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    A study on the phenomenon of the garden culture consumption, targeting the garden cafes

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    ν•™μœ„λ…Όλ¬Έ(석사) -- μ„œμšΈλŒ€ν•™κ΅λŒ€ν•™μ› : ν™˜κ²½λŒ€ν•™μ› ν™˜κ²½μ‘°κ²½ν•™κ³Ό, 2022.2. 성쒅상.졜근 μ†Œλ“ μˆ˜μ€€μ˜ μ¦λŒ€μ— 따라 λ¬Έν™” ν–₯유의 μš•κ΅¬κ°€ λ†’μ•„μ§€λ©΄μ„œ 정원은 주택 외뢀곡간에 ν•œμ •λ˜μ§€ μ•Šκ³  싀내정원, μ˜₯상정원 λ“± μΌμƒμƒν™œκ³Ό κ²°λΆ€λ˜μ–΄ νœ΄μ–‘, μ²΄ν—˜, ꡐ윑, 먹거리 λ“± λ‹€μ–‘ν•œ ν˜•νƒœλ‘œ μ΄μš©ν•  수 μžˆλŠ” κ³΅κ°„μœΌλ‘œ μ§„ν™”ν•˜κ³  μžˆλ‹€. 일찍이 μ •μ›λ¬Έν™”λŠ” μžμ—°κ³Ό λ¬Έν™”λ₯Ό 배경으둜 μ§€μ—­μ˜ μžμ—°μ  νŠΉμ„±μ— 따라 λ…νŠΉν•˜κ²Œ ν˜•μ„±λœ μ‚¬νšŒμ , 문화적 의미λ₯Ό λ‚΄ν¬ν•˜κ³  있으며(ν•œκ΅­λ²•μ œμ—°κ΅¬μ›, 2020), κ΅­λ‚΄ μ •μ›μ˜ ν˜•νƒœ λ˜ν•œ μ‘°μ„ μ‹œλŒ€, κ·ΌλŒ€, λ‚¨λΆμ „μŸ 직후, 1990λΆ€ν„° ν˜„μž¬κΉŒμ§€ κ³„μ†ν•˜μ—¬ λ³€ν™”ν–ˆλ‹€. μ΅œκ·Όμ—λŠ” β€˜μˆ˜λͺ©μ› 정원 μ‘°μ„± 및 진ν₯법’ μ•„λž˜ 정원문화λ₯Ό ν™•μ‚°ν•˜κ³ μž ν•˜λŠ” λ…Έλ ₯이 λΆ€λ‹¨νžˆ 이루어 지고 있으며, μ‹œλ―Όλ“€μ΄ μΈμ‹ν•˜λŠ” μ •μ›μ˜ λ²”μœ„λ„ 곡적인 κ³΅κ°„μœΌλ‘œ λΉ λ₯΄κ²Œ ν™•μž₯되고 μžˆλ‹€. λ‚˜μ•„κ°€ 정원은 이내 μ†ŒλΉ„λ˜λŠ” λ¬Έν™”λ‘œμ„œ λ‚˜μ•„κ°€κ³  있으며, 카페λ₯Ό λΉ„λ‘―ν•œ 각쒅 상업 κ³΅κ°„μ—μ„œ 정원듀이 λ“€μ–΄μ„œκ³  μžˆλ‹€. 특히 정원을 ν¬ν•¨ν•œ μΉ΄νŽ˜λŠ” 도심 μ™Έκ°μ—μ„œ μ‹œμž‘λ˜μ–΄ 도심지 내에도 λΉ λ₯΄κ²Œ μƒκ²¨λ‚˜κ³  μžˆλ‹€. μˆ˜μš”μ™€ 곡급 κ°„μ˜ κ΄€κ³„λŠ” 규λͺ…λ˜μ§€ μ•Šμ•˜μœΌλ‚˜, μƒλ‹Ήνžˆ 잘 갖좔어진 정원듀이 점점 λŠ˜μ–΄λ‚˜κ³  μ£Όλͺ©λ°›λŠ” λ°” ν•΄λ‹Ή 카페의 μˆ˜μš”μ›μΈμ΄ 정원에 μžˆλ‹€κ³  νŒλ‹¨ν–ˆλ‹€. ν˜„μž¬ μΉ΄νŽ˜λŠ” ν˜„λŒ€μΈμ˜ κ°€μž₯ λŒ€μ€‘μ μΈ μ—¬κ°€ 곡간 쀑 ν•˜λ‚˜λ‘œ 이용되고 μžˆλŠ”λ°, λ§Œμ•½ μ •μ›μΉ΄νŽ˜κ°€ μ •μ›ν˜„μž₯μœΌλ‘œμ„œ μœ μ˜λ―Έν•œ 의미λ₯Ό 가지고 μžˆλ‹€λŠ” 사싀을 νŒŒμ•…ν•  수 μžˆλ‹€λ©΄, ν˜„μ‹œλŒ€μ˜ λŒ€μ€‘λ“€μ΄ μΌμƒμ—μ„œ μ‰½κ²Œ λ§ˆμ£Όν•  수 μžˆλŠ” μƒˆλ‘œμš΄ ν˜•νƒœμ˜ 정원 κ³΅κ°„μ΄μž 정원문화 μ†ŒλΉ„κ°€ 일어날 수 μžˆλŠ” κ³΅κ°„μœΌλ‘œμ„œ 의미λ₯Ό κ°€μ§ˆ κ°€μΉ˜κ°€ μžˆμ„ 것이라 μ˜ˆμΈ‘ν•˜μ˜€λ‹€. λ”°λΌμ„œ ν•΄λ‹Ή 곡간에 λŒ€ν•œ 인식과 λ°©λ¬Έ λͺ©μ , μ„ ν˜Έ 이유 등을 νŒŒμ•…ν•˜κ³  λŒ€μ€‘λ“€μ˜ μ–΄λ–€ μ˜μ‹μ„ λ°˜μ˜ν•˜μ—¬ νŠΈλžœλ“œκ°€ μ§„ν–‰λ˜λŠ”μ§€ μ•Œμ•„λ³΄λŠ” 과정을 κ±°μ³€λ‹€. 정원문화가 μΌμ–΄λ‚˜λŠ” ν˜„μž₯μœΌλ‘œμ„œ κ°€μ§€λŠ” μ •μ›μΉ΄νŽ˜μ˜ 의미λ₯Ό μ•Œμ•„κ°€λŠ” 과정인 만큼, 연ꡬ λ²”μœ„λ₯Ό λͺ…ν™•νžˆ ν•˜κΈ° μœ„ν•΄ β€˜μ •μ›μΉ΄νŽ˜β€™λΌλŠ” λŒ€μƒμ„ νŒŒμ•…ν•˜κ³ μž ν•˜μ˜€λ‹€. μ •μ›μ£Όμ˜ 사전 인터뷰 μžλ£Œκ°€ ν™•λ³΄λ˜λŠ” 정원과 졜근 검색 νŠΈλžœλ“œ 상단에 μ‘΄μž¬ν•˜λŠ” μ •μ›μΉ΄νŽ˜λ₯Ό μ‘°μ‚¬ν•˜μ—¬ μ—°κ΅¬μ˜ λ²”μœ„μ— ν•΄λ‹Ήν•˜λŠ” λŒ€μƒμ§€λ₯Ό μ„ λ³„ν•˜μ˜€μœΌλ©°, 이후 각 μ •μ›μΉ΄νŽ˜μ˜ 정원주와 방문객을 λŒ€μƒμœΌλ‘œ 인터뷰 및 섀문쑰사 그리고 ν™œλ™κ΄€μ°°μ„ μ§„ν–‰ν•˜μ—¬ λΆ„μ„ν–ˆλ‹€. κ·Έ κ²°κ³Ό μ •μ›μΉ΄νŽ˜λŠ” 정원주듀이 μ •μ›μœΌλ‘œ ν•˜μ—¬κΈˆ λ‹¬μ„±ν•˜κ³ μž ν•˜λŠ” νŠΉμ • λͺ©μ μ„ μ‹€ν˜„ν•˜λŠ” ν˜„μž₯μœΌλ‘œμ„œ 운영되고 μžˆλ‹€λŠ” 사싀을 확인 ν•˜μ˜€κ³ , 각기 λ‹€λ₯Έ λ°©λ²•μœΌλ‘œ 정원문화 ν™œλ™λ„ μ§„ν–‰ν•˜κ³  μžˆλ‹€λŠ” 것을 νŒŒμ•…ν•  수 μžˆμ—ˆλ‹€. λ˜ν•œ μ •μ›μΉ΄νŽ˜λŠ” λ°©λ¬Έκ°λ“€μ˜ 정원에 λŒ€ν•œ 갈증 ν•΄μ†Œλ₯Ό 해쀄 수 있으며, 정원이 μ£ΌλŠ” κ³΅κ°„μ˜ λΆ„μœ„κΈ°λ‘œ μΈν•œ λ§Œμ‘±κ°μ„ κ²½ν—˜ν•  수 있게 ν•˜λŠ” κ³΅κ°„μœΌλ‘œ λ‚˜νƒ€λ‚¬λ‹€. λ‚˜μ•„κ°€ 정원을 κ²½ν—˜ν•΄λ³΄μ§€ λͺ»ν•œ λ°©λ¬Έκ°λ“€μ—κ²Œλ„ 정원을 κ°€κΉŒμ΄ κ²½ν—˜ν•˜κ²Œ λ§Œλ“œλŠ” κ³΅κ°„μœΌλ‘œ μž‘μš©ν•˜μ—¬ 정원에 λŒ€ν•΄ 관심을 κ°€μ§€κ²Œ λ§Œλ“€ 수 μžˆλŠ” 잠재λ ₯을 가지고 μžˆλŠ” 것이 ν™•μΈλ˜μ—ˆλ‹€. 이후 μ •μ›μ—μ„œ μ˜€λŠ” λ§Œμ‘±κ°μ€ νƒ€μΈμ—κ²Œλ‘œμ˜ ꢌ유둜 이어지고 μžˆμŒμ„ 확인 ν•  수 μžˆμ—ˆμœΌλ©°, 인터뷰 λŒ€μƒ μ—­μ‹œ 이 과정을 톡해 정원을 λ°©λ¬Έν•˜κΈ° μœ„ν•œ μž₯μ†Œλ‘œ 카페λ₯Ό μ„ νƒν•˜κ²Œ λλ‹€λŠ” 것을 ν™•μΈν•˜μ—¬ 이 λ˜ν•œ μ‹€μ œ μ •μ›ν˜„μž₯의 μ „νŒŒ κ³Όμ •μž„μ„ μ•Œ 수 μžˆμ—ˆλ‹€. 