19 1) ์ง€์—ญ๋ฆฌ๋”์˜ ๊ฐœ๋… 19 2) ์ง€์—ญ๋ฆฌ๋”์˜ ์œ ํ˜• 19 3) ์ง€์—ญ๋ฆฌ๋”์˜ ์—ญํ•  20 4. ์†Œ๊ฒฐ 21 ์ œ3์žฅ ๋†์ดŒ์ง€์—ญ ๋ฆฌ๋”๊ด€๋ จ ์ •์ฑ…๋™ํ–ฅ 1. ์ค‘์•™์ •๋ถ€์˜ ๋†์—…โ€ง๋†์ดŒ ์ธ๋ ฅ์œก์„ฑ ์ •์ฑ…์˜ ํ˜„ํ™ฉ 22 1) ์ œ1์ฐจ ๋†๋ฆผ์–ด์—…์ธ ์‚ถ์˜ ์งˆ ํ–ฅ์ƒ ๋ฐ ๋†์‚ฐ์–ด์ดŒ์ง€์—ญ๊ฐœ๋ฐœ 5๊ฐœ๋…„ ๊ธฐ๋ณธ๊ณ„ํš(05-09) 23 2) ์ œ2์ฐจ ๋†๋ฆผ์–ด์—…์ธ ์‚ถ์˜ ์งˆ ํ–ฅ์ƒ ๋ฐ ๋†์‚ฐ์–ด์ดŒ์ง€์—ญ๊ฐœ๋ฐœ 5๊ฐœ๋…„ ๊ธฐ๋ณธ๊ณ„ํš(10-14) 25 3) ๊ธฐํƒ€ ๋†์ดŒ์ธ๋ ฅ์œก์„ฑ์‚ฌ์—… ํ˜„ํ™ฉ 28 4) ์ตœ๊ทผ ๋†์ดŒ์ธ๋ ฅ์œก์„ฑ์‚ฌ์—… ์ฒด๊ณ„ ๊ฐœํŽธ๋™ํ–ฅ 31 2. ์ถฉ์ฒญ๋‚จ๋„์˜ ๋†์—…โ€ง๋†์ดŒ ์ธ๋ ฅ์œก์„ฑ ์ •์ฑ…์˜ ํ˜„ํ™ฉ 32 1) 3๋† ํ˜์‹  ๊ธฐ๋ณธ๊ณ„ํš 32 3. ์†Œ๊ฒฐ 34 1) ๋ฆฌ๋”์œก์„ฑ์ •์ฑ…์˜ ๋ฌธ์ œ์ ๊ณผ ํ•œ๊ณ„ 34 2) ๋ถ„์„ํ‹€ 36 ์ œ4์žฅ ์ง€์—ญ๋ณ„ ๋ฆฌ๋”ํ™œ๋™ ์‹คํƒœ ์—ฐ๊ตฌ 1. ์กฐ์‚ฌ๊ฐœ์š” 37 2. ๊ณ„๋ฃก์‹œ 40 1) ๊ณ„๋ฃก์‹œ ๊ฐœ์š” 40 2) ๋†์ดŒ๋ฆฌ๋” ํ™œ๋™๋‚ด์šฉ 44 3) ๋†์ดŒ๋ฆฌ๋” ํ™œ๋™์˜ ์ง€์—ญ๋‚ด ์ •์„ฑ์ ยท์ •๋Ÿ‰์  ํŒŒ๊ธ‰ํšจ๊ณผ 57 3. ๊ธˆ์‚ฐ๊ตฐ 62 1) ๊ธˆ์‚ฐ๊ตฐ ๊ฐœ์š” 62 2) ๋†์ดŒ๋ฆฌ๋” ํ™œ๋™๋‚ด์šฉ 65 3) ๋†์ดŒ๋ฆฌ๋” ํ™œ๋™์˜ ์ง€์—ญ๋‚ด ์ •์„ฑ์ ยท์ •๋Ÿ‰์  ํŒŒ๊ธ‰ํšจ๊ณผ 95 4. ๋…ผ์‚ฐ์‹œ 102 1) ๋…ผ์‚ฐ์‹œ ๊ฐœ์š” 