Collection of Russian avant-garde paintings in the funds of the Krasnoyarsk Art Museum named after V. I. Surikov

Статья посвящена анализу произведений из коллекции русского авангарда Красноярского художественного музея им. В. И. Сурикова, которые ранее не становились предметом искусствоведческих исследований. Авторы проводят философско-искусствоведческий анализ репрезентативных произведений мастеров русского авангарда – В. В. Кандинского «Импровизация № 209» (1917), Л. С. Поповой «Живописная архитектоника» (1917), А. M. Родченко «Диск и волчок» (1918). В ходе исследования проведена диспозиция произведений в истории русского авангарда: картины являются репрезентативными произведениями, представляющими характерные живописные решения мастеров русского авангарда, а также их философские идеиThe article is devoted to the analysis of works from the collection of the Russian avant-garde of the Krasnoyarsk Art Museum named after V.I. Surikov. Surikov, which had not previously become the subject of art history research. The authors conduct a philosophical and art analysis of the representative works of the masters of the Russian avant-garde – V. V. Kandinsky “Improvisation No. 209” (1917), L. S. Popova “Picturesque architectonics” (1917), “Disk and spinning top” (1918) A. M. Rodchenko. In the course of the study, the disposition of works in the history of the Russian avant-garde was carried out: the paintings are representative works representing the characteristic pictorial solutions of the masters of the Russian avant-garde, as well as their philosophical idea

Study of air conditioning systems for storage and display of art works

The article describes technical characteristics of modern air conditioning systems that are of use to ensure the ambient conditions required for storage and display of art works in art museums. The author performs comparison analysis of centralized and autonomous air conditioning systems. The article includes an inference about how important it is to combine elements of both systems according to the design tasks and features of the integrated museum and exhibition platform (Museum Quarter in Krasnoyarsk), which includes historical buildings and new modern exhibition areas

“The Frieze of life” by Edvard Munch: philosophical and art analysis

В статье представлен философско-искусствоведческий анализ трех картин норвежского художника Э. Мунка - «Меланхолия» (1891-1892), «Расставание» (1896), «Танец жизни» (1899-1900), входящих в цикл «Фриз жизни». Цель анализа состояла в раскрытии художественной идеи каждого из выбранных произведений и выявлении общей концептуальной основы творчества художника. В результате методического анализа картин было обосновано, что творчество Э. Мунка, во-первых, является принципиально единым, в том смысле, что каждое произведение следует рассматривать как часть целостной художественной картины мира художника; во-вторых, выделены доминирующие композиционные свойства произведений, относящие их к стилевому пространству Ареаромантизм; в-третьих, раскрыта такая характеристика творчества Э. Мунка как программность, выражающаяся в воплощении посредством знаково-символических форм произведений глубинных смыслов человеческой жизни

Innovative qualities of today's young students (as exemplified by the Siberian Federal University)

This paper looks into young people’s attitudes to innovation. It goes without saying that being innovative is more than just an adaptation tool in a modern society; it is also a personal characteristic allowing one to be an active participant in innovation processes. This is an attempt to study innovative qualities found in today’s young students of the humanities and technology. The study was conducted using the Self-Assessment Innovation Scale (a method designed by N. M. Lebedeva and A. N. Tatarko). The key idea of this method is to gauge a person’s propensity towards innovation by self-assessing their innovative qualities. The study revealed that most students have a medium level of innovativeness; just under a third, a high level; and 1–5%, a low level. Regardless of their level of innovativeness, humanities students showed a dominating presence of creativity: not only are medium innovativeness humanities students creative, they are also more future-oriented. At the same time, they prefer to avoid risk-taking. When it comes to technology students of any kind, creativity is not their dominant feature. Yet high innovativeness technology students are almost as prone to risk-taking as they are likely to be creative. Tech students with a medium level of innovativeness are more future-oriented than any other group of respondents, but they are no strangers to creativity either. The overall level of innovativeness appears to have little to do with a student’s area of training. This may suggest that innovativeness on the whole has more to do with a student’s college rather than their line of study. But to confirm or debunk this theory, one would have to run similar studies among students of other Krasnoyarsk colleges

The Image of the Yenisei in the Paintings of Krasnoyarsk Artists

The Yenisei river occupies a significant place both in the sphere of regional identity and in paintings and graphic works of Krasnoyarsk artists, since it forms the image of Krasnoyarsk and is a connecting link of the Yenisei Siberia. The article analyses paintings and graphic works of Krasnoyarsk artists to identify the features of the image of the Yenisei in regional art. The study is based on the theoretical principles of the modern theory of visual arts and on the analysis of the selected paintings and graphic works of Krasnoyarsk artists of the 20th and 21st centuries from the collection of the Krasnoyarsk Art Museum named after V.I. Surikov. A wide range of sources, including studies of ethnocultural identity, the specific features of artistic culture and the characteristics of Krasnoyarsk landscapes is considered. In the process of comparing the analysis results, it has been revealed that for Krasnoyarsk artists the Yenisei is not only the embodiment of endless natural forces, but also a connecting and harmonising link between the human world and the natural world, at the same time representing a special identity of Siberians (Amosova, et al., 2019)

Ethnocultural space of Krasnoyarsk Krai: the current state

В статье на материале изучения современного состояния культуры коренных малочисленных народов Севера, проживающих на территории Красноярского края (селькупы, ненцы, энцы, долганы, нганасаны, эвенки, кеты, ессейские якуты), рассматриваются основные особенности и проблемы этнокультурного пространства одного из самых крупных и разнообразных по этническому составу регионов Российской Федерации. Исследование основывается на современных подходах к рассмотрению механизмов социокультурных изменений, в частности на концепции «культурной травмы» польского социолога Петра Штомпки. Статья опирается на результаты многочисленных полевых исследований, проведенных учеными Сибирского федерального университета. Среди основных проблем современного состояния этнокультурного пространства Красноярского края выделяются предпочтение массовой культуры и замена традиционного псевдо-традиционным