즉 ν˜„λŒ€μ  μ˜λ―Έμ—μ„œ μ •μ›μΉ΄νŽ˜λŠ” 정원문화λ₯Ό κ²½ν—˜ν•˜κΈ° μœ„ν•œ λŒ€μ•ˆ μž₯μ†Œλ‘œ μ΄μš©λ˜κΈ°λ„ ν•˜λ©°, 카페λ₯Ό λͺ©μ μœΌλ‘œ λ°©λ¬Έν•œ λΆˆνŠΉμ • λ‹€μˆ˜μ˜ λ°©λ¬Έκ°μ—κ²Œλ„ 정원 곡간을 λ§ˆμ£Όν•  수 있게 ν•˜λŠ” κ³΅κ°„μœΌλ‘œ μž‘μš©ν•  수 μžˆλŠ” β€˜μ •μ›λ¬Έν™” μ „νŒŒ κ³΅κ°„β€™μœΌλ‘œ μ—­ν• ν•˜κ³  μžˆλŠ” κ²ƒμœΌλ‘œ 보인닀.With the recent increase in income level, the desire for cultural enjoyment has increased. Soon, the garden was not limited to the exterior space of the house, but was connected with daily life such as indoor garden and roof garden. In addition, the garden is evolving into a space that can be used in various forms such as recreation, experience, education, and food. Early on, garden culture had social and cultural meanings uniquely formed according to the natural characteristics of the region against nature and culture (Korea Institute of Law, 2020). It has continued to change to this day. Recently, efforts have been made to spread garden culture under the β€˜Arboretum Garden Creation and Promotion Act’. As a result, the range of gardens recognized by citizens is also rapidly expanding into public spaces. Furthermore, gardens are moving forward as a culture of consumption, and gardens are entering various commercial spaces including cafes. In particular, cafes, including gardens, started outside the city center and are rapidly emerging within the city center as well. The relationship between supply and demand has not been elucidated. However, as the number of well-maintained gardens is increasing and attracting attention, it is determined that the root cause of the cafe is in the garden. In addition, cafes are being used as the most popular leisure space for modern people. If we can understand that garden cafes have a meaningful meaning as a garden site, it is predicted that garden cafes in the present age are a new type of garden space experienced by the public. It was predicted that it would be possible to recognize the fact that it is being used as a space where garden culture consumption takes place. Therefore, the public's perception of the space, the purpose of the visit, and the reasons for preference were identified. And it went through the process of finding out if the trend was going by reflecting the consciousness of the public.As it is a process of understanding the meaning of garden cafes as a site where garden culture takes place, we tried to clarify the scope of the study. Afterwards, the garden where the preliminary interview data of the owner of the garden was secured, and the garden cafe existing at the top of the recent search trend were investigated, and the target sites corresponding to the scope of the study were selected. Afterwards, interviews, surveys, and activity observations were conducted for garden owners and visitors of each garden cafe and analyzed. As a result, it was confirmed that the garden cafe is being operated as a site to realize the specific purpose that gardeners want to achieve, and it can be understood that garden culture activities are also carried out in different ways. In