Analisis Perlindungan Hukum Pemegang Hak Desain Industri Terdaftar di Indonesia

Law Number 31 of 2000 concerning the Right of Industrial Design gives the Right to the Designer both individually and together with several other people who produce creations about form, configuration, or composition of lines or colors, or lines and colors, or a combination thereof in the form three dimensions or two dimensions that give an aesthetic impression and can be realized in three-dimensional or two-dimensional patterns and can be used to produce a product, item, industrial commodity, or handicraft. Furthermore, the results of the creation are called Industrial Designs. The Act has also regulated and provided an understanding of the subject of industrial design, objects of industrial design rights, legal principles of industrial design rights, acquisition of industrial design rights and also regulates legal protection of industrial design rights holders through criminal sanctions against those who violate them. There are violations of industrial design rights in Indonesia, thus making the laws governing them increasingly play a role supported by complex solutions and providing maximum efforts to protect the problems of industrial design rights. This study discusses the regulatory system of industrial design rights, the form of violations and legal protection efforts for industrial design rights holders who have registered according to Law No. 31 of 2000 concerning Industrial Design

Analisis Perlindungan Hukum Pemegang Hak Desain Industri Terdaftar di Indonesia

Law Number 31 of 2000 concerning the Right of Industrial Design gives the Right to the Designer both individually and together with several other people who produce creations about form, configuration, or composition of lines or colors, or lines and colors, or a combination thereof in the form three dimensions or two dimensions that give an aesthetic impression and can be realized in three-dimensional or two-dimensional patterns and can be used to produce a product, item, industrial commodity, or handicraft. Furthermore, the results of the creation are called Industrial Designs. The Act has also regulated and provided an understanding of the subject of industrial design, objects of industrial design rights, legal principles of industrial design rights, acquisition of industrial design rights and also regulates legal protection of industrial design rights holders through criminal sanctions against those who violate them. There are violations of industrial design rights in Indonesia, thus making the laws governing them increasingly play a role supported by complex solutions and providing maximum efforts to protect the problems of industrial design rights. This study discusses the regulatory system of industrial design rights, the form of violations and legal protection efforts for industrial design rights holders who have registered according to Law No. 31 of 2000 concerning Industrial Design

Exploration through drawings in the conceptual stages of product design

This paper argues that sequences of exploratory drawings - constructed by designer's movements and decisions - trace systematic and logical paths from ideas to designs. This argument has three parts. First, sequences of exploratory sketches produced by product designers, against the same task specification, are analyzed in terms of the cognitive categories of reinterpretation, emergence and abstraction. Second, a computational model is outlined for the process of exploration through drawing and third the model is applied to elucidate the logic in the sequences of exploratory sketches examined earlier

Limits of Kansei – Kansei unlimited

This article discusses momentary limitations of the Kansei Engineering methods. There are for example the focus on the evaluation of colour and form factors, as well as the highly time consuming creation of the questionnaires. To overcome these limits we firstly suggest the integration of word lists from related research fields, like sociology and cognitive psychology on product emotions in the Kansei questionnaires. Thereafter we present a study on the wide range of Kansei attributes treated in an industrial setting. Concept words used by designers are being collected through word maps and categorized into attributes. In a third step we introduce a user-product interaction schema in which the Kansei attributes from the study are positioned. This schema unfolds potential expansion points for future applications of Kansei engineering beyond its current limits

Cultural-based visual expression: Emotional analysis of human face via Peking Opera Painted Faces (POPF)

© 2015 The Author(s) Peking Opera as a branch of Chinese traditional cultures and arts has a very distinct colourful facial make-up for all actors in the stage performance. Such make-up is stylised in nonverbal symbolic semantics which all combined together to form the painted faces to describe and symbolise the background, the characteristic and the emotional status of specific roles. A study of Peking Opera Painted Faces (POPF) was taken as an example to see how information and meanings can be effectively expressed through the change of facial expressions based on the facial motion within natural and emotional aspects. The study found that POPF provides exaggerated features of facial motion through images, and the symbolic semantics of POPF provides a high-level expression of human facial information. The study has presented and proved a creative structure of information analysis and expression based on POPF to improve the understanding of human facial motion and emotion

A curriculum guide for art in the elementary grades

Thesis (Ed.M.)--Boston Universit

Patterns of industrial upgrading in the clothing industry in Poland and Romania

This paper aims at understanding the impact of industrial networks with foreign and other domestic organizations on industrial upgrading of the clothing companies in Poland and Romania over the past decade. The research presented in this paper is based on interviews carried out in ten large clothing companies in Poland and Romania. The paper shows that there are differing structural influences of buyer-driven global networks on the industrial upgrading of Polish and Romanian clothing firms. Taking these global buyers as exemplars to themselves, Polish and Romanian clothing firms follow relatively different upgrading patterns, experiencing more or less the same network relationships with foreign buyers whereas differing networks with other organizations in their countries. As the level of accumulation of knowledge and skills differs among the firms, the pace and level of upgrading differs too. This paper has proposed a stylized pattern but it should not be taken as inevitable since it also tries to show that some firms might skip some sequences. As a consequence, it is not a question of the positioning of the countries on a single upgrading ladder, but more accurately it is different upgrading ladders that have been climbed in each country. There is no single pattern for all of them

How analysis and synthesis have been understood in design

In the disciplines related to the design of products and services, such as New Product Development and Design Science, there is a lack of a commonly accepted theoretical and methodical basis. This papers starts with the proposition that the ancient method of analysis and synthesis, developed originally by Greek geometers, is the basis of models that have been used to classify and describe the ill structured design problem. In this paper, we examine the possibility of improving our understanding of the design process and therefore lean design management by bringing to light a discussion about the concepts of analysis and synthesis and how these have been interpreted through time. Also, how this concept has been used within engineering design methods. To do so, we investigate how analysis and synthesis have been understood in the literature, indicating similarities and differences between ancient and current understandings