102 2) ๋†์ดŒ๋ฆฌ๋” ํ™œ๋™๋‚ด์šฉ 104 3) ๋†์ดŒ๋ฆฌ๋” ํ™œ๋™์˜ ์ง€์—ญ๋‚ด ์ •์„ฑ์  ํšจ๊ณผ 122 5. ๋‹น์ง„๊ตฐ 126 1) ๋‹น์ง„๊ตฐ ๊ฐœ์š” 126 2) ๋†์ดŒ๋ฆฌ๋” ํ™œ๋™๋‚ด์šฉ 128 6. ๋ณด๋ น์‹œ 153 1) ๋ณด๋ น์‹œ ๊ฐœ์š” 153 2) ๋†์ดŒ๋ฆฌ๋” ํ™œ๋™๋‚ด์šฉ 155 7. ๋ถ€์—ฌ๊ตฐ 172 1) ๋ถ€์—ฌ๊ตฐ ๊ฐœ์š” 172 2) ๋†์ดŒ๋ฆฌ๋” ํ™œ๋™๋‚ด์šฉ 174 3) ๋†์ดŒ๋ฆฌ๋” ํ™œ๋™์˜ ์ง€์—ญ๋‚ด ์ •์„ฑ์ ยท์ •๋Ÿ‰์  ํŒŒ๊ธ‰ํšจ๊ณผ 186 8. ์•„์‚ฐ์‹œ 194 1) ์•„์‚ฐ์‹œ ๊ฐœ์š” 194 2) ๋†์ดŒ๋ฆฌ๋” ํ™œ๋™์‹คํƒœ ๋‚ด์šฉ 196 ์ œ5์žฅ ๋ฆฌ๋”ํ™œ๋™์‹คํƒœ ํ‰๊ฐ€์™€ ๊ฐœ์„ ๋ฐฉ์•ˆ 1. ์š”์•ฝ ์ •๋ฆฌ 204 2. ๋ฆฌ๋”ํ™œ๋™์— ๋Œ€ํ•œ ์ข…ํ•ฉํ‰๊ฐ€ 207 3. ์ข…ํ•ฉํ‰๊ฐ€๋ฅผ ํ†ตํ•œ ๊ฐœ์„ ๋ฐฉ์•ˆ 210 ์ œ6์žฅ ๊ฒฐ๋ก  1. ์ •์ฑ…์ œ์–ธ 214 1) ํ›„๊ณ„๋ฆฌ๋” ์ธ๋ ฅ๋ฐœ๊ตด๊ณผ ์–‘์„ฑ์‹œ์Šคํ…œ ๊ตฌ์ถ• 215 2) ์ง€์—ญ์—ญ๋Ÿ‰๊ฐ•ํ™” ๊ณ„ํš ์ˆ˜๋ฆฝ๊ณผ ์ถฉ๋‚จ ๋†์ดŒ์ง€์—ญ ๋ฆฌ๋”์‰ฝ ๊ต์œกํ”„๋กœ๊ทธ๋žจ ์šด์˜ 216 3) ํ˜„์‹ค์ ์ธ ์˜ˆ์‚ฐ๊ณผ ์ œ๋„ ์ธํ”„๋ผ ๊ธฐ๋ฐ˜์กฐ์„ฑ 217 4) ์ง€์—ญ์˜ ๋ฌธํ™”ยท์‚ฌํšŒยท์ •์„œยท์—ญ์‚ฌ ์—ฌ๊ฑด์˜ ์ข…ํ•ฉ์ ์œผ๋กœ ๊ณ ๋ ค๋œ ์ฐจ๋ณ„ํ™” ์ •์ฑ… ์ˆ˜๋ฆฝ 218 2. ๋งบ์Œ๋ง 219 ์ฐธ๊ณ ๋ฌธํ—Œ 22
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