addition, the garden cafe was found to be a space that can satisfy visitors' demands for a garden, and allows them to experience the satisfaction of the atmosphere of the space provided by the garden. Furthermore, it was confirmed that it has the potential to stimulate interest in the garden by acting as a space that allows visitors who have never experienced the garden to experience it up close. Afterwards, it was confirmed that the satisfaction from the garden leads to invitations to others, and through this process, the interviewees also confirmed that they chose a cafe as a place to visit the garden, indicating that this is also a propagation process of the actual garden site. Could know. In other words, in a modern sense, the garden cafe is used as an alternative place to experience the garden culture, and it acts as a space where the unspecified number of visitors who visit for the purpose of the cafe can face the garden space. Therefore, the garden cafe is playing a role as a β€˜space for spreading garden culture’.제1μž₯ μ„œλ‘  1절. μ—°κ΅¬μ˜ λ°°κ²½ 및 λͺ©μ  01 1. μ—°κ΅¬μ˜ λ°°κ²½ 01 2. μ—°κ΅¬μ˜ λͺ©μ  및 의의 02 2절. μ—°κ΅¬μ˜ 방법 및 λ²”μœ„ 04 1. μ—°κ΅¬μ˜ 방법 04 2. μ—°κ΅¬μ˜ λ²”μœ„ 06 제2μž₯ μ •μ›μΉ΄νŽ˜μ— λŒ€ν•œ 이해 1절. λ―Όκ°„μ •μ›μ˜ ν˜•νƒœ λ³€ν™” 14 1. 20μ„ΈκΈ° 민간정원 ν˜•νƒœμ˜ λ°©ν–₯ 15 2. 21μ„ΈκΈ° κ΅­λ‚΄ 민간정원 ν˜•νƒœ λ³€ν™” 17 2절. μ •μ›μΉ΄νŽ˜ 21 1. μ •μ›μΉ΄νŽ˜μ˜ 동ν–₯ 21 2. ν˜„λŒ€μ‚¬νšŒμ—μ„œμ˜ μ •μ›μΉ΄νŽ˜ μ†ŒλΉ„λ°©ν–₯ 22 3. μ •μ›μΉ΄νŽ˜μ˜ 운영 λͺ©μ  27 3절. λΆ„μ„μ˜ ν‹€ 및 μ‘°μ‚¬μ˜ 흐름 32 1. λΆ„μ„μ˜ ν‹€ 32 2. μ‘°μ‚¬μ˜ 흐름 34 제3μž₯ 정원주가 μΆ”κ΅¬ν•˜λŠ” μ •μ›μΉ΄νŽ˜μ—μ„œμ˜ 정원문화 1절. μ •μ›μΉ΄νŽ˜ 운영 λ°°κ²½ 및 λͺ©μ  35 1. κ°œμš” 및 λ°°κ²½ 35 2. 운영 λͺ©μ  37 2절. 정원 μœ ν˜• 및 μ‹œμ„€ 41 1. μ˜¨μ‹€ μ€‘μ‹¬μ˜ 정원 41 2. 밭으둜 일ꡬ어진 정원 42 3. μ‡Όκ°€λ“ , 재배 및 ꡐ윑 μž₯μ†Œλ‘œμ„œμ˜ 정원 43 4. μžˆλŠ” κ·ΈλŒ€λ‘œμ˜ 정원 45 3절. 정원문화 ν™œλ™ 및 ν–₯ν›„ κ³„νš 46 1. 정원문화 ν™œλ™ 46 2. ν–₯ν›„ κ³„νš 48 4절. μ†Œκ²° 50 1. λͺ©μ μ‹€ν˜„ κ³΅κ°„μœΌλ‘œμ„œμ˜ 정원 50 2. 정원문화 μ†Œν†΅ κ³΅κ°„μœΌλ‘œμ„œμ˜ 카페 51 3. β€˜μ •μ›μΉ΄νŽ˜β€™ λͺ…λͺ…에 λŒ€ν•œ μ •μ›μ£Όλ“€μ˜ 의견 52 제4μž₯ 섀문쑰사 및 인터뷰, 관찰을 ν†΅ν•œ 방문객 뢄석 1절. μ •μ›μΉ΄νŽ˜ μ†ŒλΉ„μž μœ ν˜• 뢄석 54 1. μ—°λ Ή 및 λ°©λ¬Έ ꡬ성원 54 2. μœ μž… κ²½λ‘œμ™€ λͺ©μ  58 3. 응닡 μœ ν˜•μ— λ”°λ₯Έ μ’…ν•© 뢄석 63 4. μ •μ›μΉ΄νŽ˜ 방문객 ν™œλ™ κ΄€μ°° 67 2절. μ •μ›μœΌλ‘œμ„œμ˜ 의미 νŒλ‹¨ 72 1. μ •μ›μ˜ λ°©λ¬Έ κ²½ν—˜ μ—¬λΆ€ 73 2. μ •μ›μœΌλ‘œμ„œμ˜ 의미 뢄석 75 3절. μ†Œκ²° 80 1. 정원 μ „νŒŒ κ³΅κ°„μœΌλ‘œμ„œμ˜ μ •μ›μΉ΄νŽ˜ 80 2. μ •μ›μΉ΄νŽ˜ λ°©λ¬Έ 동기 81 제5μž₯ κ²°λ‘  1절. μ—°κ΅¬μ˜ μš”μ•½ 85 2절. μ—°κ΅¬μ˜ μ‹œμ‚¬μ κ³Ό ν•œκ³„ 86 [μ°Έκ³  λ¬Έν—Œ] 89 [λΆ€ 둝] 98 1. SNS 검색 상단에 μœ„μΉ˜ν•œ μ •μ›μΉ΄νŽ˜ 24곳의 μ„ΈλΆ€ 정보 98 2. 정원주 인터뷰 λͺ©λ‘ 115 3. 방문객 섀문쑰사 및 인터뷰 양식 116 4. μœ ν˜•ν™”λ˜μ§€ μ•Šμ€ λ°©λ¬Έκ°λ“€μ˜ 응닡 117 [Abstract] 119석

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    ν•™μœ„λ…Όλ¬Έ(박사)--μ„œμšΈλŒ€ν•™κ΅ λŒ€ν•™μ› :농학과 μž‘λ¬Όν•™μ „κ³΅,1999.Docto

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    ν•™μœ„λ…Όλ¬Έ(석사)--μ„œμšΈλŒ€ν•™κ΅ λŒ€ν•™μ› :μ•½ν•™κ³Ό μœ„μƒν™”ν•™μ „κ³΅,2004.Maste

    The Essays on the Economic Analyses of New IT Online Contents Business:Game, Music and Smartphone