Innovative qualities of today's young students (as exemplified by the Siberian Federal University)

This paper looks into young people’s attitudes to innovation. It goes without saying that being innovative is more than just an adaptation tool in a modern society; it is also a personal characteristic allowing one to be an active participant in innovation processes. This is an attempt to study innovative qualities found in today’s young students of the humanities and technology. The study was conducted using the Self-Assessment Innovation Scale (a method designed by N. M. Lebedeva and A. N. Tatarko). The key idea of this method is to gauge a person’s propensity towards innovation by self-assessing their innovative qualities. The study revealed that most students have a medium level of innovativeness; just under a third, a high level; and 1–5%, a low level. Regardless of their level of innovativeness, humanities students showed a dominating presence of creativity: not only are medium innovativeness humanities students creative, they are also more future-oriented. At the same time, they prefer to avoid risk-taking. When it comes to technology students of any kind, creativity is not their dominant feature. Yet high innovativeness technology students are almost as prone to risk-taking as they are likely to be creative. Tech students with a medium level of innovativeness are more future-oriented than any other group of respondents, but they are no strangers to creativity either. The overall level of innovativeness appears to have little to do with a student’s area of training. This may suggest that innovativeness on the whole has more to do with a student’s college rather than their line of study. But to confirm or debunk this theory, one would have to run similar studies among students of other Krasnoyarsk colleges

Образ Енисея в произведениях красноярских художников

The Yenisei river occupies a significant place both in the sphere of regional identity and in paintings and graphic works of Krasnoyarsk artists, since it forms the image of Krasnoyarsk and is a connecting link of the Yenisei Siberia. The article analyses paintings and graphic works of Krasnoyarsk artists to identify the features of the image of the Yenisei in regional art. The study is based on the theoretical principles of the modern theory of visual arts and on the analysis of the selected paintings and graphic works of Krasnoyarsk artists of the 20th and 21st centuries from the collection of the Krasnoyarsk Art Museum named after V.I. Surikov. A wide range of sources, including studies of ethnocultural identity, the specific features of artistic culture and the characteristics of Krasnoyarsk landscapes is considered. In the process of comparing the analysis results, it has been revealed that for Krasnoyarsk artists the Yenisei is not only the embodiment of endless natural forces, but also a connecting and harmonising link between the human world and the natural world, at the same time representing a special identity of Siberians (Amosova, et al., 2019)Река Енисей занимает значительное место как в сфере региональной идентичности, так и в творчестве красноярских художников, поскольку формирует облик города Красноярска и является связующим звеном Енисейской Сибири. В статье анализируются живописные полотна и графическая работа красноярских художников с целью выявления особенностей образа Енисея в региональном искусстве. Исследование основывается на теоретических положениях современной теории изобразительного искусства и на анализе репрезентантов коллекции произведений красноярских художников XX-XXI вв. из собрания Красноярского художественного музея имени В.И. Сурикова. Рассматривается широкий круг источников, включающих в себя исследования этнокультурной идентичности, специфики художественной культуры и особенностей красноярских пейзажей. При сопоставлении результатов анализа установлено, что для красноярских художников Енисей является не только воплощением бескрайних природных сил, но и связующим, гармонизирующим звеном между Миром человека и Миром природы, в то же время представляя особую идентичность сибиряков (Amosova, et al., 2019

Ethnocultural Dynamics of the Indigenous Peoples of Yenisei Siberia in Research Works of 2010s‑2020s

В статье представлены результаты аналитической работы, в ходе которой были изучены исследования отечественных и зарубежных авторов, посвященные различным аспектам этнокультурной динамики коренных народов. Особое внимание было уделено публикациям, раскрывающим особенности этнокультурной динамики коренных народов Енисейской Сибири, проживающих на территории Республики Тыва, Республики Хакасия, Красноярского края. В результате было обнаружено, что в центре интересов научного сообщества находятся современные проблемы коренных народов, такие как игнорирование их прав, утрата традиционных форм хозяйствования и элементов традиционной культуры, в частности языка и менталитета, проблемы со здоровьем и образованием. На основе обзора статей, опубликованных в период с 2011 по 2021 гг., сделаны выводы о процессах, определяющих специфику этнокультурной динамики народов, проживающих на территории Енисейской СибириThe article presents the results of analytical work, during which works by domestic and foreign authors devoted to various aspects of the ethnocultural dynamics of indigenous peoples were studied. Particular attention was paid to publications that reveal the peculiarities of the ethnocultural dynamics of the indigenous peoples of Yenisei Siberia – the indigenous peoples living in the territory of the Republic of Tyva, the Republic of Khakassia, and the Krasnoyarsk Krai. As a result, it was found that the scientific community focuses on modern problems of indigenous peoples, such as ignoring their rights, losing traditional forms of management and elements of traditional culture, in particular, language and mentality, health and education problems. Based on the review of articles published in the period between 2011 and 2021 we make conclusions on the processes that determine the specifics of the ethnocultural dynamics of the peoples living on the territory of Yenisei Siberi

Study of air conditioning systems for storage and display of art works

The article describes technical characteristics of modern air conditioning systems that are of use to ensure the ambient conditions required for storage and display of art works in art museums. The author performs comparison analysis of centralized and autonomous air conditioning systems. The article includes an inference about how important it is to combine elements of both systems according to the design tasks and features of the integrated museum and exhibition platform (Museum Quarter in Krasnoyarsk), which includes historical buildings and new modern exhibition areas