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    ν•™μœ„λ…Όλ¬Έ (박사)-- μ„œμšΈλŒ€ν•™κ΅ λŒ€ν•™μ› : κ²½μ˜ν•™κ³Ό κ²½μ˜ν•™ 전곡, 2013. 2. μœ λ³‘μ€€.The study on consumers actual value for online service consumptions offers new business insights as online contents business and technology are dramatically converging. Ubiquitous Internet penetration is leading to networked gaming and greater online participation. The values driven from engagement in online communities underpin value based pricing. Trans-information mechanism that enables the right choice captures consumers attention. The slot-design mechanism reflects the value of the attention. The digital contents business promises increasing productivity as smartphone becomes more powerful. Lately, smartphone acts as a key channel to deliver online content services. The consumers value based pricing and the information delivery mechanism to rivet their attention have been prevalent and rapidly studied in an emerging technology. The research interest is to identify the value creation of online content consumptions and its new delivery channel. This thesis examines the values tide up with online gaming participants, the ranking mechanism reflecting customers attentions, and impact of smartphone on online content services. In the first essay, the study reports on the valuation of the time that a user participates in an online community. To estimate the value, I conducted econometric analysis for a large data set from a massive multi-player online role-playing game from Korea. I specified the model based on knowledge of the game players and the activities in which they engage in a field study. The results permit us to estimate hedonic value in monetary terms per minute of participant game play. I discuss how to use this type of information to create incentives through participation fees and subsidies to maximize consumer value, while creating additional network benefits for others. I also extend the empirical work through the development of an analytical model with related numerical simulation to show how a gaming service provider can support differential pricing, including the possibility of early participation subsidized pricing, over a participant's life time of activities in the game. I further discuss the applications of the approach that I present, and why and how it can be used to evaluate other types of mechanisms that involve hedonic and utilitarian value. In the second essay, I analyze the music charts of an online digital music distributor that displays real time and weekly rankings on its website, and study how ranking policy should be set to maximize the value of its online music ranking service. The existing mechanisms considers only streaming and download volumes, while the new ranking mechanism reflects more accurate preferences for popularity, pricing policy, and the slot effect based on the exponential decay of attention. The new ranking model is designed to verify correlations with two kinds of service volumes for popularity, pricing policy, and the slot effect. Slot mechanism design is analyzed in a heuristic way. My analysis shows that music content sellers maximize benefits by assigning their own music items to the highest-ranking slot, which provides visibility. Also sellers can strategically design the slot size to influence the popularity of music items. Music content buyers gain indirect benefits by getting segmented ranking slots and reducing search costs. Empirical analysis illustrates the features of the online music industry and validates hypotheses constructed around the new ranking model. The results show that the new ranking mechanism is more effective. In the last essay, emerging technologies have created disruptions in organizational, business process and industry contexts. They act as shocks to a system. I focus on a retail telecom service providers offerings of different bundles, including mobile phones, Internet and cable TV services. I conduct empirical regularities analysis for one country in Asia, which was affected by the emergence of smartphones in 2009. I assess the impacts on the service bundle choices of a providers customers. I analyze customer switching among service bundles involving three services. I compute switching probabilities for each of the service levels offered, as well as between bundles. I use Markov chain transition analysis to describe the patterns. I find evidence for: smartphone effects on the contents of service demandsubstitution between different kinds of Internet servicesand migration of video consumption from cable TV to mobile services. In addition, I compute the instantaneous transition rate from feature phone services to smartphone services on a monthly basis. In our estimation, I identify the marginal effects of price and remaining contract on the transition rate. The results provide a basis for improved management of retail services bundling and pricing strategies.ABSTRACT 1 LIST OF TABLES 7 LIST OF FIGURES 9 Chapter 1 Hedonic Valuation of Online Game Participation 1.1 Introduction 11 1.2 Research Setting and Data 16 1.2.1 Research Setting 16 1.2.2 Variables, Data 18 1.2.3 Analysis Process in This Research 19 1.3 Empirical analysis 21 1.3.1 Hedonic value of network participation 21 1.4 Pricing Scheme design in online gaming 27 1.5 Discussion 39 1.5.1 Model Issues 39 1.5.2 Empirical Issues 40 1.5.3 Measurement Issues 41 1.5.4 Managerial issues 43 1.6 Conclusion 45 Chapter 2 Online Music Ranking Mechanism Design 2.1 Introduction 48 2.2 Theory and literature 50 2.2.1 Estimated sales of ranked items 51 2.2.2 Ranking mechanisms 52 2.3 Ranking model 53 2.3.1 Ranking application 54 2.3.2 Ranking function 58 2.3.3 The slot effect 60 2.3.3.1 Slot mechanism design 60 2.4 The empirical study 66 2.4.1 Overview of findings about online music distributors 66 2.4.2 Data 70 2.5. Data analysis and results 72 2.5.1 The general analysis of ranking and popularity 72 2.5.2 Analysis of Hypotheses 1 and 2 75 2.5.3 Analysis of Hypothesis 3 (Slot effect) 78 2.5.4 Possible applications of the new ranking mechanism 78 2.6 Conclusion 80 Chapter 3 Smartphones Impact on Triple-play Service of Digital Contents 3.1 Introduction 82 3.2 Literature 85 3.2.1 Disruptive technologies 85 3.2.2 Retail telecom services 86 3.2.3 Bundling 87 3.2.4 Customer turnover and account churn 88 3.3 Research Setting and Data 88 3.3.1 Research Setting 88 3.3.2 Data 89 3.4 Markov Chain Transition Model 91 3.5 Baseline Bundle Switching Results 93 3.5.1 Single-service switching analysis 93 3.5.2 Triple-service switching analysis 97 3.6 Extension: Cross-Platform Effects 100 3.6.1 New smartphone subscription plans 100 3.6.2 Substitution Involving Smartphones 102 3.6.3 Changes in cable TV subscriptions 104 3.7 Empirical analysis 105 3.7.1 Empirical model 105 3.7.2 Results 107 3.7.3 Managerial issues 110 3.8 Discussion 110 References 113 Appendix-A 121Docto

    A study on the phenomenon of the garden culture consumption, targeting the garden cafes

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    졜근 μ†Œλ“ μˆ˜μ€€μ˜ μ¦λŒ€μ— 따라 λ¬Έν™” ν–₯유의 μš•κ΅¬κ°€ λ†’μ•„μ§€λ©΄μ„œ 정원은 주택 외뢀곡간에 ν•œμ •λ˜μ§€ μ•Šκ³  싀내정원, μ˜₯상정원 λ“± μΌμƒμƒν™œκ³Ό κ²°λΆ€λ˜μ–΄ νœ΄μ–‘, μ²΄ν—˜, ꡐ윑, 먹거리 λ“± λ‹€μ–‘ν•œ ν˜•νƒœλ‘œ μ΄μš©ν•  수 μžˆλŠ” κ³΅κ°„μœΌλ‘œ μ§„ν™”ν•˜κ³  μžˆλ‹€. 일찍이 μ •μ›λ¬Έν™”λŠ” μžμ—°κ³Ό λ¬Έν™”λ₯Ό 배경으둜 μ§€μ—­μ˜ μžμ—°μ  νŠΉμ„±μ— 따라 λ…νŠΉν•˜κ²Œ ν˜•μ„±λœ μ‚¬νšŒμ , 문화적 의미λ₯Ό λ‚΄ν¬ν•˜κ³  있으며(ν•œκ΅­λ²•μ œμ—°κ΅¬μ›, 2020), κ΅­λ‚΄ μ •μ›μ˜ ν˜•νƒœ λ˜ν•œ μ‘°μ„ μ‹œλŒ€, κ·ΌλŒ€, λ‚¨λΆμ „μŸ 직후, 1990λΆ€ν„° ν˜„μž¬κΉŒμ§€ κ³„μ†ν•˜μ—¬ λ³€ν™”ν–ˆλ‹€. μ΅œκ·Όμ—λŠ” β€˜μˆ˜λͺ©μ› 정원 μ‘°μ„± 및 진ν₯법’ μ•„λž˜ 정원문화λ₯Ό ν™•μ‚°ν•˜κ³ μž ν•˜λŠ” λ…Έλ ₯이 λΆ€λ‹¨νžˆ 이루어 지고 있으며, μ‹œλ―Όλ“€μ΄ μΈμ‹ν•˜λŠ” μ •μ›μ˜ λ²”μœ„λ„ 곡적인 κ³΅κ°„μœΌλ‘œ λΉ λ₯΄κ²Œ ν™•μž₯되고 μžˆλ‹€. λ‚˜μ•„κ°€ 정원은 이내 μ†ŒλΉ„λ˜λŠ” λ¬Έν™”λ‘œμ„œ λ‚˜μ•„κ°€κ³  있으며, 카페λ₯Ό λΉ„λ‘―ν•œ 각쒅 상업 κ³΅κ°„μ—μ„œ 정원듀이 λ“€μ–΄μ„œκ³  μžˆλ‹€. 특히 정원을 ν¬ν•¨ν•œ μΉ΄νŽ˜λŠ” 도심 μ™Έκ°μ—μ„œ μ‹œμž‘λ˜μ–΄ 도심지 내에도 λΉ λ₯΄κ²Œ μƒκ²¨λ‚˜κ³  μžˆλ‹€. μˆ˜μš”μ™€ 곡급 κ°„μ˜ κ΄€κ³„λŠ” 규λͺ…λ˜μ§€ μ•Šμ•˜μœΌλ‚˜, μƒλ‹Ήνžˆ 잘 갖좔어진 정원듀이 점점 λŠ˜μ–΄λ‚˜κ³  μ£Όλͺ©λ°›λŠ” λ°” ν•΄λ‹Ή 카페의 μˆ˜μš”μ›μΈμ΄ 정원에 μžˆλ‹€κ³  νŒλ‹¨ν–ˆλ‹€. ν˜„μž¬ μΉ΄νŽ˜λŠ” ν˜„λŒ€μΈμ˜ κ°€μž₯ λŒ€μ€‘μ μΈ μ—¬κ°€ 곡간 쀑 ν•˜λ‚˜λ‘œ 이용되고 μžˆλŠ”λ°, λ§Œμ•½ μ •μ›μΉ΄νŽ˜κ°€ μ •μ›ν˜„μž₯μœΌλ‘œμ„œ μœ μ˜λ―Έν•œ 의미λ₯Ό 가지고 μžˆλ‹€λŠ” 사싀을 νŒŒμ•…ν•  수 μžˆλ‹€λ©΄, ν˜„μ‹œλŒ€μ˜ λŒ€μ€‘λ“€μ΄ μΌμƒμ—μ„œ μ‰½κ²Œ λ§ˆμ£Όν•  수 μžˆλŠ” μƒˆλ‘œμš΄ ν˜•νƒœμ˜ 정원 κ³΅κ°„μ΄μž 정원문화 μ†ŒλΉ„κ°€ 일어날 수 μžˆλŠ” κ³΅κ°„μœΌλ‘œμ„œ 의미λ₯Ό κ°€μ§ˆ κ°€μΉ˜κ°€ μžˆμ„ 것이라 μ˜ˆμΈ‘ν•˜μ˜€λ‹€. λ”°λΌμ„œ ν•΄λ‹Ή 곡간에 λŒ€ν•œ 인식과 λ°©λ¬Έ λͺ©μ , μ„ ν˜Έ 이유 등을 νŒŒμ•…ν•˜κ³  λŒ€μ€‘λ“€μ˜ μ–΄λ–€ μ˜μ‹μ„ λ°˜μ˜ν•˜μ—¬ νŠΈλžœλ“œκ°€ μ§„ν–‰λ˜λŠ”μ§€ μ•Œμ•„λ³΄λŠ” 과정을 κ±°μ³€λ‹€. 정원문화가 μΌμ–΄λ‚˜λŠ” ν˜„μž₯μœΌλ‘œμ„œ κ°€μ§€λŠ” μ •μ›μΉ΄νŽ˜μ˜ 의미λ₯Ό μ•Œμ•„κ°€λŠ” 과정인 만큼, 연ꡬ λ²”μœ„λ₯Ό λͺ…ν™•νžˆ ν•˜κΈ° μœ„ν•΄ β€˜μ •μ›μΉ΄νŽ˜β€™λΌλŠ” λŒ€μƒμ„ νŒŒμ•…ν•˜κ³ μž ν•˜μ˜€λ‹€. μ •μ›μ£Όμ˜ 사전 인터뷰 μžλ£Œκ°€ ν™•λ³΄λ˜λŠ” 정원과 졜근 검색 νŠΈλžœλ“œ 상단에 μ‘΄μž¬ν•˜λŠ” μ •μ›μΉ΄νŽ˜λ₯Ό μ‘°μ‚¬ν•˜μ—¬ μ—°κ΅¬μ˜ λ²”μœ„μ— ν•΄λ‹Ήν•˜λŠ” λŒ€μƒμ§€λ₯Ό μ„ λ³„ν•˜μ˜€μœΌλ©°, 이후 각 μ •μ›μΉ΄νŽ˜μ˜ 정원주와 방문객을 λŒ€μƒμœΌλ‘œ 인터뷰 및 섀문쑰사 그리고 ν™œλ™κ΄€μ°°μ„ μ§„ν–‰ν•˜μ—¬ λΆ„μ„ν–ˆλ‹€. κ·Έ κ²°κ³Ό μ •μ›μΉ΄νŽ˜λŠ” 정원주듀이 μ •μ›μœΌλ‘œ ν•˜μ—¬κΈˆ λ‹¬μ„±ν•˜κ³ μž ν•˜λŠ” νŠΉμ • λͺ©μ μ„ μ‹€ν˜„ν•˜λŠ” ν˜„μž₯μœΌλ‘œμ„œ 운영되고 μžˆλ‹€λŠ” 사싀을 확인 ν•˜μ˜€κ³ , 각기 λ‹€λ₯Έ λ°©λ²•μœΌλ‘œ 정원문화 ν™œλ™λ„ μ§„ν–‰ν•˜κ³  μžˆλ‹€λŠ” 것을 νŒŒμ•…ν•  수 μžˆμ—ˆλ‹€. λ˜ν•œ μ •μ›μΉ΄νŽ˜λŠ” λ°©λ¬Έκ°λ“€μ˜ 정원에 λŒ€ν•œ 갈증 ν•΄μ†Œλ₯Ό 해쀄 수 있으며, 정원이 μ£ΌλŠ” κ³΅κ°„μ˜ λΆ„μœ„κΈ°λ‘œ μΈν•œ λ§Œμ‘±κ°μ„ κ²½ν—˜ν•  수 있게 ν•˜λŠ” κ³΅κ°„μœΌλ‘œ λ‚˜νƒ€λ‚¬λ‹€. λ‚˜μ•„κ°€ 정원을 κ²½ν—˜ν•΄λ³΄μ§€ λͺ»ν•œ λ°©λ¬Έκ°λ“€μ—κ²Œλ„ 정원을 κ°€κΉŒμ΄ κ²½ν—˜ν•˜κ²Œ λ§Œλ“œλŠ” κ³΅κ°„μœΌλ‘œ μž‘μš©ν•˜μ—¬ 정원에 λŒ€ν•΄ 관심을 κ°€μ§€κ²Œ λ§Œλ“€ 수 μžˆλŠ” 잠재λ ₯을 가지고 μžˆλŠ” 것이 ν™•μΈλ˜μ—ˆλ‹€. 이후 μ •μ›μ—μ„œ μ˜€λŠ” λ§Œμ‘±κ°μ€ νƒ€μΈμ—κ²Œλ‘œμ˜ ꢌ유둜 이어지고 μžˆμŒμ„ 확인 ν•  수 μžˆμ—ˆμœΌλ©°, 인터뷰 λŒ€μƒ μ—­μ‹œ 이 과정을 톡해 정원을 λ°©λ¬Έν•˜κΈ° μœ„ν•œ μž₯μ†Œλ‘œ 카페λ₯Ό μ„ νƒν•˜κ²Œ λλ‹€λŠ” 것을 ν™•μΈν•˜μ—¬ 이 λ˜ν•œ μ‹€μ œ μ •μ›ν˜„μž₯의 μ „νŒŒ κ³Όμ •μž„μ„ μ•Œ 수 μžˆμ—ˆλ‹€. 즉 ν˜„λŒ€μ  μ˜λ―Έμ—μ„œ μ •μ›μΉ΄νŽ˜λŠ” 정원문화λ₯Ό κ²½ν—˜ν•˜κΈ° μœ„ν•œ λŒ€μ•ˆ μž₯μ†Œλ‘œ μ΄μš©λ˜κΈ°λ„ ν•˜λ©°, 카페λ₯Ό λͺ©μ μœΌλ‘œ λ°©λ¬Έν•œ λΆˆνŠΉμ • λ‹€μˆ˜μ˜ λ°©λ¬Έκ°μ—κ²Œλ„ 정원 곡간을 λ§ˆμ£Όν•  수 있게 ν•˜λŠ” κ³΅κ°„μœΌλ‘œ μž‘μš©ν•  수 μžˆλŠ” β€˜μ •μ›λ¬Έν™” μ „νŒŒ κ³΅κ°„β€™μœΌλ‘œ μ—­ν• ν•˜κ³  μžˆλŠ” κ²ƒμœΌλ‘œ 보인닀.With the recent increase in income level, the desire for cultural enjoyment has increased. Soon, the garden was not limited to the exterior space of the house, but was connected with daily life such as indoor garden and roof garden. In addition, the garden is evolving into a space that can be used in various forms such as recreation, experience, education, and food. Early on, garden culture had social and cultural meanings uniquely formed according to the natural characteristics of the region against nature and culture (Korea Institute of Law, 2020). It has continued to change to this day. Recently, efforts have been made to spread garden culture under the β€˜Arboretum Garden Creation and Promotion Act’. As a result, the range of gardens recognized by citizens is also rapidly expanding into public spaces. Furthermore, gardens are moving forward as a culture of consumption, and gardens are entering various commercial spaces including cafes. In particular, cafes, including gardens, started outside the city center and are rapidly emerging within the city center as well. The relationship between supply and demand has not been elucidated. However, as the number of well-maintained gardens is increasing and attracting attention, it is determined that the root cause of the cafe is in the garden. In addition, cafes are being used as the most popular leisure space for modern people. If we can understand that garden cafes have a meaningful meaning as a garden site, it is predicted that garden cafes in the present age are a new type of garden space experienced by the public. It was predicted that it would be possible to recognize the fact that it is being used as a space where garden culture consumption takes place. Therefore, the public's perception of the space, the purpose of the visit, and the reasons for preference were identified. And it went through the process of finding out if the trend was going by reflecting the consciousness of the public.As it is a process of understanding the meaning of garden cafes as a site where garden culture takes place, we tried to clarify the scope of the study. Afterwards, the garden where the preliminary interview data of the owner of the garden was secured, and the garden cafe existing at the top of the recent search trend were investigated, and the target sites corresponding to the scope of the study were selected. Afterwards, interviews, surveys, and activity observations were conducted for garden owners and visitors of each garden cafe and analyzed. As a result, it was confirmed that the garden cafe is being operated as a site to realize the specific purpose that gardeners want to achieve, and it can be understood that garden culture activities are also carried out in different ways. In addition, the garden cafe was found to be a space that can satisfy visitors' demands for a garden, and allows them to experience the satisfaction of the atmosphere of the space provided by the garden. Furthermore, it was confirmed that it has the potential to stimulate interest in the garden by acting as a space that allows visitors who have never experienced the garden to experience it up close. Afterwards, it was confirmed that the satisfaction from the garden leads to invitations to others, and through this process, the interviewees also confirmed that they chose a cafe as a place to visit the garden, indicating that this is also a propagation process of the actual garden site. Could know. In other words, in a modern sense, the garden cafe is used as an alternative place to experience the garden culture, and it acts as a space where the unspecified number of visitors who visit for the purpose of the cafe can face the garden space. Therefore, the garden cafe is playing a role as a β€˜space for spreading garden culture’.제1μž₯ μ„œλ‘  1절. μ—°κ΅¬μ˜ λ°°κ²½ 및 λͺ©μ  01 1. μ—°κ΅¬μ˜ λ°°κ²½ 01 2. μ—°κ΅¬μ˜ λͺ©μ  및 의의 02 2절. μ—°κ΅¬μ˜ 방법 및 λ²”μœ„ 04 1. μ—°κ΅¬μ˜ 방법 04 2. μ—°κ΅¬μ˜ λ²”μœ„ 06 제2μž₯ μ •μ›μΉ΄νŽ˜μ— λŒ€ν•œ 이해 1절. λ―Όκ°„μ •μ›μ˜ ν˜•νƒœ λ³€ν™” 14 1. 20μ„ΈκΈ° 민간정원 ν˜•νƒœμ˜ λ°©ν–₯ 15 2. 21μ„ΈκΈ° κ΅­λ‚΄ 민간정원 ν˜•νƒœ λ³€ν™” 17 2절. μ •μ›μΉ΄νŽ˜ 21 1. μ •μ›μΉ΄νŽ˜μ˜ 동ν–₯ 21 2. ν˜„λŒ€μ‚¬νšŒμ—μ„œμ˜ μ •μ›μΉ΄νŽ˜ μ†ŒλΉ„λ°©ν–₯ 22 3. μ •μ›μΉ΄νŽ˜μ˜ 운영 λͺ©μ  27 3절. λΆ„μ„μ˜ ν‹€ 및 μ‘°μ‚¬μ˜ 흐름 32 1. λΆ„μ„μ˜ ν‹€ 32 2. μ‘°μ‚¬μ˜ 흐름 34 제3μž₯ 정원주가 μΆ”κ΅¬ν•˜λŠ” μ •μ›μΉ΄νŽ˜μ—μ„œμ˜ 정원문화 1절. μ •μ›μΉ΄νŽ˜ 운영 λ°°κ²½ 및 λͺ©μ  35 1. κ°œμš” 및 λ°°κ²½ 35 2. 운영 λͺ©μ  37 2절. 정원 μœ ν˜• 및 μ‹œμ„€ 41 1. μ˜¨μ‹€ μ€‘μ‹¬μ˜ 정원 41 2. 밭으둜 일ꡬ어진 정원 42 3. μ‡Όκ°€λ“ , 재배 및 ꡐ윑 μž₯μ†Œλ‘œμ„œμ˜ 정원 43 4. μžˆλŠ” κ·ΈλŒ€λ‘œμ˜ 정원 45 3절. 정원문화 ν™œλ™ 및 ν–₯ν›„ κ³„νš 46 1. 정원문화 ν™œλ™ 46 2. ν–₯ν›„ κ³„νš 48 4절. μ†Œκ²° 50 1. λͺ©μ μ‹€ν˜„ κ³΅κ°„μœΌλ‘œμ„œμ˜ 정원 50 2. 정원문화 μ†Œν†΅ κ³΅κ°„μœΌλ‘œμ„œμ˜ 카페 51 3. β€˜μ •μ›μΉ΄νŽ˜β€™ λͺ…λͺ…에 λŒ€ν•œ μ •μ›μ£Όλ“€μ˜ 의견 52 제4μž₯ 섀문쑰사 및 인터뷰, 관찰을 ν†΅ν•œ 방문객 뢄석 1절. μ •μ›μΉ΄νŽ˜ μ†ŒλΉ„μž μœ ν˜• 뢄석 54 1. μ—°λ Ή 및 λ°©λ¬Έ ꡬ성원 54 2. μœ μž… κ²½λ‘œμ™€ λͺ©μ  58 3. 응닡 μœ ν˜•μ— λ”°λ₯Έ μ’…ν•© 뢄석 63 4. μ •μ›μΉ΄νŽ˜ 방문객 ν™œλ™ κ΄€μ°° 67 2절. μ •μ›μœΌλ‘œμ„œμ˜ 의미 νŒλ‹¨ 72 1. μ •μ›μ˜ λ°©λ¬Έ κ²½ν—˜ μ—¬λΆ€ 73 2. μ •μ›μœΌλ‘œμ„œμ˜ 의미 뢄석 75 3절. μ†Œκ²° 80 1. 정원 μ „νŒŒ κ³΅κ°„μœΌλ‘œμ„œμ˜ μ •μ›μΉ΄νŽ˜ 80 2. μ •μ›μΉ΄νŽ˜ λ°©λ¬Έ 동기 81 제5μž₯ κ²°λ‘  1절. μ—°κ΅¬μ˜ μš”μ•½ 85 2절. μ—°κ΅¬μ˜ μ‹œμ‚¬μ κ³Ό ν•œκ³„ 86 [μ°Έκ³  λ¬Έν—Œ] 89 [λΆ€ 둝] 98 1. SNS 검색 상단에 μœ„μΉ˜ν•œ μ •μ›μΉ΄νŽ˜ 24곳의 μ„ΈλΆ€ 정보 98 2. 정원주 인터뷰 λͺ©λ‘ 115 3. 방문객 섀문쑰사 및 인터뷰 양식 116 4. μœ ν˜•ν™”λ˜μ§€ μ•Šμ€ λ°©λ¬Έκ°λ“€μ˜ 응닡 117 [Abstract] 119석

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